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Arts and Entertainment
Archives
Stage Section
2009, Nov 19 |
Signature's revival of Show Boat avoids choppy waters in bringing a Broadway classic to an Arlington port |
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2009, Nov 12 |
In Keegan's Mice and Men, the tension is high, the tenor is loud, and any hope of nuance dissolves into black and white |
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2009, Nov 5 |
Woolly incorporates the audience into Full Circle without sacrificing humor, cushions or easy access to bathrooms |
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2009, Nov 5 |
Cate Blanchett gives a raw, stellar performance in Streetcar and Folger imbues Much Ado with tropical flavor |
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2009, Oct 29 |
Theater J's Lost in Yonkers should be greatly applauded while Adding Machine is an incredible night of theater |
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2009, Oct 22 |
Synetic interprets Dracula through dance, lighting and a fantastically creative use of props and bodies |
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2009, Oct 22 |
Brilliantly acted and exuberantly told, Flea is farce done very well, while Psychosis marks an impressive debut |
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2009, Oct 15 |
The Alchemist offers some priceless nuggets, but overall lacks the stones to be fully satisfying |
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2009, Oct 8 |
Black Pearl Sings! is an exquisite look at the link between songs and history; Jersey Boys is incredibly entertaining |
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2009, Oct 1 |
Local groups, including Arena Stage, take part in a national, historic theatrical moment |
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2009, Sept 24 |
Arena Stage's The Quality of Life faces matters of life and death in a gutsy, thought-provoking, often witty manner |
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2009, Sept 17 |
First You Dream: The Music of Kander & Ebb |
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2009, Sept 17 |
Dorian Gray never fails, but it does falter a bit, while Moonlight gives us Pinter the way Pinter is meant to be |
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2009, Sept 10 |
Questions from the past play into our present -- and future -- in Theater J's Zero Hour and Woolly Mammoth's Eclipsed. |
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2009, Sept 10 |
Played to the hilt, WSC's campily ironic take on the classic Camille is an evening of knock-down, drag-out fun |
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2009, Aug 20 |
That's not just a Playbill in your pocket -- you really will be happy to see Signature Theatre's ''Dirty Blonde'' |
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2009, Aug 20 |
Three funny ladies helm an evening of lesbian laughs |
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2009, Aug 20 |
Poppy answers the coverboy questions |
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2009, Aug 6 |
Signature Theatre presents highlights from its upcoming season with an open house |
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2009, July 30 |
Strong acting helps sell a farce that has relevance today, in Black Box Theater's first fully staged production |
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2009, July 30 |
Local queer production of Gilbert and Sullivan's comic opera 'Iolanthe' |
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2009, July 23 |
The post-apocalyptic fairy tale Fucking A is a complicated, multi-voiced minefield that often breaks its own rules |
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2009, July 16 |
Despite its house-filling, deep-throated gospel and blues voice, The Color Purple is largely comfortable and familiar |
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2009, July 9 |
This year's Capital Fringe Festival features a dozen shows with gay and lesbian themes, ranging from mild to wild |
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2009, July 2 |
Theater J's Ari Roth has ever-so-slightly tweaked Chekhov's 'The Seagull' to make it explicitly, inherently Jewish |
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2009, June 25 |
Stacy Keach must play 'Lear' way larger than life just to avoid obsolescence in this crash-boom-bang of a production |
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2009, June 25 |
Studio partners with Sherman Cymru to offer Welsh play readings |
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2009, June 18 |
At GALA Hispanic, Eva Peron rises again -- literally -- in a twisted and funny extension of the story of Argentina |
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2009, June 18 |
Theatre Alliance takes flight with Adam Bock's play |
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2009, June 11 |
Ganymede honors Stonewall with a series of readings |
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2009, June 11 |
An evening of Valerie Harper as Tallulah Bankhead in Arena's 'Looped' is an evening of pure theatrical magic |
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2009, June 11 |
'Fever/Dream' is a pizzazz-filled concoction that skewers corporatism with a generous supply side of laughs |
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2009, June 11 |
GALA Hispanic digs up Eva Peron's mummified past |
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2009, May 28 |
Were it not for flashes of great performances and ingenuity, it would be easy to dismiss Constellation's 'Crazyface' |
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2009, May 21 |
'Giant' aims for the stars in bringing the Texas-sized tale to the stage, but its story falls short of the mark |
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2009, May 21 |
Noel Coward's 'Design for Living' may be a proto-feminist farce, but hints of homo are what steal the show at The Shakespeare |
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2009, May 21 |
Valerie Harper channels Tallulah Bankhead at Arena Stage |
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2009, May 14 |
Holly Twyford's turn in Tom Stoppard's 'Arcadia' is deeply satisfying, but young Erin Weaver steals the show |
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2009, Apr 30 |
Tom Stoppard's 'Rock 'N' Roll' leapfrogs across communism, socialism, the human soul and Sapphic interpretations |
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2009, Apr 30 |
The Kennedy Center's 'Ragtime' is a knockout on every level, while 'Bread of Winter' fails to live up to its honors |
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2009, Apr 23 |
Fresh on the heels of its first Helen Hayes Award, it would appear that Theater J has another winning show on its hands |
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2009, Apr 23 |
With 'Small Craft Warnings,' the Washington Shakespeare Company delivers a skillful, superb, intimate production |
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2009, Apr 16 |
Cuckoo's Nest is a brilliant, well-crafted show on every front; Signature fires up a haunting, unexpected musical |
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2009, Apr 16 |
