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Signature Theatre's new musical "Kid Victory" asks too much of its audience
Another in Synetic Theater’s Silent Shakespeare series, the dance-musical interpretation of Much Ado About Nothing is a clever, outside-the-box extravaganza. A pastiche of 1950s musical...
Kate Eastwood Norris amps up the rage in Folger's "Mary Stuart"
King Hedley II is a ruthlessly honest examination of the profound costs of prejudice
Atlas's Intersections Festival returns for more cross-cultural mixing
Bernadine Mitchell turns "Bessie's Blues" into a powerhouse evening, while Round House takes a feminist point of view
A contemplation on Macbeth, David Greig's Dunsinane offers reflection on modern global conflicts
Matt Conner and Stephen Gregory Smith bring "Turn of the Screw" to musical life
An adaptation built for a new century with laughs that will last
Ford's Theatre sheds light on the controversial Mary Todd Lincoln
As the first installment in its five-year Bold New Works for Intimate Stages Initiative, Virginia’s Creative Cauldron commissioned The Turn of the Screw, a musical...
"Gigi" at the Kennedy Center is no match for the queens in Folger Theatre's "Mary Stuart"
Ken Ludwig's latest comic nod to Sherlock Holmes barks up the right tree
If only we could all be a little more like Pharus Jonathan Young, the lead character in Tarell McCraney’s Choir Boy, now in production at...
Signature Theatre's "Diner" doesn't fulfill needs
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