Keeping pace with its free-spirited gay hero — a Tel Aviv high school senior named Tom — the indie drama Like Me (★★☆☆☆) makes broad, swift swings between emotional highs and lows.
In short order, Tom, portrayed by newcomer Yoav Keren, bounces from a threesome with a handsome gay couple, to being informed by his widower dad Gideon (Danny Geva) that, based on some tell-tale queerness Gideon found on the kid’s phone, he’s giving Tom two weeks to get out of the house.
Writer-director Eyal Kantor’s feature debut treads credible ground depicting Tom’s confusion as he processes being rejected by his emotionally distant dad. He still parties when he can with straight bestie Gilad (Mendi Barsheshet) and Gilad’s new Instagram-influencer girlfriend Noa (Roni Adler), but the hurt and anger seething beneath the smiles can surface when he least expects.
During a photo shoot, Rami (Gal Amitai), a smitten photographer twice Tom’s age, directs model Tom to pour that pain out, resulting in the most persuasively raw moments of Keren’s performance. Elsewhere, the actor appears in need of stronger direction to convey Tom’s complex, sometimes contradictory actions and urges.
Especially when those actions seem contradictory to common sense and reality, like when Tom intentionally trashes his bike, to create an excuse for running late on his Pizza Hut deliveries.
Sure, to embellish the fib, he lets the bike fall onto the pavement, where he tosses a handful of dirt over it and on his clothes and face. But he also violently kicks and stomps on the bike, his main mode of transportation throughout the rest of the movie’s shaky handheld shots of him biking the city streets.
Tom saves his tip, but the moment, rather than coming across as a clever payoff, points to the same awkward direction that continually centers Tom’s ungainly dancing as seductive or alluring. In fact, the movie opens on a short clip of Tom dancing, ends with an extended video of him dancing to funk-pop trio half•alive’s “Still Feel,” and several times features him dancing with friends at parties, or flirting with Rami during photo shoots.
Meant to express Tom’s queer joy and youthful independence, his freestyle moves don’t generally express any sexy sense of rhythm or physical confidence. Keren, who doesn’t dance like someone professionally trained, might have improvised Tom’s dance-like-no-one’s-watching flails and twists, and that’s fine. But the reliance on dance as a thematic touchstone perhaps warranted the contributions of a choreographer to find a language of movement that Keren actually speaks fluently.
As is, the desired effect doesn’t register decisively. The performance and staging are more convincing in scenes showing the intimate closeness between Tom and Gilad. Their attraction builds as the pair rehearse their amorous roles in a school production of The Picture of Dorian Gray. And Gilad takes it upon himself to teach his childhood friend how to caress a girl before moving in for a kiss.
The will-they-or-won’t-they stays headed in one predictable direction, but Barsheshet, playing the typically wishy-washy one in the relationship, adds a frisson of tension to Gilad’s dance with possible bisexuality. Tom’s own indecisive behavior — pining for Gilad’s attention, then running to Rami whenever Gilad ignores or mistreats him — also plays out honestly.
By comparison, the running subtext about how all these young people’s behavior is warped by their compulsion to craft stories for social media consumption feels forced and dated — like an ill-timed dancer, just missing the beat of a familiar tune.
Like Me is available on VOD and digital platforms, including iTunes, Google Play, Vudu, and local cable & satellite providers, and on DVD. Visit www.bgpics.com.
Voters in Huntington Beach, California, a Los Angeles exurb in Orange County, approved a measure last week to ban the Pride flag and any other non-governmental banners on city property. The move is part of a larger right-wing push against LGBTQ visibility.
While only 31% of registered voters showed up at the polls in this year's presidential primary, the primary ballot also featured Measure B, which sought to limit the types of flags displayed on government property. Nearly 58% of those voters endorsed the measure, according to county election results.
Moving forward, any flag representing a political or social cause, such as breast cancer awareness, a specific religion, or a specific community -- such as the LGBTQ community -- will not be permitted to fly on city-owned flagpoles.
Katy O'Brian has frozen mid-sentence, her warm expression fixed in time. It's the second time during a 45-minute Zoom call that technology has glitched.
"I don't know what's going on with my internet," she apologizes, returning to the call moments later. "It's crazy."
What is especially crazy is how Katy O'Brian's career has blown up over the past few years. From a stint in Ant-Man & The Wasp: Quantumania as take-no-crap rebel Jentorra, to The Mandalorian, as comms officer Elia Kane, to her latest stint as Jackie, an aspiring bodybuilder who falls in love with Kristen Stewart's Lou in the vibrant, thrilling Love Lies Bleeding, O'Brian is leaving no corner of the cinematic cultural landscape unexplored. Later this summer, she'll be seen in the eagerly anticipated Twisters in a role designed for comic relief, she hints.
José Rolón, who has 150,000 followers on Instagram and over 500,000 followers on TikTok under the user name @nycgaydad, found himself bombarded with threats from right-wing users after conservative commentator Stew Peters tagged him in an Instagram video.
In the video, Peters called Rolón a "creep" and a "pervert homo," and called for his public execution. He also accused Rolón of "criminal sexual conduct," tagging the New York Police Department and urging them to investigate the gay widower.
"Some pervert homo has access to at least four kids around the clock all the time," Peters said, misstating the number of Rolón's children. "He can take them to drag conventions and then post the evidence, post pictures and videos of criminal sexual conduct … and somehow not end up in jail, or better yet, the gallows."
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