The In Series stages an old-style German cabaret |
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2009, Apr 9 |
Woolly's 'Antebellum' is inspired, engaging and utterly disturbing, while Ford's 'Civil War' defies categorization |
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2009, Mar 26 |
You'd do well to head to Studio to hear the stories Dael Orlandersmith has to tell in her one-woman tour de force |
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2009, Mar 26 |
Bebe Neuwirth brings her sizzle to Strathmore |
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2009, Mar 19 |
If you like scrapbooking and the confident rattle of your Centrum Silver bottle, 'Ion' is the Greek tragedy for you |
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2009, Mar 19 |
Defaulting to sound bites and talking points, Theater J's 'Benedictus' feels more workshop than finished work |
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2009, Mar 12 |
'After the Garden' is a unique little cocktail that's equal parts drag show and cabaret with a splash of tragedy |
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2009, Mar 5 |
Adam Bock's 'The Receptionist' is a deceptively complex work that intends to reinvent the concept of the office comedy |
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2009, Feb 26 |
'Dog in the Manger' presents with a complex portrait of a woman almost undone by her personal and societal power |
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2009, Feb 19 |
Arena Stage's 'A Delicate Balance' too often loses sight of the humanity Edward Albee gave to his characters |
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2009, Feb 12 |
Prepare to be entertained, transported, repulsed and perhaps redeemed by Synetic's visual and aural tapestries |
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2009, Feb 12 |
Ford's unveils a revitalized space and a beautifully realized new work, while Round House modernizes a myth |
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2009, Feb 5 |
Suffering from a disparity of tone, Folger's 'The Winter's Tale' ultimately falls short of its creative goals |
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2009, Jan 29 |
There's poignancy and even laughter in WSC's 'Cherry Orchard,' but the evening is plagued by a lack of cohesion. |
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2009, Jan 22 |
'Little Dog Laughed' is a fast-paced and bitingly sharp comedy, while 'Seafarer' is done in by an indecisive Satan |
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2009, Jan 22 |
Tommy Tune on hits, misses, and the state of theater |
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2009, Jan 15 |
Mike Daisey takes sharp aim at the institution of theater and turns it into a provocative piece of, well... theater |
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2009, Jan 1 |
Ten phenomenal, memorable shows kept D.C. stages alight in 2008, while five minor irritants continued to annoy |
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2008, Dec 25 |
'Legally Blonde' provides a little much needed pink fluff for the holiday season |
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2008, Dec 24 |
Despite its rough edges, 'Next to Normal' gives one hope for the future of the American musical |
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2008, Dec 18 |
With his cunning reinvigoration of 'Les Misérables,' Eric Schaeffer remains the master of his Shirlington house |
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2008, Dec 18 |
Blackbird is 'edgy' and 'shocking,' but that doesn't make it good |
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2008, Dec 11 |
'Twelfth Night' is beautifully imagined and played to the hilt of comedy, while 'Alice' is rapture of a visual kind |
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2008, Dec 4 |
'Peter ' flies but contends with turbulence, while 'Glengarry' is an antidote for the more saccharine notes of the season |
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2008, Nov 20 |
Studio brings a wonderful musical to full bloom with a cast that's focused, talented and seamlessly bound together |
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2008, Nov 20 |
'Frost/Nixon' is both entertaining and informative |
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2008, Nov 20 |
'All's Well' is a refreshing, engaging evening of the Bard |
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2008, Nov 13 |
'Slumdog Millionaire' is as close to a must-see as we've gotten all year, while 'Role Models' is hilarity unbound |
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2008, Nov 13 |
Landless Theatre's 'President Harding' gets in, has fun with what it can, and makes sure not to overstay its welcome |
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2008, Nov 13 |
Don't let the sight of a futon worry you - 'Boom' is one 'ménage a trios' you'll want to join for an evening's fun |
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2008, Nov 6 |
Will Gartshore performs at Round House in Silver Spring |
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2008, Oct 30 |
Roz White handles the role of Pearl Bailey such aplomb at MetroStage, you'll almost forget she's not the famed star |
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2008, Oct 30 |
'Honey Brown Eyes' boasts a strong story, but is hindered by awkward pacing and several unsuccessful performances |
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2008, Oct 23 |
The Folger Theatre is a brilliant location for 'Henry IV,' and these weeks before the elections, the perfect timing |
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2008, Oct 16 |
Helmed by a strong, talented cast, 'Altar Boyz' is likely to be the best faux concert you'll bear witness to all year |
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2008, Oct 16 |
Daniel MacIvor may be a clever observer of the world, but in 'A Beautiful View,' his characters never truly touch us |
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2008, Oct 9 |
'Way of the World' is a funny, impossibly complex scramble of double-dealing, shady alliances and adulterous affairs |
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2008, Oct 2 |
The riotously funny 'Inishmore' is not a show for folks prone to queasy stomachs or who sport a PETA stickers on their Volvos |
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2008, Sept 25 |
With men in the women's roles, 'Romeo and Juliet' feels like a novelty performed by a troupe of Elizabethan drag queens |
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2008, Sept 18 |
Daniel Beaty's 'Resurrection' is a piece buoyant with warmth, wit, heartbreak, anger and the beauty of language itself |
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2008, Sept 18 |
A constant, claustrophobic and anxiety-inducing press of a show, 'The Road to Mecca' is a journey well-worth taking |
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2008, Sept 18 |
Signature's production of the new musical 'ACE' is a success destined to bring every audience member to their feet |
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2008, Sept 4 |
Chris Gallu's adaptation of 1984 is anything but an overly academic experience -- it's a fresh vision of an old hell |
