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    <title>Metro Weekly Extra</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/" />
    <link rel="self" type="application/atom+xml" href="http://www.metroweekly.com/extra/atom.xml" />
    <id>tag:www.metroweekly.com,2008-04-16:/extra//10</id>
    <updated>2008-07-25T14:28:40Z</updated>
    <subtitle>A behind-the-scenes blog about stories, features and ideas from the pages of Metro Weekly</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Open Source 4.1</generator>

<entry>
    <title>Ted Allen: The Editor&apos;s Cut</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/07/ted-allen-the-editors-cut.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1308</id>

    <published>2008-07-25T14:09:32Z</published>
    <updated>2008-07-25T14:28:40Z</updated>

    <summary>One of the things we pride ourselves on at Metro Weekly is taking a long-form approach with our feature interviews. Sure, anyone can be cut down to a couple of bite-sized comments, but you can really learn a lot about...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[One of the things we pride ourselves on at Metro Weekly is taking a long-form approach with our feature interviews. Sure, anyone can be cut down to a couple of bite-sized comments, but you can really learn a lot about someone when you just give them the freedom to talk.<div><br /></div><div>But, even with our long-form philosophy, you can be assured that when you read 3,500 words of an interview, there are probably just as many words left hanging out on my hard drive, victims of the merciless process of editing. Sometimes those cuts aren't interesting because, well, frankly, when I ask a stupid question it doesn't always prompt a scintillating answer. But there generally are lots of interesting moments that I would keep it if it weren't for the constraints of space. </div><div><br /></div><div>So, this week is the first of a very occasional Editor's Cut posts featuring some of the good stuff that didn't make it into the print version of the story. Obviously, these might be even more interesting if you take a few minutes to check out our full interview with <a href="http://www.tedallen.net/Home.html">Ted Allen</a> -- "<a href="http://www.metroweekly.com/feature/?ak=3657">Ted Ahead</a>" -- and then come back for the extras. Or, just dive right in. We're kind of anarchic that way.</div><div><br /></div><div><span class="Apple-style-span" style="font-weight: bold;">Ted Allen: The Director's Cut</span></div><div><br /></div><div><span class="Apple-style-span" style="font-family: Arial; font-style: italic; ">On role models and
growing up gay<span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b></b></span></span></span></div><div><span class="Apple-style-span" style="font-weight: bold;"><br /></span></div><div><span class="Apple-style-span" style="font-family: Arial; font-style: italic; "><span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b>MW:</b></span><span style="font-family:Arial"> <span class="Apple-style-span" style="font-style: italic; ">Thinking of role models and television, do you
remember the first gay character you saw on TV?</span></span></span></span></div><div><span class="Apple-style-span" style="font-style: italic;"><br /></span></div><div>

<p class="MsoNormal"><span style="font-family:Arial"><b>TED ALLEN:</b></span><span style="font-family:Arial"> During that era it was people like Jack Tripper on <i>Three's
Company</i></span><span style="font-family:Arial">. Who was not an unsympathetic
character, actually, we liked him. Of course, that was the '70s, when it was
starting to look like the country might accept us after all -- then along came
AIDS and Reagan. Before that, I really had the hots for <a href="http://en.wikipedia.org/wiki/Kristy_McNichol">Kristy McNichol</a>. That's
the last girl I can remember lusting after, and she was always a tomboy. [<i>Laugh.</i></span><span style="font-family:Arial">]</span></p>

<p class="MsoNormal"><span style="font-family:Arial"><b>MW:</b></span><span style="font-family:Arial"> <span class="Apple-style-span" style="font-style: italic;">Yeah, I had it so bad for </span><a href="http://en.wikipedia.org/wiki/Shaun_Cassidy"><span class="Apple-style-span" style="font-style: italic;">Shaun Cassidy</span></a><span class="Apple-style-span" style="font-style: italic;"> back then.</span></span></p>

<p class="MsoNormal"><span style="font-family:Arial"><b>ALLEN:</b></span><span style="font-family:Arial"> When you don't have role models and when you don't
have somebody telling you that if you turn out to be gay that it's okay, you can
have these bizarre [denials]. I thought Shaun Cassidy was hot, too. My sister
had a life-sized poster of him. I remember ogling it and still not
understanding what that meant. I can name off 10 boys from junior high school
who I thought were cute, but I think I told myself that I was looking at him
because I wanted to have the same hair, or I like the way those jeans looked
and I wanted mine to look like that.</span></p><p class="MsoNormal"><span style="font-family:Arial">It
sounds like I'm telling a war story from the Civil War. It just seems so
ridiculous now. It's great, because kids are coming out younger and younger and
more and more of them are being accepted. [But] then there's sort of the
dangerous side of kids coming out in rural Oklahoma -- watching all these shows
and thinking that it's perfectly okay now, and still getting the crap beat out
of them.</span></p>

