Stage
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“Midwestern Gothic” at Signature Theatre (Review): Tempts and teases, but only partly delivers
A crime, weed, and showtune-laced trip to Coen Brothers country that's not as fun or far-out as it should be
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“Midwestern Gothic” is a new, darkly funny musical thriller at Signature Theatre
It's "Fargo meets Misery" and promises to provoke, shock and entertain in equal measure
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The Night Alive at Atlas Performing Arts Center
The latest work by Irish playwright Conor McPherson
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Other People: Michael John LaChiusa on Republicans, aging and “Los Otros”
Michael John LaChiusa on feeling invisible in the gay community and the timeliness of "Los Otros"
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Ford’s Theatre’s “Ragtime” (Review): Part musical, part melodrama, all crowd-pleaser
"Ragtime" charts a safe journey through tumultuous American history
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Peter Brook’s “Battlefield” at Kennedy Center
"Battlefield" is a revised and extended excerpt from a sweeping epic poem of ancient India
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Everyman Theatre’s “Los Otros” explores cultural and sexual identity
Broadway vets Judy McLane and Philip Hernandez star
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Keegan Theatre’s “Parade” (Review): Sure-footed, insightful and rewarding
Michael Innocenti's blazing performance as Leo Frank leads Keegan's exquisite Parade.
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“Three Sisters” and “No Sisters” at Studio Theatre (reviews)
Studio's Three Sisters is even more thrilling when paired with Aaron Posner's experimental companion, No Sisters
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Saving Assets: Intelligence at Arena Stage (Review)
With Intelligence, D.C. gets a wonky play it's uniquely qualified to enjoy
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Needles and Opium at the Kennedy Center
Robert Lepage's play is part of a spotlight on innovative, international directors
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The Richmond Triangle Players present Choir Boy
Tarell McCraney’s Choir Boy focuses on the most talented — as well as most flamboyant — chorister at a hallowed African-American, all-boy prep school. A touching...
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Novel Notion: The Select at The Shakespeare Theatre Company (Review)
Hemingway fans will appreciate the faithfulness of The Select, but for everyone else it's a bit of a slog
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Oedipus Vexed: The Gospel at Colonus (Review)
WSC Avant Bard presents an alternately stirring and stifled gospel sermon
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“Fickle: A Fancy French Farce” at Olney Theatre
A world-premiere modern take on 18th-century French comedy "The Double Inconstancy"
