A spectacular, sprawling French-Canadian family drama, C.R.A.Z.Y. never confines itself to a single genre. Rather, it embraces them all. Lavishly told, it evokes a time, place and period with the kind of majesty only the finest works of cinema achieve. The driving narrative focuses on gay teenager Zac (Marc-André Grondin), and the means by which he comes to terms with his emerging sexuality. But it’s also the story of Zac’s turbulent relationship with his four brothers and harsh father (the explosive Michel Cote). The movie carries itself effortlessly from the ’60s to the ’80s, taking us on a far-reaching journey that ultimately finds Zac in the desert outside Jerusalem, walking in the steps of Jesus Christ. Directed by Jean-Marc Vallee, C.R.A.Z.Y. has the epic feel of Scorsese’s Goodfellas, minus the mobsters and violence. The cherry on top is the way Vallee deftly weaves flights of fantasy into the dramatic tapestry (a scene at Christmas Mass in which Zac takes flight leaves you stunned by its beauty, grace and sheer audacity). In short, C.R.A.Z.Y. is a gay film that’s inclusive of the rest of the world. It’s one of those movies you watch once and never, ever forget.