<p class="MsoNormal"><span style="font-family:Arial"><i>On the gaying of
television<o:p></o:p></i></span></p>

<p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"><b>MW:</b></span><span style="font-family:Arial"> <span class="Apple-style-span" style="font-style: italic;">One of the things that's really striking over the
past few years is just how gay a lot of television has gotten, particularly
with things like </span><a href="http://www.bravotv.com/Top_Chef/season/4/index.php">Top Chef</a><span class="Apple-style-span" style="font-style: italic;">, where you have a lot of openly lesbian contestants,
and gay men and bisexuals. It seems very matter-of-fact in a way that probably
wouldn't have been matter-of-fact 10 years ago. What do you think has changed
to make that happen, particularly on the cable networks?<span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b></b></span></span></span></span></span></span></p><p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b>ALLEN:</b></span><span style="font-family:Arial"> That trail was blazed by a lot of people and a lot
of cultural forces over a lot of years, whether they're obvious ones like Ellen
Degeneres or even fictional ones like <i>Will &amp; Grace</i></span><span style="font-family:Arial">. I have to really hand it to Bravo for, on the one
hand, being so open to the idea, and on the other hand capitalizing so
enormously on the success that the use of gays brought to them.</span></span></span></span></span></span></p><p class="MsoNormal"><span style="font-family:Arial">At
the same time that much of the country has become more comfortable with gays
and lesbians, the sort of "gay sensibility" still represents something slightly
naughty and very wickedly funny and cutting edge. All of those stereotypes
about us being interested in style and knowing our way around the kitchen and
knowing how to make a room look pretty definitely have some roots in truth, and
we have a lot to offer. We also, in order to pursue those hobbies, tend to buy
a lot of stuff, and that's one of the things Bravo figured out.<span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"></span></span></span></p><p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial">I
think it's really great and really admirable that Bravo had the guts to put a
show on the air in the first place called <i>Queer Eye for the Straight Guy</i></span><span style="font-family:Arial">. I still remember how funny it was the first couple
of times we were on the <i>Today</i></span><span style="font-family:Arial">
show watching Matt Lauer try to say the word "queer" on television. At first I
hated the name of the show, I thought it was needlessly provocative -- and I
was wrong. We really did get to a point, back when people were talking about <i>Queer
Eye</i></span><span style="font-family:Arial">, it became really easy for
everybody to say "queer" on television. Which was great, it was really cool. So
I think <i>Queer Eye</i></span><span style="font-family:Arial"> played a little
role in that, too.</span></span></span></p>

<p class="MsoNormal"><span style="font-family:Arial"><i>On the best way to learn
to cook<o:p></o:p></i></span></p>

<p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"><b>MW:</b></span><span style="font-family:Arial"> <span class="Apple-style-span" style="font-style: italic;">Do you think watching chefs employ some of the
complicated techniques on shows like </span>Top Chef<span class="Apple-style-span" style="font-style: italic;"> -- like cooking <span class="Apple-style-span" style="font-style: normal;">sous-vide</span></span></span><span style="font-family:Arial"><span class="Apple-style-span" style="font-style: italic;"> or molecular gastronomy -- scare people when it
comes to cooking?<span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b></b></span></span></span></span></span></span></p><p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial"><b>ALLEN:</b></span><span style="font-family:Arial"> Well, I certainly don't think that's where you ought
to start. I'm all for molecular gastronomy, I think it's really cool, but I
think there are chefs who lean on it without appreciating the basics. It's like
anything else, you can't expect to walk right into a craft. You shouldn't
expect you're going to be a good arc welder the first time you do it either, or
a helicopter pilot. You've gotta start somewhere with some learning.</span></span></span></span></span></span></p><p class="MsoNormal"><span style="font-family:Arial"><span class="Apple-style-span" style="font-family: arial; "><span style="font-family:Arial"><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: arial; font-style: normal; "><span style="font-family:Arial">But
a lot of cooking is not that hard, and it's not something you need to be that
afraid of. You just need to try it. You can learn a lot from reading magazines
and watching tv shows, but really I think the best way to learn is to cook
alongside somebody who knows how to do it. Maybe you're talking about a younger
reader who hasn't done that yet. When you get into your late twenties and your
partying slacks off a little bit -- maybe you start families or have more
responsibilities at your job, so you're probably spending less time out in bars
every night and you're getting together with friends and starting to cook
together. That's what happened with us. I was cooking with my friend Amy
Sullivan, who's a fabulous cook. I learned a lot from her, got inspired by the
things she would try. Doing it with friends is really the way to do it.</span></span></span></span></span></span></p>

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<entry>
    <title>Capital Pride shutterbugs</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/06/capital-pride-shutterbugs.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1204</id>

    <published>2008-06-25T13:03:03Z</published>
    <updated>2008-06-25T13:13:42Z</updated>

