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Guillermo Calderon turns Syria from ubiquitous headline into something more urgent and human
"An Octoroon" is a brave, chaotic, wonderfully-acted play, but it lacks intellectual cogency
Guards at the Taj is never quite where it needs to be and City of Conversation is just boring
Woolly Mammoth offers another round of boisterous fun and unpredictability
Winners and Losers is like being trapped in the boring room at the party
King Hedley II is a ruthlessly honest examination of the profound costs of prejudice
Playwright David Adjmi gives us a voyeur's view of Marie Antoinette
Separated by time and genre, you wouldn’t expect Noel Coward’s 1930s ever-so-British rom-com Private Lives to have much in common with Peter Sinn Nachtrieb’s The...
The best way to approach Mr. Burns, a Post-Electric Play, is to forget how funny The Simpsons is. For although playwright Anne Washburn bases her...
Robert O'Hara, the 41-year-old playwright whose latest work, Bootycandy, is having its world premiere run at Washington's Woolly Mammoth Theatre Company, is very familiar with...
Despite the valiant attempts being made in some corners, the bright bauble of reality television has eclipsed what was once television's most reliable version of...
For every Lion King, there is a Little Mermaid. For every Beauty and the Beast, there is a Chitty Chitty Bang Bang. There is perhaps...