It may come as a shock, but Dionne Warwick balks at the idea of playing massive venues.
“I’ve basically refused to perform in arenas and coliseums,” says the 76-year-old legend. “Those things are for basketball and hockey and soccer. And I am a singer.” She prefers intimate rooms where she can connect with her audience, rooms like Bethesda Blues & Jazz, where she’ll appear next week to help the venue celebrate its 4th Anniversary.
Over the course of two nights, she’ll be performing from a seemingly inexhaustible supply of hits, in particular those from her extraordinary collaboration with composer Burt Bacharach and lyricist Hal David, songs that have become so iconic, it’s hard to imagine anyone else singing them, including “Do You Know the Way to San Jose?” and “I’ll Never Fall in Love Again.” Warwick’s success extended beyond her Bacharach collaborations and songs like the soaring, Barry Manilow-produced “I’ll Never Love This Way Again” and the Bee Gees-penned “Heartbreaker.” Among her most cherished achievements was performing alongside Elton John, Gladys Knight and Stevie Wonder on “That’s What Friends Are For.” The song shot to #1 on the R&B, Adult Contemporary and Billboard Hot 100 charts and raised nearly $3 million for the American Foundation for AIDS Research.
Warwick felt a deep obligation to be a part of the project. “We were losing so many people [to AIDS], in my industry particularly,” she says, adding, “My grandfather, who was a minister, taught me at a very tender age that we’re all put on this earth to be of service to each other, and that we all need healthy people around us. And if there’s anything we can do to ensure that…it’s part of what we’re supposed to do.”
Inevitably, as with almost any conversation these days, talk turns to Donald Trump. Warwick gets audibly riled up when speaking of the new President with a penchant for childish Tweets.
“We can’t sit around and twiddle our thumbs, you know?
We need to take the initiative to be the actual citizens of these United States of America and demand the things that we know we’re entitled to and how they ought to be done,” she insists. “He has no choice but to listen. He’s not our boss. We’re his boss. He’s got to listen to us.”
Dionne Warwick appears Tuesday, Feb. 28 and Wednesday, March 1 at Bethesda Blues & Jazz, 7719 Wisconsin Ave., in Bethesda. Doors at 6 p.m., show at 8 p.m. Tickets are $115 to $150. Call 240-330-4500 or visit bethesdabluesjazz.com.
The U.S. Supreme Court has cleared the way for the Trump administration to enforce a policy mandating that U.S. passports list a traveler’s sex as assigned at birth, based on biological characteristics.
On his first day in office, President Donald Trump signed an executive order declaring that the U.S. government would recognize only two sexes, effectively erasing transgender identity. The order, which pledged to uphold "the biological reality of sex," directed the State Department to revise its passport policies to "accurately reflect the holder's sex."
Justine Lindsay, the NFL's first out transgender cheerleader, recently revealed that she was fired this year, a decision she alleges was motivated by transphobia and Donald Trump's election as president.
"I was cut because I'm trans," Lindsay said in an Instagram Live with Gaye Magazine. "I don't wanna hear nobody saying, 'She didn't wanna come back.' Why the hell would I not wanna come back to an organization that I've been a part of for three years? That makes no sense to me. So I was cut. I was devastated. It stung. I was hurt."
Lindsay, who made history as the NFL's first transgender cheerleader when she tried out and made the Carolina Panthers's TopCats squad in 2022, told the magazine that her teammates "know the truth" about the decision to cut her from the squad.
Dutch authorities say Veronica Clifford-Carlos failed to prove she faces a "legitimate risk of persecution" or threat of physical harm in the United States.
A Dutch court has upheld a ruling rejecting a U.S. transgender woman's bid for asylum, finding she does not face a substantial enough threat of persecution in her home country.
Veronica Clifford-Carlos, a 28-year-old visual artist from California, said she once believed she’d build a life in the United States, but felt compelled to flee after receiving death threats over her gender identity.
Clifford-Carlos left the United States -- leaving behind friends and her dog -- and flew to the Netherlands with her father. Upon arrival, she applied for asylum, telling authorities about the abuse she endured in the United States, particularly after President Donald Trump’s re-election last fall.
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