    <summary>One great thing about Pride is that it brings out the best in the GLBT community&apos;s photographers. I&apos;m calling out Joe Tresh&apos;s collection from this year&apos;s parade and festival in particular because of this great shot he took of our...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<img alt="tresh-2008-capital-pride-ward-morrison-metroweekly-crowd.jpg" src="http://www.metroweekly.com/extra/2008/06/25/tresh-2008-capital-pride-ward-morrison-metroweekly-crowd-thumb-250x165.jpg" width="250" height="165" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" />One great thing about Pride is that it brings out the best in the GLBT community's photographers. I'm calling out Joe Tresh's collection from this year's parade and festival in particular because of this <a href="http://www.washingtonphotojournal.com/2008/06/metro-weekly-pride-photographer-ward-morrison-takes-the-stage/">great shot he took of our own photographer</a>, Ward Morrison, on the stage at the festival. The smile on Ward's face is pretty much a permanent fixture, which is why everyone enjoys having their picture taken by him just as much as he enjoys taking it.<div><br /></div><div>You can check out all of Tresh's parade and festival photographs <a href="http://www.washingtonphotojournal.com/2008/06/capital-pride-2008-all-images/">here</a>. And, of course, don't forget to spend some time browsing through <a href="http://www.metroweekly.com/scene/index.php?k=1035">our coverage here at </a><span class="Apple-style-span" style="font-style: italic;"><a href="http://www.metroweekly.com/scene/index.php?k=1035">Metro Weekly</a></span> -- right now we're donating 80 percent of the proceeds from online photo sales to Capital Pride and the Latino LGBT History Project.<br /><div><br /></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); text-decoration: underline;"><br /></span></div><div><br /></div></div>]]>
        
    </content>
</entry>

<entry>
    <title>What we&apos;ve Scene</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/06/what-weve-scene.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1173</id>

    <published>2008-06-19T11:39:35Z</published>
    <updated>2008-06-19T12:06:07Z</updated>

    <summary>Back in the early aughts, when I came on board Metro Weekly full-time as editor, we were still using this quaint thing called &quot;film&quot; in our cameras. At Capital Pride we would shoot bushels of the stuff, all of which...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[Back in the early <a href="http://en.wikipedia.org/wiki/2000s">aughts</a>, when I came on board <span class="Apple-style-span" style="font-style: italic;">Metro Weekly</span> full-time as editor, we were still using this quaint thing called "<a href="http://en.wikipedia.org/wiki/Photographic_film">film</a>" in our cameras. At Capital Pride we would shoot bushels of the stuff, all of which had to be hustled to our neighborhood camera store to be developed so we could see what we had shot. Then hundreds of 4-by-6 prints would flood back into the office to be carefully gone through by hand -- in the already distant-feeling days of film, we never knew what we had until it was too late. You simply made do with what you got.<div><br /></div><div>Digital photography, then, has saved our lives. Literally, I suspect, because if we were still trying to put together the much larger and complicated magazine we have now while dealing with the vicissitudes of film and prints I'd be in the ground by now.</div><div><br /></div><div>It's also changed the way we approach our photographic coverage of huge events such as Capital Pride, mainly in that where we once had hundreds of photos to choose from, we now have thousands. And where we once had only the print version to work with, we now have our web site where we can provide a home for hundreds and hundreds of great photos we just can't squeeze into the magazine. </div><div><br /></div><div>While the web is a great thing, we're still a few years away from being a society that abandons paper and prevents <a href="http://www.somethingawful.com/d/movie-reviews/happening-shyamalan.php">trees from taking their bloody revenge upon us</a>. For now, it's simply having the best of both worlds. And one of the best parts for us is our new program where we donate 80 percent of all our on-line Scene photo sales to GLBT organizations that help strengthen our community. So go to the <a href="http://www.metroweekly.com/scene/">Scene</a> pages -- you're sure to find something you like.</div>]]>
        
    </content>
</entry>

<entry>
    <title>Left to our own devices</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/06/left-to-our-own-devices.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1151</id>

    <published>2008-06-13T15:25:27Z</published>
    <updated>2008-06-13T15:46:22Z</updated>