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2008, Sept 4 |
Mark Chalfant of Washington Improv Theater |
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2008, Aug 28 |
Jason Grote's crazily entertaining comedy is a surreal, witty, expertly performed opener to Woolly's new season |
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2008, Aug 21 |
'bare the musical' at Baltimore's Theatre Project |
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2008, Aug 7 |
Ben Lerman brings his comedy back to DC for 'dccomedyfest' |
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2008, Aug 7 |
Lion King cast performs to raise money for Food and Friends |
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2008, Aug 7 |
Two extremely skilled singers furnish Metro Stage's 'ROOMS,' while 'Jerry Springer' twists opera into a shocking, alarming knot |
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2008, July 24 |
Keegan's lovely production might well be your best chance to experience what an innovative show 'Man of La Mancha' is |
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2008, July 24 |
Bobby Smith is Satan in 'Jerry Springer: The Opera' at Studio Theatre |
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2008, July 17 |
Eddie Sarfaty brings his comedy to Signature Theatre |
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2008, July 17 |
Bears take to the beach at Fringe Festival |
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2008, July 3 |
Disney's 'The Lion King' is not to be missed, while the politically incorrect 'Red Noses' offers a change of pace |
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2008, July 3 |
A Washington native-turned-Broadway success takes on multiple roles |
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2008, June 26 |
'This Beautiful City' at Studio Theatre |
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2008, June 19 |
Elvira Kurt to appear at One in Ten presentation of 'One Night Stand Up' |
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2008, June 19 |
'Irma Vep' is good plain dumb fun for all, while the remarkable 'Beautiful City' asks audiences to look inward |
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2008, June 19 |
Sparkling with intelligence and wit, Rene Auberjonois fully enlivens this production of Moliere's 17th century comedy, 'Imaginary Invalid' |
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2008, June 12 |
Edward Gero succeeds in embodying Nixon with a performance that actually makes the man likable in his hideousness |
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2008, June 12 |
Woolly's 'Measure for Pleasure' is a raunchy sex comedy that punctuates every double-entendre with a rim shot |
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2008, June 12 |
Dan Guerrero's one-man show, 'Gaytino! |
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2008, June 5 |
Chita Rivera and George Hearn are surrounded by a cast that rids you of the idea that 'The Visit' is a prolonged duet |
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2008, June 5 |
Anne Washburn's intelligent and provocative comedy is given first-class treatment at the Studio Theatre |
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2008, May 22 |
Theater J's 'David' is a musical struggling to find its true voice, while 'Crumble' is a beautifully written piece of work |
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2008, May 22 |
What should have been a Scandal that sizzles, fizzles on the stage at Folger |
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2008, May 15 |
The Shakespeare's Roman Repertory sets the action in the intended time and place and is all the better for it |
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2008, May 1 |
The 24th Annual Helen Hayes Awards |
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2008, May 1 |
Bearapalooza at Baltimore's Patterson and Remington's in DC |
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2008, Apr 10 |
Fearless and energetic, 'all wear bowlers' reminds us how good it can be when you stop taking yourself seriously |
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2008, Apr 10 |
Arena offers two Arthur Miller masterpieces with a shared cast deeply in tune with the playwright's universal voice |
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2008, Apr 10 |
'Lord of the Flies' is ultimately harmed by taking things too far, while 'The Happy Time' is a spoonful of pure wonderful |
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2008, Apr 3 |
For 'History Boys,' Studio assembles a cast that holds tight and carries the play forward with no signs of weakness |
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2008, Mar 20 |
Signature kicks off their Kander & Ebb Celebration with a stunning 'Spider Woman,' while 'The Price' is just all right |
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2008, Mar 20 |
In 'Stunning,' playwright David Adjmi grapples with the dirt, ambiguity and wonder of human relations |
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2008, Mar 13 |
Now is your chance to discover why August Wilson's voice is one that continues to resonate across the centuries |
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2008, Mar 6 |
Aided by the magic of Teller, the Folger's telling of The Scottish Play is thoughtful, deliberate and outstanding |
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2008, Feb 28 |
Serge Seiden gives Alan Ball's play a good bath |
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2008, Feb 28 |
Shaw's witty 'Major Barbara' offers strong performances and visual ravishment, while 'The Hostage' is tough yet flawed |
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2008, Feb 21 |
'Six Feet Under' scribe Alan Ball's 'All That I Will Ever Be' is as deep as the hot tub that shows up during Act 1 |
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2008, Feb 7 |
Martin Moran's lovely and elegant Obie Award-winning play, 'The Tricky Part' marks another triumph for Signature's ARK |
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2008, Jan 31 |
Woolly Mammoth takes on the challenge of bringing entire communities to life within literal steps of one another |
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2008, Jan 31 |
'25 Questions' is a funny, moving, carefully crafted piece of theater that resonates with warm affection |
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2008, Jan 31 |
A gay comic triple play |
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2008, Jan 31 |
Martin Moran brings The Tricky Part to Signature |
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2008, Jan 24 |
Mary Zimmerman brings alive Jason's quest for the Golden Fleece with a perfect blend of pizzazz and storytelling |
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2008, Jan 24 |
Powered by a remarkable cast, 'Glory Days' is about something very simple, very tangible and absolutely universal |
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2008, Jan 10 |
As a musical, 'Ella' feels vague, ephemeral and loosely finished; 'The Brothers Size' packs a huge emotional punch |
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2008, Jan 3 |
Trevor Nunn gives Lerner and Loewe's beloved musical new life with spectacular staging and a stellar cast |
