Metro Weekly

Opera

  • The pop opera of UrbanArias

    UrbanArias finds "winning combination" to attract new opera fans

  • Primary Colors: “The Magic Flute”

    There are beautiful singing voices in WNO's Magic Flute, yet much is still out of tune

  • Love Is the Drug

    Although people often call Donizetti’s rom-com The Elixir of Love a good opera for the uninitiated, director Stephen Lawless’s production requires a caveat: Remember that...

  • Whale Song

    There is a special hell for serious music-lovers, and in one molten corner resides a certain kind of contemporary classical that puts more emphasis on...

  • One Way or Another

    The funny thing about the Washington National Opera's production of Verdi's The Force of Destiny is that it actually works. Despite an awkward first scene,...

  • Showy Boat

    In a second act scene in Show Boat, the character Magnolia auditions to be a singer at Chicago's popular Trocadero Club. Magnolia was a star...

  • Who's That Girl?

    In the words of Jean Genet, ''Anyone who hasn't experienced the ecstasy of betrayal knows nothing about ecstasy at all.'' And anyone who likes their...

  • Heart of Bling

    Feeling a tad lackluster in the set department, director/designer and costumer John Pascoe's interpretation of Puccini's Manon Lescaut seems to have lost some burnish since...

  • Cocksure

    Offering plenty of curb appeal in the form of wit, slapstick, a libidinous thundering bass, damsels in distress, sword fights and a reasonably gratifying comeuppance,...

  • Queen for a Day

    Timed perfectly for the Tudor fever generated by author Hilary Mantel's Wolf Hall and its sequel, the Washington National Opera's season-opener of Donizetti's Anna Bolena...

  • Beautiful Dreamers

    If opera is your music for heartbreak and plots be damned, then Massenet's gorgeously overwrought Werther is for you. This is boy meets already-engaged girl...

  • Biblical Proportions

    With a busy narrative, a biblically minded libretto, and a director who assumes a cogent, educated audience, the Washington National Opera's Nabucco isn't for those...

  • Review: Cosi fan tutte

    When an opera is as much a staple in the repertoire as Mozart's Cosi fan tutte, it's hardly surprising when a director gets the urge...

  • Victorian Nightmare

    A stylized Victorian nightmare with lashes of Sam Peckinpah realism and the odd sporran, David Alden's rendering of Donizetti's Lucia di Lammermoor isn't for everyone....

  • Triumphant Tosca

    A perfect balance between elegant austerity and a swiftly-rendered, passionate tale of hearts, pure and not so pure, the Washington National Opera's Tosca is everything...