    <summary>When art director Todd Franson outlined his cover concept for our special Capital Pride issue -- a simple pattern of vertical colors, taken from the rainbow flag -- I knew exactly where he was coming from.&quot;Just like the Pet Shop...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.metroweekly.com/extra/MWExtraArt/Pet_Shop_Boys_-_Introspective_HQ_-_Front.html" onclick="window.open('http://www.metroweekly.com/extra/MWExtraArt/Pet_Shop_Boys_-_Introspective_HQ_-_Front.html','popup','width=400,height=400,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.metroweekly.com/extra/MWExtraArt/Pet_Shop_Boys_-_Introspective_HQ_-_Front-thumb-200x200.jpg" width="200" height="200" alt="Pet_Shop_Boys_-_Introspective_HQ_-_Front.jpg" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>When art director Todd Franson outlined his cover concept for our special Capital Pride issue -- a simple pattern of vertical colors, taken from the rainbow flag -- I knew exactly where he was coming from.<div><br /></div><div>"Just like the Pet Shop Boys' <span class="Apple-style-span" style="font-style: italic;">Introspective</span> album?"</div><div><br /></div><div>"Yep!"</div><div><br /></div><div>Magazines are so much easier to produce when everyone's on the same pop wavelength.</div><div><br /></div><div>For me, the connection between the two -- Pride and the Pet Shop Boys -- is fitting. The album was released in October of my senior year of college, when I was still adjusting to being out of the closet. My coming out wasn't a prideful affair given that it was totally involuntary, and I was surrounded by what seemed to be the world's largest concentration of College Republicans. There were a handful of us who banded together, however, including my friend Mike.</div><div><br /></div><div>Mike and I would hang out together in the bedroom of his dorm suite that he shared with a couple of straight guys (lacrosse players, I believe) drawn by lottery. Mike had a huge stereo that would blast <span class="Apple-style-span" style="font-style: italic;">Introspective</span> at wall-shuddering volume. The fact that we would often follow a Pet Shop Boys selection with Guns N' Roses' "Welcome to the Jungle" likely caused no end of confusion (and earaches) for Mike's roommates.</div><div><br /></div><div>That was the year I started coming to D.C. on a regular basis for weekend gay getaways -- 20 years old, new to the world and taking to the Badlands dance floor like a dervish for "Left to My Own Devices." It was the sweetest half of my generally bittersweet memories of those college days.</div><div><br /></div><div>You can guess what I'll likely be playing on my iPod now for the rest of the weekend.</div><div><br /></div><div><br /></div><div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Airline Update</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/06/airline-update.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1136</id>

    <published>2008-06-11T18:23:28Z</published>
    <updated>2008-06-11T18:26:17Z</updated>

    <summary> For the June 5 issue, I wrote a Stonewall Baby column (&quot;Bye Bye Birdie&quot;) lamenting the effects of rising fuel costs on the airline industry. In that column, I cited my last long-haul flight: Thai Airways from JFK to...</summary>
    <author>
        <name>Will O&apos;Bryan</name>
        <uri>http://www.metroweekly.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[
<!--StartFragment-->

<p class="MsoNormal">For the June 5 issue, I wrote a Stonewall Baby column
(<a href="http://www.metroweekly.com/gauge/commentary.php?ak=3504">"Bye Bye Birdie"</a>) lamenting the effects of rising fuel costs on the
airline industry. In that column, I cited my last long-haul flight: Thai
Airways from JFK to Bangkok, roundtrip, last November.</p><p class="MsoNormal">Sadly, less than a week later, Thai Airways <a href="http://www.usatoday.com/travel/flights/2008-06-09-thai-nyc-lax_N.htm">announced</a> that
it will be cutting the New York-Bangkok nonstop service, and cutting back
service to its only other U.S. destination, Los Angeles. The reason cited? Fuel
costs, of course. And so it begins.... </p>

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    </content>
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<entry>
    <title>People say the nicest things</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/06/people-say-the-nicest-things.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1126</id>

    <published>2008-06-09T21:32:09Z</published>
    <updated>2008-06-09T21:41:37Z</updated>

    <summary>Our friend Margaret Murray over at One in Ten has some wonderfully kind words for our current cover of Cyndi Lauper, comparing us to the latest Vanity Fair. Naturally, those are the types of compliments that make an editor/publisher&apos;s heart...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[Our friend Margaret Murray over at One in Ten has some <a href="http://reelgoesround.blogspot.com/2008/06/our-sweet-office-renovation.html">wonderfully kind words</a> for our current cover of Cyndi Lauper, comparing us to the latest <span class="Apple-style-span" style="font-style: italic;">Vanity Fair</span>. Naturally, those are the types of compliments that make an editor/publisher's heart flutter. Thanks, Margaret!<div><br /></div><div>Credit, of course, is due to our art director, Todd Franson, who has been doing ongoing stellar work with our new glossy wrap. After nearly 14 years of newsprint covers, it's been a delight to explore the new design directions afforded with a higher resolution process. From my perspective, it's like having a whole new toy to play with. I'm particularly glad that our covers, both in our editorial conception and design execution, aren't only focused on celebrities such as Lauper. Celebrity covers are far rarer for us these days, as we continue to focus on the local GLBT community we serve -- everyone should have the chance to look like they're on the cover of <span class="Apple-style-span" style="font-style: italic;">Vanity Fair</span>.</div>]]>
        