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2007, Dec 20 |
In WSC's searing black comedy 'House of Yes,' a dysfunctional family lays siege to the stage; 'Kafka's Dick' is flaccid |
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2007, Dec 13 |
'The Santaland Diaries' is the fly in the eggnog that reminds us that the holidays aren't all candy canes and hugs |
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2007, Dec 6 |
'Treasure Island' fails to strike a balance and a chord, while 'Avenue Q' boasts exuberant puppets that have sex |
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2007, Dec 6 |
Washington Improv Theater hits the right comic note for the season with their funny (and touching) annual holiday show |
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2007, Nov 29 |
Arena's semi-charming take on 'Christmas Carol' is perfect for those who find high school history textbooks absorbing |
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2007, Nov 29 |
'Edward II' is creative, emotional, daring and more than just a tad gay, while 'Fiddler' reminds us that sometimes tradition is tops |
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2007, Nov 15 |
The masterful Ed Gero is haunting at Studio, while The Shakespeare opens its grand new space with a stunning epic |
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2007, Nov 15 |
'Women of Brewster Place' is a brilliant production that has you enthralled in the moment, then thinking hard for days |
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2007, Nov 1 |
Imaginavely designed and brimming with energetic performances, 'As You Like It' is an absolute delight. |
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2007, Oct 25 |
With the stunning 'Caligula,' the WSC once again shows its skill for keeping an audience on the edge of its seat |
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2007, Oct 18 |
'Tick, tick...Boom!' serves as a reminder that, had he lived, composer Jonathan Larson might have served up great things |
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2007, Oct 11 |
The Shakespeare Theatre Co.'s 'Shrew' is a '50s movie poster, Fellini-esque dream and an MTV video all rolled into one |
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2007, Oct 11 |
Performers Steve Connell and Sekou (tha misfit) together walk the edge of something brave, daring and different in 'The World Begins' |
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2007, Oct 11 |
Actress Karen Black discusses her films and the DC premiere of her new show 'How I Learned to Stop Worrying and Sing the Song' |
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2007, Oct 4 |
José Carrasquillo discusses 'Cita a ciegas (Blind Date)' |
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2007, Sept 27 |
Round House falters somewhat in its staging of a revered novel, while Arena finds that mother always knows best |
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2007, Sept 27 |
Synetic's excellent 'Fall of the House of Usher' effectively braids conventional theater with dance and performance art |
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2007, Sept 13 |
With a perfect cast and an inventive production, Signature merrily offers up a knockout for its season opener |
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2007, Sept 13 |
Director Serge Seiden uses the incredible talents of three actors in 'My Children! My Africa!'' who pour their hearts and souls into Fugard's words |
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2007, Sept 13 |
Amy Ziff brings her one-woman show to Theater J |
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2007, Sept 6 |
While entertaining, 'The Unmentionables' fails to bring anything new to the issue of America's place in the world |
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2007, Sept 6 |
'33 Variations' tracks the genius, obsession and near-madness of Beethoven -- and those enthralled by his work |
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2007, Sept 6 |
Bruce Ward discusses 'Lazarus Syndrome' at H Street Playhouse |
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2007, Aug 30 |
Noel Coward's 'Private Lives' is an intimate, funny glimpse into married lives that should normally remain private |
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2007, Aug 23 |
Bruce Ward's 'Lazarus Syndrome' is a quiet marvel, a play that reminds us how powerful the written word can truly be |
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2007, July 19 |
A clothes-free vision of 'Macbeth' grabs attention, but suffers from a lack of consistency in the performances |
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2007, June 28 |
Andrew Lloyd Webber's longest-running hit is riddled with despoiled emulations and cheap mockeries of classic opera |
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2007, June 21 |
'Souvenir' at Studio Theatre |
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2007, June 21 |
'Hamlet' may test your patience at times, but if you have some you might find something you like in this effete Dane |
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2007, June 21 |
You'd be crazy to miss the musical 'Witches of Eastwick,' while 'Dead Man's Cell' phone offers its own quirky rewards |
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2007, June 14 |
A new musical adaptation of 'Summer of '42' captures the nostalgia of an age, but fails to deliver with its music |
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2007, June 14 |
Playright Bathsheba Doran's 'Nest' at Signature Theatre |
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2007, May 31 |
'Rosencrantz and Guildenstern' may be dead, but they're also very much alive in Studio's engaging and cohesive production |
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2007, May 24 |
A flawed man tries to reconcile beliefs versus the world in the Holocaust tale 'Either Or' |
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2007, May 17 |
In the exquisite 'Peter & Wendy,' Arena is transformed into a world filled with pirates, mermaids and magic. |
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2007, May 17 |
Folger's 'The Tempest' is a reminder that the sound and fury of entertainment has a long and storied history |
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2007, May 17 |
Arnie Burton of 'I Am My Own Wife' |
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2007, May 17 |
'I Am My Own Wife' is a sometimes meandering but ultimately meaningful search for something to believe in |
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2007, May 3 |
Though a careful study on the uneasy balance between freedom and safety, Bathsheba Doran's 'Nest' is flawed |
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2007, Apr 26 |
Daniel Escobar in 'She Stoops to Comedy' |
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2007, Apr 26 |
'Crime and Punishment' at Bethesda Roundhouse is as relevant today as it was last week, last year and, unfortunately, tomorrow |
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2007, Apr 26 |
Despite the giant ham in the title role, the Royal Shakespeare Company manages a rousing 'Coriolanus' |
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2007, Apr 19 |
