- The Magazine
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
Jeanne Paulsen and Naomi Jacobson enact a gripping tug-of-war between frenemies in Studio's vividly realized "The Children"
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
A rapid-fire spoof of one of Hitchcock's most famous films
Solid stagecraft and storytelling serve Constellation's inventive production of "The White Snake"
All's well that ends well for the departing artistic director of the Shakespeare Theatre Company
Everybody plays the fool in Olney's daft but apparently crowd-pleasing "A Comedy of Tenors"
"Grand Hotel" offers eye-popping design and a few fine performances amid a dry, jumbled delivery
Junk makes the world of banking genuinely interesting, but lacks any human connection
Tearrance Arvelle Chisholm's P.Y.G. preaches almost as much as it entertains
D'Affuso: "I'm totally letting go and am having an absolute blast"
The three-act play is crafted from hundreds of interviews with friends, family, and neighbors of Shepard
Tense new productions of Native Son and columbinus explore toxic male rage, with varying degrees of success
Arena's JQA is best left to the tourists and those who can never get enough educational theater
Ford's production hits all the right notes, from dazzling design and soaring voices to a heartwarming cow