    </content>
</entry>

<entry>
    <title>Blast from the past</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/05/blast-from-the-past.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1027</id>

    <published>2008-05-16T14:18:40Z</published>
    <updated>2008-05-21T21:14:01Z</updated>

    <summary><![CDATA[ After I finished editing this week's cover story on Cathy Renna, I told Will O'Bryan how much I enjoyed his&nbsp;interview with her, that it really brought me back to the old days of D.C. queer activism. You'll note that...]]></summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[
<p>After I finished editing this week's <a href="http://www.metroweekly.com/feature/?ak=3444">cover story on Cathy Renna</a>, I told Will O'Bryan how much I enjoyed his&nbsp;interview with her, that it really brought me back to the old days of D.C. queer activism.</p>

<p>You'll note that I didn't say "good old days," because despite the fondness with which I may remember the early 1990s, the reality is that they were truly scary days in many ways. These were the days before effective HIV/AIDS treatments, when obituaries still brimmed with the deaths of gay men. Much of the pro-gay effort of the first Clinton administration collapsed in the Gays in the Military fiasco, when newspapers and news shows followed U.S. senators, both Republican and Democrat, through the close confines of submarines to illustrate how homos would destroy military morale. And even many of us who were on-the-edge activists doubted we would see marriage rights any time soon, if even in our lifetimes.</p>

<p>Obviously, things do change, and faster than we might have expected. But they don't change without effort, and Cathy stands out in my mind as one of the activists who achieved the most with her efforts. I can't say that I always agreed with the stances she and GLAAD took on media issues -- my libertarian streak often runs against the more progressive instincts of GLBT media critics -- but you can't deny they had an incredible impact on how the country's mass media covers our community. And it's a better world because of it.</p>

<p>It's hard to keep the activist fire burning for years on end -- at least that's been my experience -- but I've always been impressed by how Cathy has really pursued the causes she believes in (I know this because I've been on the receiving end of many of her story pitches). I'm glad she'll be back in Washington with her family, especially as we're on the verge of what could be a huge shift in political power. The possibility for change in the coming years may be immense, and we'll need all hands on deck to make it happen.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Proud to be honored</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/05/proud-to-be-honored.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.1007</id>

    <published>2008-05-09T16:19:22Z</published>
    <updated>2008-05-09T18:03:10Z</updated>

    <summary><![CDATA[In this week's feature story package on the GLBT Asian and Pacific Islander Pride &amp; Heritage celebration, we highlighted the two people (Joseph Truong and Trang Duong) and one organization (South Asian Americans Leading Together (SAALT)) being honored on Saturday...]]></summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<p><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">In this week's f</span><a href="http://www.metroweekly.com/feature/"><span class="Apple-style-span" style="font-family: '-editor-proxy';">eature story package</span></a><span class="Apple-style-span" style="font-family: '-editor-proxy';"> on the GLBT Asian and Pacific Islander Pride &amp; Heritage celebration, we </span><a href="http://www.metroweekly.com/feature/?ak=3430"><span class="Apple-style-span" style="font-family: '-editor-proxy';">highlighted</span></a><span class="Apple-style-span" style="font-family: '-editor-proxy';"> the two people (Joseph Truong and Trang Duong) and one organization (South Asian Americans Leading Together (SAALT)) being honored on Saturday for, according to Pride &amp; Heritage, "work empowering the local A/PI GLBT community."</span></span></p>

<p><span class="Apple-style-span" style="font-family: '-editor-proxy';">While it was mentioned briefly in the feature, we didn't profile a fourth honoree -- </span><span class="Apple-style-span" style="font-style: italic;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">Metro Weekly</span></span><span class="Apple-style-span" style="font-family: '-editor-proxy';">. It's generally a little awkward for a publication to determine how to cover itself, but in this case we obviously wanted to focus on those members of the local A/PI community who have done such stellar work. </span></span></p>

<p><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">That said, I do want to call a little more attention to the award because I'm both excited and proud to have the magazine recognized in such a wonderful way. I've been fortunate enough over the past few years to become friends with a number of those who have made AQUA and other organizations such fast growing and effective groups in our community. </span></span></p>

<p><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">One of the things that most interests and excites me about our entire Washington GLBT community is just how diverse it's becoming -- and how it's only going to become more so. With the huge A/PI communities across the area, its pretty much inevitable that the Asian GLBT presence will become an ever larger part of that diversity. And, as with any growing minority community, those in the majority often have a lot to learn in terms of dismissing stereotypes and making everyone feel welcome in all our community spaces.</span></span></p>

<p><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">I believe that the role of a local gay and lesbian publication is to reflect as many diverse aspects of that local community as it can, so I'm especially proud and honored that Pride &amp; Heritage chose to recognize our efforts. And I wish them a happy and joyous pride celebration.</span></span></p>