Time marches on, yet Arena's new production of Wendy Wasserstein's famed 'Heidi Chronicles' simply doesn't keep up |
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2007, Apr 19 |
A centuries-old tale of principle over power, 'Man for All Seasons' doesn't play well for today's political season |
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2007, Apr 19 |
Musical lovers and haters alike will find plenty to laugh at in the satirical 'Musical of Musicals (The Musical!)' |
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2007, Apr 12 |
In 'Titus Andronicus,' Gale Edwards succeeds mightily in balancing a parade of destruction with emotional journeys |
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2007, Apr 5 |
With 'Meet John Doe,' a talented ensemble adds up to a production that's less than the sum of its parts |
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2007, Apr 5 |
Woolly Mammoth's 'She Stoops to Comedy' is a whirlwind that will leave you slightly confused and totally entertained |
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2007, Apr 5 |
Playwright Sherry Glaser shares a few open secrets |
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2007, Mar 29 |
'Pillowman' contains flashes of the brilliance inherent in the play, but Studio's take suffers in an American context |
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2007, Mar 22 |
A compelling and brilliant set of performances by Sherry Glaser make 'Family Secrets' an evening well-spent |
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2007, Mar 22 |
Actress Cherry Jones brings DC a Tony award-winning performance as a nun in 'Doubt' |
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2007, Mar 22 |
Gay Men's Chorus of Washington stages production of 'The Wizard of Oz' at Lisner Auditorium |
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2007, Mar 15 |
'Frankie and Johnny' captures the mood and feel of urban loneliness and yearning, thanks to a stellar performance |
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2007, Mar 8 |
A lack of chemistry between two strong actors derails 'Owl and the Pussycat,' while 'Insurrection' takes a page from 'Oz' |
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2007, Mar 1 |
With a collection of strong performances and an updated book, 'Carnival!' is the little circus that could |
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2007, Feb 22 |
'Crave' dares you to dislike it, ignoring such pedestrian concerns as accessibility and audience enjoyment |
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2007, Feb 15 |
The spirits of theater's past brilliantly crowd the stage in Round House's production of 'Orson's Shadow' |
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2007, Feb 8 |
Noah Haidle's 'Vigils' is a lovely little play in which an ordinary married couple must face letting go of each other |
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2007, Feb 1 |
August Wilson serves up an acute portrait of black America in 1977 in ACTCo.'s and Ford's magnificent co-production |
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2007, Jan 25 |
The Shakespeare's darkly glamorous 'Richard III' is outstanding, but The Folger's 'Lear' comes up short |
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2007, Jan 18 |
Sherri Edelen to perform at Arts in Action fundraiser |
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2007, Jan 18 |
With venom and bite, Edward Albee's quick study of the corrosion of intimacy remains thoroughly irresistible |
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2007, Jan 11 |
Neil LaBute considers a topic sometimes discussed in polite company, using language and a fearlessness that is not |
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2006, Dec 28 |
Two productions celebrate the simple pleasures of theatre -- through uproarious humor in 'Noises Off ' and through song in 'Light in the Piazza' |
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2006, Dec 21 |
Despite some flashes of wit and strong performances, 'tempOdyssey' goes off course with its heavy-handed approach |
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2006, Dec 7 |
With Arena Stage's delightful production of 'She Loves Me,' we're reminded of just how gay musical theater can be |
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2006, Nov 30 |
An evening with Alexis and Krystel may sound like a campy delight, but Legends! is decidedly undelightful |
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2006, Nov 30 |
A Christmas Carol is an entertaining redemption story, with enough balance to serve both the kids and the adults. |
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2006, Nov 23 |
Studio's mix of people and puppets starts off strong, but gradually devolves into an overly melodramatic mess in 'Long Christmas Ride Home' |
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2006, Nov 23 |
'The Beaux' Strategem' wants to be a Restoration comedy for the present day, but ultimately falls short |
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2006, Nov 16 |
Woolly Mammoth takes on the holiday season with a strange and brilliant 'Martha, Josie and the Chinese Elvis' |
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2006, Nov 9 |
With 'Equus,' WSC puts substantial effort into creating a show that is both intricate and impeccably crafted |
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2006, Nov 2 |
Folger's 'A Midsummer Night's Dream' is mainly solid, but creaks under some ill-chosen staging devices |
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2006, Oct 26 |
ATW's 'Never the Sinner' features stellar performances that battle against distracting, overly-creative staging |
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2006, Oct 19 |
Theater Alliance makes a difficult dream a reality with a gorgeous adaptation of Toni Morrison's 'The Bluest Eye' |
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2006, Oct 12 |
'9 Parts of Desire' is a work that reminds audiences how powerful an intelligent performer can be |
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2006, Oct 12 |
A stellar cast delivers the message of 'Twelve Angry Men' in a production tailored for the current generation |
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2006, Oct 5 |
Arena sets the bar high with a Cabaret that is thought-provoking, nuanced and ultimately chilling |
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2006, Oct 5 |
'My Fair Lady' delivers a good, but not great, theatrical experience, while 'State of the Union' drags at Ford's |
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2006, Sept 28 |
'A Prayer for Owen Meany' asks big questions about life, meaning and God, and provides marvelously big answers |
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2006, Sept 28 |
The mystery and hope of a child are slowly eroded in Canadian playwright Morris Panych's dark comedy |
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2006, Sept 21 |
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2006, Sept 21 |
Synetic Theater boldly examines the Mary Shelley classic with a new adaptation that rattles to thrilling life |
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2006, Sept 14 |
In the darkness at the heart of 'Red Light Winter' lies disturbing tale of what it means to be needed |
