Mosaic's "Monumental Travesties" treads through difficult race-relations territory and still comes out laughing.
The fall film season has something for everyone, from horror fans to drama queens to musical lovers to, yes, even Swifties.
There is a lot of flamenco -- not to mention Nutcrackers galore -- in the fall dance season ahead in Washington, D.C.
Ethan Heard, who directed Signature's sensual "Bridges of Madison County," looks ahead to his second season with the company.
Reginald L. Douglas, Mosaic's artistic director, offers a peek behind the scenes of running one of D.C.'s hottest theater companies.
A random encounter on a nudist beach sets off a darkly hilarious chain of events in Sebastián Silva's "Rotting in the Sun."
An outstanding ensemble keeps "Ink" flowing, despite the production's more cumbersome touches.
"Red, White & Royal Blue" director Matthew López frames his hot takes on love scenes, biased movie ratings, and the B in LGBTQ.
Anchored by terrific lead performances, Keegan Theatre's 'Sweat' turns up the heat in a drama roiled by race and class division.
Older men obsessed with younger men form the crux of two recently restored Spanish queer classics from the '70s.
Sexual desire ignites Signature Theatre's erotically-charged musical, "The Bridges of Madison County."
The plucky Latino superhero of DC’s Blue Beetle gets all suited up with nowhere to go.
The zesty mashup musical "Moulin Rouge!" delivers winking romantic comedy, set off by dazzling sets, costumes, and dancing.
At Shakers, the latest addition to D.C.'s LGBTQ bar scene, three voluminous rooms of strangers feel like one big party.
"The Last Voyage of the Demeter" offers a few shudders and eye-catching creature effects, but sinks on its way to shore.