<p><span style="letter-spacing: 0px;"><span class="Apple-style-span" style="font-family: '-editor-proxy';">The Pride &amp; Heritage reception is tomorrow evening at Apex -- </span><a href="http://www.metroweekly.com/feature/?ak=3430"><span class="Apple-style-span" style="font-family: '-editor-proxy';">read more about it here</span></a><span class="Apple-style-span" style="font-family: '-editor-proxy';">, or visit the </span><a href="http://www.dcprideandheritage.org/"><span class="Apple-style-span" style="font-family: '-editor-proxy';">Pride &amp; Heritage</span></a><span class="Apple-style-span" style="font-family: '-editor-proxy';"> web site for more information and tickets. And don't miss the </span><a href="http://www.metroweekly.com/feature/?ak=3431"><span class="Apple-style-span" style="font-family: '-editor-proxy';">Dragon Boat</span></a><span class="Apple-style-span" style="font-family: '-editor-proxy';"> races!</span></span></p> 
]]>
        

    </content>
</entry>

<entry>
    <title>Sun dissed </title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/05/sun-dissed.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.999</id>

    <published>2008-05-01T16:31:22Z</published>
    <updated>2008-05-12T19:44:24Z</updated>

    <summary>As an aside to the Domestic Partner May 1 story about skin-cancer screening, Ban the Tan, it&apos;s worth mentioning that I know too well how scary this can be. My sister, Megan, died from melanoma about 10 years ago. While...</summary>
    <author>
        <name>Will O&apos;Bryan</name>
        <uri>http://www.metroweekly.com/</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<p>As an aside to the Domestic Partner May 1 story about skin-cancer screening, <a href="http://www.metroweekly.com/domestic_partner/body/?ak=3415">Ban the Tan</a>, it's worth mentioning that I know too well how scary this can be. My sister, Megan, died from melanoma about 10 years ago.</p>

<p>While she had very pale skin, she learned how to make it
tan. She rarely burned, but she was dedicated to just the right amount of
exposure and lotion to get a beautiful tan. Going to college in San Diego in
the early 1980s, it was the thing to do.</p>

<p>Years later, after the birth of one of her four kids, a
melanoma lesion appeared on her back. Surgery followed immediately, at which
time her doctors at Scripps were pretty confident that they'd managed to excise
the tumor, and that it hadn't moved to any other part of her body.</p>

<p>That's when the clock starts -- five years in the clear, and
you can be pretty confident that the cancer was completely removed. But about
five years and six months later, a lesion appeared under her arm.</p>

<p>From her home at the time, Japan, she waited a couple of
weeks so that she could enjoy Christmas with her four kids and husband, before
heading back to Scripps in San Diego. There, the chemotherapy took its toll on
her. The melanoma eventually spread to her brain, where the treatment was
radiation. While initially successful, the melanoma returned to her brain,
where the radiation treatment could not be repeated.</p>

<p>Within a year of the return of the melanoma, at 38, with a
great marriage, four young kids, and years of avoiding the sun after her
college-tan days, she died.</p>

<p>Locally, a friend of mine has also battled melanoma. Years
of Florida sun exposure manifested themselves as melanoma after she moved to
D.C. The chemo ravaged her body and cost her some lymph nodes. But she
survived. And, similar to my sister's case, about five years later, another
melanoma tumor surfaced. Thankfully, it was not a sign that the original cancer
had spread, but an isolated case. This time, she was well aware of what to look
for and immediately went to her doctor, who immediately removed it from its
spot on her cheek. These months later, no one can even tell that she had this
tumor removed from her face, which is testament to modern surgical skills.</p>

<p>While I wish I could tan myself, purely for reasons of
vanity, I know I can't and that I shouldn't try. It could end up killing me. As
it stands, those childhood burns may still. At least with increased awareness
of skin cancer, all of us stand a better chance of being able to catch skin
cancer early. And though there is some minor debate on whether sun exposure is
a leading cause of skin cancer, avoiding the sun may save your life. Getting
tanned, on the other hand, won't really get you anything.</p>



 ]]>
        
    </content>
</entry>

<entry>
    <title>Smoking out the answers</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/04/theres-a-school-of-thinking.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.996</id>

    <published>2008-04-30T17:54:04Z</published>
    <updated>2008-04-30T20:58:08Z</updated>