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2006, Sept 7 |
The Shakespeare Theatre Company's production of 'An Enemy of the People' is a reminder of just how far we haven't come |
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2006, Aug 17 |
Penned by a 15-year-old, 'St. Vivian' is an exquisite memory play telling a lyrical tale of adolescent discovery |
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2006, Aug 3 |
Irredeemably pointless and unabashedly slapstick, 'Picasso' is a valiant effort from comedic master Steve Martin |
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2006, July 27 |
Duke Ellington's music comes to life at MetroStage with a little bit of substance and whole lot of style |
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2006, July 20 |
Actors' Theatre shakes loose the bonds of a button-down city with an evening of oversized comedy and camp |
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2006, July 20 |
The Peanuts gang hits the teenage wasteland at Studio, while two sets of divas raise the roof at Arena |
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2006, July 6 |
Louisa May Alcott gets Broadway's full saccharine treatment, while Rorschach stages a weak, crumbling drama |
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2006, June 29 |
Actor Michael Russotto of 'The Faculty Room' at Woolly Mammoth |
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2006, June 29 |
The World Premiere of 'Picasso's Closet' at Theater J unfolds as a stiff and stern homage to events that never were |
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2006, June 22 |
Gender-bending casting damages WSC's 'The Children's Hour,' as it awkwardly straddles a line between paradox and parody |
||
2006, June 15 |
Michael Kahn provides Shakespeare with psychedelic swirl of tie-dyed ecstasy, while Woolly enters a mysterious lounge |
||
2006, June 8 |
Signature's daring high-concept production of 'Assassins' gives the entire audience more bang for their buck |
||
2006, June 1 |
A tale from Civil Rights era Louisiana makes for a moving musical in Tony Kushner's 'Caroline, or Change' |
||
2006, May 18 |
Eric Overmyer's 'On the Verge' is a display of verbal gymnastics that never quite adds up |
||
2006, May 11 |
Catalyst finds the fury and suffering in the hearts of hostages, while Synetic takes 'Faust' for a sexy spin |
||
2006, May 4 |
Theater J presents the world premiere play 'Bal Masque' |
||
2006, May 4 |
'Becoming George' is an oddball musical that doesn’t become much of anything, while 'Two Rooms' tears at the heart |
||
2006, Apr 27 |
Joel Markowitz has kept together The Ushers, DC's gay theater-going social group |
||
2006, Apr 27 |
A haunting familiarity takes the stage in the political 'Bright Room;' Scena's Brecht is detailed yet lacking |
||
2006, Apr 20 |
'The Game of Love and Chance' is a bright, cheery affair, while 'Bal Masque's' ideas never progress beyond the page, plus the Helen Hayes Awards |
||
2006, Apr 13 |
Olney sinks 'Anything Goes' with a lackluster production, while 'The Persians' is an astonishing, powerful work |
||
2006, Apr 6 |
'Sex Habits' is little more than a toothless look inside the stifling, well-starched life of a 1950s marriage |
||
2006, Mar 30 |
Choreographer Maurice Hines' work comes to DC in both 'Hot Feet' and 'The Red Shoes' |
||
2006, Mar 30 |
The revival of 'Shenandoah' is a colorful musical treat, while 'Whole Against the Sky' is frustrating and fragmented |
||
2006, Mar 16 |
Michael Laurence delivers a spitfire performance that provides 'The Rainmaker' enough fuel to keep it moving along |
||
2006, Mar 16 |
Gay Men's Chorus of Washington, DC annual spring show continues with 'Showboys!' |
||
2006, Mar 9 |
Theatre Alliance brings Salman Rushdie's children's fantasy to life with a production that's vibrant for all ages |
||
2006, Mar 2 |
Synetic and Theater J offer a thrilling fusion of dance and voice in a brooding tale of possession and revenge |
||
2006, Mar 2 |
Jeremy Webb plays Don Juan as Shakespeare Theatre |
||
2006, Feb 23 |
ATW cooks up a fitting farewell to a local stage with David Mamet's Wildean Sapphic comedy 'Boston Marriage' |
||
2006, Feb 16 |
Helen Hayes Award nominee Will Gartshore prefers the stages of DC over Broadway |
||
2006, Feb 16 |
'Midwives' is a harrowing search for truth in tragedy, while 'Eleemosynary' is a sober study of mother-daughter relations |
||
2006, Feb 9 |
'Lobster Boy Review' pokes fun at the days of Vaudeville |
||
2006, Feb 9 |
'Velvet Sky' makes for bracing theater, 'Awake and Sing!' marks a legend's return, and 'Two Queens' features a great cast in a terrible show |
||
2006, Feb 2 |
'Don Juan' is as superbly and sweetly seductive as one could hope for, while 'Trying' defies easy expectations |
||
2006, Jan 26 |
An ethereal touch of fantasy graces the Folger with a puppet-enhanced production of Shakespeare's 'problem play' |
||
2006, Jan 19 |
'Nevermore' soars in a stunning debut at Signature, while 'The Subject Was Roses' shows that you can still make 'em like they used to |
||
2006, Jan 12 |
In 'Fat Pig,' bearing extra girth is still the physical flaw that trumps any positive quality when it comes to romance |
||
2006, Jan 5 |
Ford's Theater hit a high note, while Arena, Signature, Studio, Round House and Woolly all had major triumphs |
||
2005, Dec 22 |
Despite some enjoyable moments, Molly Smith's rowdy revival of 'Damn Yankees' never really knocks one out of the park |
||
2005, Dec 15 |
Unlike other bigger-better-more musical extravaganzas, 'Les Miz' has aged as gracefully as its core material |
||
2005, Dec 8 |
Doug Wager's 'Comedy of Errors' has an air of Shakespeare meets Jerry Lewis, while Ford's chimes in with 'Christmas Carol' |
||
2005, Dec 1 |
'Starving' could be a more filling portrayal of Black America, while 'Cuttin' Up' is a cash cow in search of a story |
||
2005, Nov 17 |
It's queen takes all 'As Bees in Honey Drown,' while 'Yemaya's Belly' contains lush poetry and enormous imagination |
||
2005, Nov 10 |
'The Violet Hour' bears the weight of expectations, while 'Guantanmo' is an emotionally powerful work of docu-theater |
||
2005, Oct 27 |
The stylish 'Much Ado' is a little too solemn in tone, while MetroStage offers a tender valentine to a late mother |
||
2005, Oct 27 |
Gay Men's Chorus of Washington presents Sondheim cabaret at historic Tivoli Theatre |
||
2005, Oct 20 |
'You Are Here' fuses the reality of the present with memories from the past, while 'No Exit' lacks conviction |
||
2005, Oct 20 |
Kiki and Herb return to Woolly Mammoth |
||
2005, Oct 13 |
Ellen Karas gives twisted life to Studio's 'Hilda,' while Suli Holum ultimately makes 'Born Yesterday ' succeed at Arena |
||
2005, Oct 6 |
'Leading Ladies' benefits from great performances and direction that cover up some otherwise glaring deficiencies |
||
2005, Sept 29 |
Everything old is sometimes new again, with new versions of 'Camille' and 'Dracula' making spectacular debuts on the stage |
||
2005, Sept 22 |
Two theaters offer a rare opportunity to savor two very different productions of Caryl Churchill's peculiar style |
||
2005, Sept 15 |
From broad and bracing fables to American suburbia, two plays delve into the human condition |
||
2005, Sept 8 |
Iago is hell-bent for leather in 'Othello,' while 'Sand Storm's' disturbing stories are necessary to bear witness |
