In a work commissioned by Ford's Theatre, playwright Richard Hellesen explores the two documented encounters between Frederick Douglass and Abraham Lincoln during a period of national crisis. As Lincoln searches for a way to end slavery in the summers of 1863 and 1864, Douglass's rhetoric and conviction challenges the president to envision a post-emancipation world. Together, the men imagine not only a unified nation but a society that brings truth to the Declaration of Independence's assertion that "all men are created equal." Jennifer L. Nelson directs the production starring David Selby as Lincoln. To Feb. 12. Ford's Theatre, 511 10th St. NW. Tickets are $15 to $45. Call 800-982-2787 or visit fordstheatre.org.
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Wince you might at the idea of Much Ado About Nothing rendered as a 1930s screwball comedy set in Cuba, but the concept -- and more importantly, the Shakespeare Theatre Company's execution of it -- "hath indeed better bettered expectation." This is the Bard for a modern audience done right. It's ridiculously fun and yet utterly and completely about the language and the wit. And once you get the idea, it's inspired. Everyone here, from lead to ensemble, plays together like the workings of a well-made watch. Keeping the pace intact and, thankfully, allowing the breathtaking Derek Smith as Benedick to work his magic, director Ethan McSweeny is himself a master of timing, both comic and dramatic. Bottom line: If you don't get to this Much Ado, you should be, in the words of Benedick, hung in a bottle like a cat and shot at. Extended to Jan. 7, 2012. Sidney Harman Hall, Harman Center for the Arts, 610 F St. NW. Call 202-547-1122 or visit 