    <summary>There&apos;s a school of thinking in journalism that every story has to include a voice for the pro and a voice for the con -- that there are two sides of every issue and they must be pitted against each...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">There's a school of thinking in journalism that every story has to include a voice for the pro and a voice for the con -- that there are two sides of every issue and they must be pitted against each other in the name of balance.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">I'm not part of that school.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">That's not to say I don't believe in fairness -- I'm as traditionally trained and experienced as the next journalist, so it's always the duty of the writer to inform the reader of what's important. I just don't believe that everything has to be structured like an angry debate in order to illuminate a particular issue. And that's why I really enjoy the Q&amp;A format that we often use at Metro Weekly -- it gives the person being interviewed the space to thoughtfully answer questions, complete with elaborations or digressions, without the pressure to reduce a complex thought to a 15-word sound bite.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">But there is the risk, in the case of particularly controversial subjects, that readers may not be satisfied with hearing just one "side" of a story. I've received and noticed some comments on<a href="http://www.metroweekly.com/feature/?ak=3394"> my interview last week with Mark Lee</a> that illustrate just that. While the primary thrust of the interview was the re-launch of his Lizard Lounge Sunday night party, it was obvious that I couldn't ask about Lizard without asking about the D.C. smoking ban, which Mark so publicly and adamantly opposed.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">David Mariner, executive director of The D.C. Center, writes, "I'm of course happy to hear that Lizard Lounge is coming back," but takes issue with some of Lee's statements.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">First, Mark suggests that there were "so many people in our community" that were not in support of smokefree workplace legislation. Of course, I would counter that virtually [every] recognized GLBT advocacy group in DC SUPPORTED smoke free workplaces.</span><br /><br /><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">Three GLBT organizations testified in support of this legislation, and others presented written testimony. Endorsers of smoke-free workplace legislation included: The Gay and Lesbian Activist Alliance, the Gertrude Stein Democratic Club, The National Coalition for LGBT Health, AQUA-DC (Asians Queers United for Action). Establishments that supported the legislation included Cafe Luna and Skewers, and the Duplex Diner.</span><br /><br /><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">Further, Mark claims that "this is a prohibition campaign by very well funded special interest groups." Please note that of the organizations listed above, none of them received any funding at all to support smoke-free workplaces. GLAA, Stein, AQUA, and Whitman Walker did not receive any money from anyone, and everyone involved supported smoke-free workplaces because it was the right thing to do.</span><br /><br /><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">And finally I would stress that for me personally, this was in no way about "dictating or governing other peoples' personal preferences." This was always about creating a safe work-environment and even-playing field for all employees in DC. The smoke-free workplace legislation wasn't so much an issue for those of us who have the luxury of working in smoke-free office buildings, but many folks who worked as bus-boys, waiters, and barbacks, benefitted from this legislation.</span></blockquote>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span></p>

<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px">Obviously, even though the battle over the smoking ban is over, strong opinions remain. Naturally, being the fence straddler that I often am on these issues, I see (and saw) a lot of strong arguments on both sides: My libertarian, small-business-owner instincts make me wary of legislative efforts that can affect any businesses revenues; my status as an ex-smoker for the past five or so years makes me a fan of any smoke-free establishment.<span style="letter-spacing: 0.0px"></span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Matt at Malcontent <a href="http://malcontent.biz/blog/?p=1512">has a harsher take</a> on both the interview and Lee's comments:</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<blockquote class="webkit-indent-blockquote" style="margin: 0 0 0 40px; border: none; padding: 0px;"><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px; ">I know it seems counterintuitive: As libertarian as like to think I am, I just find something loathsome about fighting for someone's "right" to pollute the air in places that are public accommodations. Sean is clearly not the zealot on this subject that I admittedly am, and his interview didn't betray much bias one way or the other. Yet many lines of inquiry were crying out for follow-up -- areas where one could legitimately call bullshit on Mark Lee.</span></blockquote>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Fair enough criticism on me -- hitting follow-ups can get difficult in a long, free-form interview, and I encourage both myself and my staff writers to always try to do better. Again, my focus actually was the re-opening of Lizard, which, given that the smoking ban was passed into law two years or so ago, is actually the more newsworthy event.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">As always, thanks for those who've written in. We're always glad to hear what you think. You can <a href="mailto:sbugg@metroweekly.com">e-mail me directly </a>at Metro Weekly.</span></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Deja View</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/04/deja-view.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.971</id>

    <published>2008-04-17T13:34:35Z</published>
    <updated>2008-04-17T13:42:41Z</updated>