||
2005, Sept 1 |
'Gross Indecency' lashes out with virile energy and refined passion associated with the work of revolutionaries |
||
2005, Aug 25 |
A wild, wacky parody of 'socially important,' pretentiously encumbersome musical theater, 'Urinetown' is a joyous whiz |
||
2005, Aug 18 |
Actors' Theatre offers up a shrewd, intimate and gender-cleansing version of 'Les Liaisons Dangereuses' |
||
2005, Aug 4 |
The Washington Shakespeare Company has concocted a 'Royal Hunt' that resides between the sublime and the subpar |
||
2005, July 28 |
'Hairspray' is two and a half hours of nonstop fun, while the most engaging part of Scena's 'The Persians' is the scenery |
||
2005, July 21 |
Absurd, surreal and touching, 'The Clean House' is an unexpectedly regal play brushed with a sense of magic |
||
2005, July 14 |
Open Circle Theatre adds fresh artistic layers to Brecht's bittersweet parable, while Arena dusts off the hatboxes |
||
2005, July 7 |
Woody Allen's neurotic observations on New York high life results in the best pure comedy on stage this year |
||
2005, June 30 |
With its Irish moorings, The Keegan Theatre effectively delivers Martin McDonagh's dark, salty, Award-winning work |
||
2005, June 23 |
Fans of Jason Robert Brown will find some treasures in 'The Last Five Years', as well as some perplexing moments |
||
2005, June 16 |
Dixie Carter makes 'Lady Windermere' simply irresistible, while 'Once On This Island' is an answered prayer |
||
2005, June 9 |
'The Sum of Us' offers up a father and gay son who -- gasp -- get along, while 'Headsman's Holiday' suffers in the translation |
||
2005, June 2 |
Signature's 'Overtures' eschews spectacle for minimalism, while Woolly flirts with the intensely dark side |
||
2005, May 26 |
Every base is loaded in Studio's masterful 'Take Me Out,' while 'Jason and the Argonauts' shines at Synetic |
||
2005, May 5 |
Vincent Cardinal’s sleepy, self-important play ends the first season for a nascent Washington theater company |
||
2005, Apr 28 |
A dense, engrossing adaptation of Sophocles' still powerful tragedy, 'Electra,' is impeded by a messy concept at MetroStage |
||
2005, Apr 21 |
'Clandestine Marriage' yields a tart treat, while 'Gender' is a provocatively powerful exploration of identity |
||
2005, Apr 14 |
Comics Jim David and Georgia Ragsdale visit OIT's 'Laugh Out Loud' series |
||
2005, Apr 14 |
A compelling story of sibling rivalry in 1930s Pittsburgh at Arena and a lumbering disappointment at Round House |
||
2005, Apr 7 |
Jon Robin Baitz discusses his sharp play, 'Ten Unknowns,' at Signature Theatre |
||
2005, Apr 7 |
'There Are No Strangers' examines the psychic scars of violence, while 'TONIC!' provides an evening of wacky wonder |
||
2005, Mar 31 |
'The Goat' reminds us that there's still a love that dares not speak its name, those who do, do it at their own peril. |
||
2005, Mar 31 |
'Big River' is an enormously satisfying emotional experience, while 'The Tempest' is a glittery display of savory visuals |
||
2005, Mar 24 |
'Ten Unknowns' is a powerful display of acting and art, while Landless Theatre's 'Nine' is not ready for prime time |
||
2005, Mar 17 |
Based on the 1996 film, 'The Spitfire Grill' is an enjoyable evening of casual melodies and scrupulous storytelling |
||
2005, Mar 10 |
BETTY returns home in triumphal musical form, while 'columbinus' plumbs the lonely depths of American adolescence |
||
2005, Feb 24 |
An alluring 'Strut' satisfies jazz enthusiasts of all ages, while 'Bohemians' is an flat-out brilliant experiment |
||
2005, Feb 17 |
'A Member of the Wedding' reveals a stagecraft that has aged remarkably well, while 'Pecan Tan' offers unassuming fun |
||
2005, Feb 10 |
In 'Kimberly Akimbo,' an aging smile and moribund body isn't the only thing the title character has to endure |
||
2005, Feb 3 |
A terrific production helps the outdated 'Cloud 9' float merrily along, while Saxophone blows nothing but sour notes |
||
2005, Jan 27 |
A new adaptation of Alfred de Musset's 'Lorenzaccio' simmers with bloody intrigue, plus 'The Tatooed Girl' at Theater J |
||
2005, Jan 20 |
Signature's 'Proust' offers a straight-to-gay conundrum, while Folger adds |
||
2005, Jan 13 |
The Studio kick-starts the new year into high gear with 'Black Milk,' a gritty play centered around two Moscow cons |
||
2004, Dec 23 |
Fabio Toblini's fantastic costume designs for Ford's 'Christmas Carol' |
||
2004, Dec 23 |
A year of theatrical highs, lows, and enough Tennessee Williams to line the closet he dances around posthumously |
||
2004, Dec 16 |
'Thoroughly Modern Millie' at Kennedy Center, 'Our Lady of 121st Street' at Wolly Mammoth |
||
2004, Dec 16 |
How Dick Scanlan turned 'Millie' from a faded film into a big, blazing new Broadway musical |
||
2004, Dec 9 |
Ford's Theatre serves up an eggnog brew filled with holiday spices of a different variety with 'A Christmas Carol' |
||
2004, Dec 2 |
'Importance of Being Earnest' at Arena, 'Movin Out' at National, and 'Diary of Anne Frank' at Roundhouse Bethesda |
||
2004, Nov 18 |
'Two Gentleman of Verona' has never felt so enormously sublime, while the rarely-produced 'Pericles' is a mirthful treat |
||
2004, Nov 11 |
'The Highest Yellow' pays homage to a Sondheim masterpiece, minus the memorable score, while 'Ivanov' is epic Russian soap |
||
2004, Nov 4 |
Craig Wright's newest presents the notion that maybe, just maybe, God's amazing grace isn’t all it’s cracked up to be |
||
2004, Oct 28 |
In 65 anxious, nail-biting minutes, playwright Sean Reycraft delivers a blow that bruises beneath the skin |
||
2004, Oct 21 |
'Anna in the Tropics' at Arena Stage |
||
2004, Oct 14 |
Andrea Martin in 'Matchmaker' at Ford's Theatre |
||
2004, Oct 14 |
'Tabletop' explores an evening of confectionary commercialism at Round House |
||
2004, Oct 7 |
James Earl Jones in 'On Golden Pond' at Kennedy Center; Andrea Martin in 'Matchmaker' at Ford's Theatre |
||
2004, Oct 7 |
Steven Brinberg performs as Babs in 'The Music of Barbra Streisand' at the Kennedy Center |
||
2004, Sept 30 |
'A Lesson Before Dying' at H Street Playhouse, 'Desire' at Trumpet Vine Theatre |
||
2004, Sept 23 |
'Postal Service' is as much a fantasy piece as it is a tale of cold, hard reality; 'Varekai' is pure magic |
||
2004, Sept 23 |
Arena Stage's flawed and fluttering 'Butterfly,' Round House takes an unusual look at motherhood |
||
2004, Sept 9 |
Shakespeare Theatre's opener 'Macbeth' turns a graceful and enigmatic tragedy cold and emotionless |
||
2004, Sept 2 |
Twisted, perverse chaos thrive in 'Lenny and Lou' |
||
2004, Aug 26 |
Venus Theatre celebrates the trials and triumphs of women |
||
2004, Aug 12 |
'Mary's Wedding' is a genuine, simple love story |
||
2004, July 29 |
Kennedy Center presents a delicate yet powerful 'Glass Menagerie' |
||
2004, July 8 |
'Rocky Horror' gets new life, 'Beehive' will have you humming |
||
2004, July 1 |
''The Producers'' at Kennedy Center is a singing and dancing extravaganza |
||
2004, June 24 |
Gay comic Zach Toczynski breaks barriers at area comedy clubs |
||
2004, June 24 |
''Cat on a Hot Tin Roof'' at Kennedy Center;''Radiant Abyss'' at Woolly Mammoth; ''World Goes 'Round'' at Roundhouse |
||
2004, June 17 |
John Epperson reviews his life as Lypsinka in ''Show Trash'' at Studio Theatre |
||
2004, June 17 |
''Cyrano'' sweeps, swells and soars beyond expectations |
||
2004, June 10 |
