| International Women | ![]() |
Date: Saturday, 10/15/2005
Time: 11:00 am
Venue: Goethe-Institut
Tickets: $9 
Type: Collection of short films
Language: Hebrew & Norwegian, both with English subtitles
Metro Weekly Rating: 



(5 out of 5)
CRITIC'S PICK!
by Will O'Bryan
THE INTERNATIONAL WOMEN program pulls together two fairly disparate documentary films. A journey into the lives of Orthodox-Jewish lesbians in Israel, followed by the video diary of a young, Norwegian transsexual. Both are moving and surprisingly powerful.
In the tradition of Sandi Simcha Dubowski's Trembling Before G-d, the
2001 look at gay and lesbian Hasidic and Orthodox Jews, Keep Not Silent:
Ortho-Dykes (



),
offers frank -- usually clandestine -- discussions with a handful of lesbians
whose relationships with God are central to their lives in every way. Out of
respect for that relationship, some have taken husbands and borne children --
10 in the case of one anonymous interviewee. Others have avoided contact with
women as a form of self-discipline. One interviewee, the daughter of a rabbi,
and easily as pious as the rest, has put her faith in God for making her a lesbian.
Her commitment ceremony will easily bring tears to some viewers. Director Ilil
Alexander's genuine video-conference conversations illustrate the stark contrast
of ancient texts and the modern world. Furthermore, she fleshes out mood for
her film with day-to-day urban scenes of Orthodox neighborhoods, giving a complete
experience.
In
another corner of the world, Morten is transforming into Monica, in 100%
Human (


).
Video camera in-hand, she seems eager to take us all along with her. This quirky
movie is more than video confessional, however. Monica's mother is equally frank,
sharing all her emotional reactions to her daughter's transsexualism. Monica
herself stars in three music videos, interspersed throughout the film. These
video interludes may seem a bit corny, but there is no doubting their sincerity.
The same doesn't hold for directors Jan Dalchow and Trond Winterkjaer adding
scenes of a small child as the young Monica/Morten, for example, pulling a dress
from the clothesline for emotional support, nor all the underwater filming that
doesn't tell us much as metaphor, but makes quite clear that Monica is not terribly
fond of opening her eyes underwater.
These little quirks don't hurt 100% Human too much. Monica is so forthright in sharing her transformation, from hormones to surgery, it's easy to allow her a pop-star indulgence. She's just too charming not to forgive. And she's offering audiences more, by way of insight, than they'll ever be able to repay.
| More information |
Film Links:
· Reel Affirmations details
· Rotten Tomatoes
Festival Venue:
Goethe-Institut
Inter Nationes
814 - 7th Street, NW; Washington, DC 20001. (202) 289-1200. (map)
1 block north of Green-Yellow-Red Line Metro / Gallery Place-Chinatown station.
Tickets:
You may buy your tickets or passes in advance: Online at BoxOfficeTickets.com
or by phone at (800) 494-TIXS (494-8497). Or you may visit the Lincoln
Theatre (1215 U Street, NW, WDC); the DCJCC (1529 16th Street, NW,
WDC); Lambda Rising (1625 Connecticut Avenue, NW, WDC); or Universal
Gear (1601 17th Street, NW, WDC).
|
For more info visit the official Reel Affirmations website. |