    <summary>If you&apos;re feeling an odd sense of familiarity when looking at this week&apos;s cover, don&apos;t worry -- your deja vu is true. It&apos;s the same basic image as the one we used for our Cherry coverage in 2006. It&apos;s also...</summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.metroweekly.com/extra/MW%20Glossy%20Wrap%20041708_Metro%20Weekly%20%28Page%2001%292.html" onclick="window.open('http://www.metroweekly.com/extra/MW%20Glossy%20Wrap%20041708_Metro%20Weekly%20%28Page%2001%292.html','popup','width=1152,height=1512,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.metroweekly.com/extra/assets_c/2008/04/MW Glossy Wrap 041708_Metro Weekly (Page 01)-thumb-150x196.jpg" width="150" height="196" alt="MW Glossy Wrap 041708_Metro Weekly (Page 01).jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">If you're feeling an odd sense of familiarity when looking at this week's cover, don't worry -- your deja vu is true. It's the same basic image as the one we used for our<a href="http://www.metroweekly.com/feature/?ak=2082"> Cherry coverage in 2006</a>. It's also one of our favorite images we've shot for it, courtesy of the work of our art director and photographer Todd Franson. </span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">Even so, I was a little hesitant when Todd approached me with the idea -- reputable magazines generally don't make a habit of repurposing old cover shots. But as I listened and thought, I saw that it was a funny idea. Plus, the explanation we printed in small print on the cover is true: We wanted to see what it would look like on our new glossy cover.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.metroweekly.com/extra/2008/04/17/2006-04-20_cover_front.jpg"><img alt="2006-04-20_cover_front.jpg" src="http://www.metroweekly.com/extra/2008/04/17/2006-04-20_cover_front-thumb-150x196.jpg" width="150" height="196" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">A glossy cover has been at the top of the wish list for years with Metro Weekly staff -- I guarantee there are some former employees who, when seeing the new look, thought, "Damn, why couldn't they have done that while I was still there?" And like any major addition to the magazine, it brings a certain kid-and-candy-store element. We've always been fortunate to have top rate cover photography and design -- it's just at times it felt like we producing something in high-definition, but showing it in standard. Things sometimes get lost in the translation.</span></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px"><span style="letter-spacing: 0.0px"></span><br /></p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><span style="letter-spacing: 0.0px">That's no longer the case. And with <a href="http://www.metroweekly.com/feature/?ak=3380">Cherry returning to spring for its big dance party</a>, it seemed the natural time to take one of our most popular Cherry images and put it out in high-def. It's not an approach we'll make a habit of -- we have too many other new and interesting things we want to do with the cover. But it's always fun to play around a bit.</span></p> ]]>
        
    </content>
</entry>

<entry>
    <title>Take a trip behind the scenes of Metro Weekly</title>
    <link rel="alternate" type="text/html" href="http://www.metroweekly.com/extra/2008/04/take-a-trip-behind-the-scenes.html" />
    <id>tag:www.metroweekly.com,2008:/extra//10.965</id>

    <published>2008-04-17T10:00:00Z</published>
    <updated>2008-04-17T10:37:29Z</updated>

    <summary><![CDATA[Welcome to our newest blog, Metro Weekly EXTRA, where we'll take you behind the scenes of the stories, features and ideas you find in each week's magazine.&nbsp; One of the historic frustrations of print journalists has been the hard limitations...]]></summary>
    <author>
        <name>Sean Bugg</name>
        <uri>http://www.seanbugg.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-us" xml:base="http://www.metroweekly.com/extra/">
        <![CDATA[<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><span style="letter-spacing: 0px;">Welcome to our newest blog, Metro Weekly EXTRA, where we'll take you behind the scenes of the stories, features and ideas you find in each week's magazine.&nbsp;</span></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 15px;"><span style="letter-spacing: 0px;"></span><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><span style="letter-spacing: 0px;">One of the historic frustrations of print journalists has been the hard limitations of space -- you often simply cannot include everything you want to. EXTRA is where you'll find those interesting snippets, anecdotes and stories that may not have found a home on our weekly newsprint, but are still worth your taking a look. EXTRA gives us a chance to provide you with even more in-depth coverage of the people in our local GLBT community.</span></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 15px;"><span style="letter-spacing: 0px;"></span><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><span style="letter-spacing: 0px;">EXTRA is also where you'll find our editorial staff answering questions and expanding on the stories they write. While stories may have a definite beginning and ending on the page, in real life stories go on -- with EXTRA, we can provide additional information on stories as they progress.&nbsp;</span></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 15px;"><span style="letter-spacing: 0px;"></span><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><span style="letter-spacing: 0px;">Naturally, while we strive for total accuracy in all our content, on rare occasions we need to make corrections. Any correction that we run in the magazine will also be included in EXTRA, as well as any clarifications or statements that we feel will give you a better and fuller understanding of the stories we report.</span></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal; min-height: 15px;"><span style="letter-spacing: 0px;"></span><br /></p>
<p style="margin: 0px; font-family: Arial; font-style: normal; font-variant: normal; font-weight: normal; font-size: 13px; line-height: normal; font-size-adjust: none; font-stretch: normal;"><span style="letter-spacing: 0px;">As the co-publisher and editorial director for Metro Weekly, I can say that the magazine is, at heart, a reflection of our local GLBT community. We want to hear from you about what you read in Metro Weekly, both in print and online. Each of our stories contains the writer's e-mail address -- don't hesitate to write if you have a question, concern or clarification about a story. You can also write to us at our <a href="mailto:editor@metroweekly.com">Editor</a> inbox.&nbsp;We want to hear from you.</span></p>]]>
        
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