''The Blue Room'' tackles carnal issues with a modern flair |
||
2004, May 27 |
''Orpheus Descending'' at Arena Stage, ''Cripple of Inishmaan'' at Studio Theatre |
||
2004, May 20 |
''The Altruists'' at Catalyst Theatre |
||
2004, May 20 |
''Streetcar Named Desire'' at Kennedy Center |
||
2004, May 13 |
DC's theatres presented awards at Kennedy Center |
||
2004, May 13 |
''Passing the Love of Women'' at Theatre J shouldn't be missed |
||
2004, May 6 |
''Boy Gets Girl'' at H Street Playhouse |
||
2004, Apr 29 |
Director Michael Kahn on Tennessee Williams |
||
2004, Apr 29 |
''Five by Tenn'' at Kennedy Center |
||
2004, Apr 29 |
Chay Yew's gay/straight love story at Warehouse Theatre |
||
2004, Apr 22 |
Shakespeare ''The Comedy of Errors'' at Folger Theatre, ''Ugly Ducklings'' at Warehouse Theatre |
||
2004, Apr 15 |
''Rosemary and I'' at MetroStage |
||
2004, Apr 8 |
Marga Gomez in her one-woman show, ''Los Big Names'' |
||
2004, Apr 8 |
''Children of Eden'' at Ford's Theatre, ''Far Away'' at Studio Theatre |
||
2004, Apr 1 |
''Elegies: A Song Cycle'' at Signature Theatre |
||
2004, Mar 25 |
''Henry IV, Part 2'' at The Shakespeare Theatre |
||
2004, Mar 25 |
Gender-bending ''Bye, Bye Birdie'' by Gay Men's Chorus |
||
2004, Mar 18 |
Insightful ''Yellowman'' at Arena Stage |
||
2004, Mar 11 |
DC's burgeoning gay comedy showcase at Titan |
||
2004, Mar 11 |
Tony Kushner’s ''Homebody / Kabul'' at Wooly Mammoth |
||
2004, Feb 26 |
August Wilson's ''Come and Gone,'' and ''The Syringa Tree'' at Studio Theatre |
||
2004, Feb 26 |
''[sic]'' at Theater Alliance |
||
2004, Feb 19 |
''A Man's a Man'' at Arena Stage |
||
2004, Feb 12 |
''Looking Over the President's Shoulder'' at Ford's Theatre, ''Let Me Be the Music'' at Hammer Auditorium |
||
2004, Feb 5 |
Melissa Arctic at Folger Theatre, Wintertime at Roundhouse |
||
2004, Jan 29 |
Henry IV, Part 1 at The Shakespeare Theatre |
||
2004, Jan 29 |
Peter Toscano in Doin' Time in the Homo No Mo Halfway House |
||
2004, Jan 22 |
Malcolm at Source Theatre, Jumpers at Washington Shakespeare |
||
2004, Jan 15 |
Four at Studio Secondstage |
||
2004, Jan 15 |
Rodgers and Hammerstein's 'Allegro' at Signature Theatre |
||
2003, Dec 18 |
The York Realist at Studio Theatre |
||
2003, Dec 11 |
A Christmas Carol at Ford's Theatre |
||
2003, Dec 4 |
Camelot at Arena Stage |
||
2003, Nov 20 |
Heartbreak House at Round House Theater |
||
2003, Nov 13 |
Sondheim in DC: A Funny Thing Happened, Bounce |
||
2003, Nov 13 |
Midsummer Night's Dream, Anger Box |
||
2003, Nov 13 |
Stand-up comic Judy Gold keeps 'em laughing |
||
2003, Nov 6 |
The Life of Galileo at Studio Theatre, All's Well That Ends Well at Folger Theatre |
||
2003, Oct 30 |
Kilt at Theatre on the Run |
||
2003, Oct 23 |
Lilies at the Source Theatre |
||
2003, Oct 16 |
The Grapes of Wrath at Ford's Theatre, Proof at Arena Stage, Scaramouche at WSC |
||
2003, Oct 9 |
Gay Men's Chorus presents You're a Good Man Charlie Brown |
||
2003, Sept 25 |
Rough Crossing at Metrostage |
||
2003, Sept 25 |
Shakespeare in Hollywood at Arena Stage |
||
2003, Sept 18 |
The Drawer Boy at Roundhouse |
||
2003, Sept 11 |
Topdog/Underdog at Studio Theatre, The Mineola Twins at DCJCC, and Worm Girl at Cherry Red |
||
2003, Sept 4 |
Twentieth Century at Signature Theatre |
||
2003, Sept 4 |
The Rivals at Shakespeare Theatre |
||
2003, Aug 21 |
Nijinsky's Last Dance at Kennedy Center |
||
2003, Aug 14 |
Puppetry of the Penis at The Rosslyn Spectrum |
||
2003, Aug 14 |
Painted Alice at H Street Playhouse |
||
2003, July 31 |
Polaroid Stories at Studio Second Stage |
||
2003, July 24 |
Lady Chatterly's Lover, Night of the Iguana |
||
2003, July 17 |
Bad Girls II at DCAC |
||
2003, July 10 |
Closer than Ever at MetroStage, Donna Q at Signature |
||
2003, July 10 |
Studio Theatre's annual Garage Sale |
||
2003, July 3 |
Shenandoah Shakespeare stages three classics |
||
2003, June 26 |
Patience at Woolly Mammoth Theatre |
||
2003, June 19 |
Broadway lyricist Fred Ebb |
||
2003, June 5 |
A Class Act at Studio Theatre |
||
2003, May 29 |
Margaret Cho's Revolution |
||
2003, May 15 |
The Mad Dancers at DC Jewish Community Center |
||
2003, May 8 |
The F Word |
||
2003, May 1 |
Thief River |
||
2003, Apr 17 |
Salome |
||
2003, Apr 17 |
Bee |
||
2003, Apr 17 |
Actor Rick Hammerly |
||
2003, Apr 10 |
Follies, Penetrator, I Worry |
||
2003, Apr 10 |
Varla Jean Gets Confidential |
||
2003, Apr 3 |
The Play about the Baby, Ain't Misbehavin', 42nd Street |
||
2003, Mar 27 |
1776, Henry V |
||
2003, Mar 27 |
Rhett O'Hara from My Boyfriend the Stripper |
||
2003, Mar 20 |
The Borderland |
||
2003, Mar 13 |
Dames at Sea |
||
2003, Mar 13 |
The Tale of the Allergist's Wife (An online exclusive feature!) |
||
2003, Mar 6 |
Book of Days, Jump/Cut |
||
2003, Feb 27 |
Slaughter City, When Pigs Fly |
||
2003, Feb 20 |
When Pigs Fly |
||
2003, Feb 20 |
Endgame |
||
2003, Feb 13 |
The Pavilion, Stones in His Pockets |
||
2003, Feb 6 |
110 In the Shade, Theophilus North |
||
2003, Feb 6 |
Cabaret Performer Richard Skipper |
||
2003, Jan 30 |
The Silent Woman |
||
2003, Jan 23 |
Twelfth Night, The Last Seder, and more |
||
2003, Jan 16 |
What Dogs Do |
||
2003, Jan 9 |
Runaway Home |
||
2003, Jan 2 |
Tell Me On a Sunday |
||
2003, Jan 2 |
The Best of 2002 |
||
2003, Jan 2 |
The Day Room |
||
2002, Dec 19 |
South Pacific |
||
2002, Dec 12 |
A Midsummer Night's Dream |
||
2002, Dec 12 |
Shopping and Fucking |
||
2002, Dec 12 |
Icarus |
||
2002, Dec 5 |
The Secret Garden |
||
2002, Dec 5 |
Naked Boys Singing! |
||
2002, Dec 5 |
Les Misérables |
||
2002, Dec 5 |
Dingleberries |
||
2002, Nov 21 |
"The Christmas Carol Rag" |
||
2002, Nov 21 |
"Bat Boy The Musical" |
||
2002, Nov 21 |
"Ma Rainey's Black Bottom" |
||
2002, Nov 14 |
"The Shape of Things" |
||
2002, Nov 7 |
"7 Blowjobs" and "Knoyugogh" |
||
2002, Oct 31 |
"Man of La Mancha," "Thumbsucker" |
||
2002, Oct 31 |
"Kiki and Herb" |
||
2002, Oct 10 |
"The Misanthrope" |
||
2002, Oct 3 |
"Love and Anger" |
||
2002, Sept 26 |
"Making Porn" |
||
2002, Sept 19 |
"Three Sistahs" |
||
2002, Sept 19 |
"Privates on Parade" |
||
2002, Sept 12 |
'What the Butler Saw' |
||
2002, Sept 12 |
'Anthems: Culture Clash in the District' |
||
2002, Sept 5 |
"Recent Tragic Events," "The Winter’s Tale," and "The Maids" |
||
2002, Aug 29 |
"Spamlet" at Warehouse Next Door |
||
2002, Aug 22 |
"Hairspray" |
||
2002, Aug 8 |
"A Little Night Music" |
||
2002, Aug 1 |
"Nocturne" at Studio Theatre |
||
2002, July 25 |
"The Laramie Project" at Olney Theatre |
||
2002, July 25 |
"Passion" at The Kennedy Center |
||
2002, July 18 |
"The Full Monty" |
||
2002, July 18 |
''Aida'' |
||
2002, July 18 |
"Merrily We Roll Along" |
||
2002, July 11 |
"Danny and Sylvia" at MetroStage |
||
2002, July 11 |
American Century Theater's "Laughter at Ten O'Clock" |
||
2002, July 4 |
"The Diaries" at Signature Theatre |
||
2002, July 4 |
"Schoolgirl Figure" at Metro Cafe |
||
2002, June 27 |
'Big Love' at Kennedy Center |
||
2002, June 27 |
'In the Boom Boom Room' at Source Theatre |
||
2002, June 27 |
'Celebrating Sondheim' at Kennedy Center |
||
1994, May 12 |
Nicky Silver earns ''New Play'' award and audience's laughter |
More stories & features are available in the printed magazine. Stop by our office to pick up back copies from the last month: 1012 14th Street NW; Suite 209; Washington, DC
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