Euan Morton feels lucky to be starring in the national touring production of Hedwig and the Angry Inch.
“It’s in the zeitgeist, isn’t it? This question of gender, where gender belongs in our society and on this earth,” Morton says. “Hedwig does not want be tolerated, she wants to be accepted as equal and the same, even in her difference.”
John Cameron Mitchell and Stephen Trask’s musical about a twice-jilted transgender singer “has its dark and angry moments, but I think it’s a joyful tale, I think it’s a story of love,” Morton says. “I think it’s something that’s really important to be taking around the U.S. right now,…reminding people of how we are the same even in our differences.”
Fifteen years ago, the Scottish actor garnered acclaim for portraying Boy George in the musical Taboo, in both London’s West End and on Broadway. “They both have a peacock aspect to their personality, especially in what they wear and the paint on their faces,” he says. “But for me that’s really where the similarity ends. George’s story is a very different tale from [Hedwig’s], as is George’s emotional journey.”
A familiar face on the D.C. theater scene, Morton won a Helen Hayes Award in 2012 for his work in Ford’s Theatre’s Parade, and starred in Signature Theatre’s heralded 2010 revival of Chess. Rumors about a transfer to Broadway of that show, featuring music by ABBA’s Benny Andersson and Bjorn Ulvaeus, never came to fruition.
“It’s too bad,” he says. “I don’t really know what happened. From what I hear, Tim Rice was not happy using Richard Nelson’s book, and wouldn’t allow it to go any further. [While that’s] all supposition and rumor, it wouldn’t surprise me, because ego is the darkest thing about this industry…. Sometimes it stops good art from being done. I’m almost 40 now, so I’m pretty aware of when I’m failing and I’m pretty aware of when I’m successful — in controlling ego, I mean. I hope the same for my son.”
Morton’s son, Iain Armitage, is currently preparing to play the lead in CBS’s Big Bang Theory spinoff, Young Sheldon.
“I could tell you the Ryan O’Neal version, which is, ‘I’m brilliant, and he got it from me!'” Morton laughs when asked the secret to his son’s success. “But sometimes the universe points at a person and says, ‘I’m going to give you a voice.’ One in a million. And it happened to Ian.”
Morton hopes his son will keep everything in perspective. “The thing I hope my son is able to navigate [is] the ego that will be thrust upon him from others,” he says. “Those who wish to ride his coattails, those who wish to be better than him, those who are jealous, those who want to use him.” –Doug Rule
Hedwig and the Angry Inch runs to Sunday, July 2, in the Kennedy Center’s Eisenhower Theater. Tickets are $59 to $159. Call 202-467-4600 or visit kennedy-center.org
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!