February 2012 Archives

The Helen Hayes Awards nominees for 2012, DC's theater awards, were announced on Monday, Feb. 27, and include nominees ranging from fifteen nominations, including Outstanding Resident Play, for Synetic Theater's King Lear to nine nominations, including Outstanding Resident Musical, for Signature Theatre's Hairspray to six nominations -- including two Robert Prosky Award for Outstanding Lead Actor, Resident Play, nominations -- for Studio Theatre's The Habit of Art.

storyanddinolfo.jpgFor the top resident musical and play nominees, 11 shows were nominated.

For Outstanding Resident Musical:

  • Follies - The Kennedy Center
  • Hairspray - Signature Theatre
  • Liberty Smith - Ford's Theatre
  • Pop! - The Studio Theatre 2ndStage
  • Side By Side By Sondheim - Signature Theatre
  • The Sound of Music - Olney Theatre Center

For Outstanding Resident Play:

  • A Bright New Boise - Woolly Mammoth Theatre Company
  • Cyrano - Folger Theatre
  • King Lear - Synetic Theater
  • Ruined - Arena Stage
  • Venus in Fur - The Studio Theatre

Among the other nominees are Hugo Weaving, profiled by Metro Weekly, for his supporting performance in the non-resident production of Uncle Vanya at the Kennedy Center; Tom Story for his lead role in Studio Theatre 2ndStage's production of Pop!; and Story's partner, Chris Dinolfo, for his supporting role in the resident production of King Lear at Synetic Theater. The couple, starring together in Round House Theatre's Next Fall, recently were profiled by Metro Weekly.

The Helen Hayes Awards is a signature program of theatreWashington, the only organization that promotes, supports, and represents Washington area theatres, artists, and diverse audiences of all ages.

SEE all the nominees.

[Photo: Story and Dinolfo (Photo by Todd Franson.)]

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Suprasensorial at the Hirshhorn

Posted by Randy Shulman |
February 27, 2012 10:56 AM |
Suprasensorial

Suprasensorial: Experiments in Light, Color and Space reevaluates the evolution of the international multimedia Light and Space installation movement through the work of five pivotal Latin American artists: Carlos Cruz-Diez, Lucio Fontana, Julio Le Parc, Hélio Oiticica and Jesús Rafael Soto. And then starting in late March, the Hirshhorn presents "Song 1," a new commission from Doug Aitken that will envelope the museum's entire facade in high-definition projected images and colors. Aitken calls it "liquid architecture." On display through May 13. Hirshhorn Museum, Independence Avenue and Seventh Street SW. Call 202-633-1000 or visit hirshhorn.si.edu.

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From Shuffle to Show Boat at the In Series

Posted by Randy Shulman |
February 25, 2012 10:20 AM |

From Shuffle to Show Boat: Prelude to the American Musical explores how the musical came to be, drawing from vaudeville, operetta, blues and Tin Pan Alley. KenYatta Rogers directs this cabaret-style show, written by Sybil Roberts and choreographed by Angelisa Gillyard. Part of the Intersections: A New America Arts Festival at the Atlas. A mix of music from 1920s black musicals, operetta tunes, and blues, jazz and Tin Pan Alley selections. Saturday, Feb. 25, and March 3, at 4 p.m., Friday, March 2, at 7 p.m., and Sunday, March 4, at 5 p.m. Atlas Performing Arts Center, 1333 H St. NE. Tickets are $37. Call 202-399-7993 or visit atlasarts.org.

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Devil Boys from Beyond at Landless

Posted by Randy Shulman |
February 25, 2012 8:33 AM |

Landless Theater Company's latest campy cartoon character romp -- Devil Boys from Beyond -- is said to be a hybrid of Invasion of the Body Snatchers and His Girl Friday with a dose of Dynasty -- with "drag queen cat fights and scantily clad cute boys" and set in the 1950s in Lizard Lick, Fla. Buddy Thomas and Kenneth Elliott wrote this play, winner of a 2008 FringeNYC Overall Excellence Award. Heather Bagnall Scheeler directs. Closes this Sunday, Feb. 26. DCAC, 2438 18th St. NW. Tickets are $25. Call 202-431-4704 or visit dcartscenter.org.

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Fortune's Bones: The Manumission Requiem

Posted by Randy Shulman |
February 24, 2012 10:26 AM |

The Washington Performing Arts Society presents this musical tribute to an African-American slave who served as a doctor in post-Colonial Connecticut, which grew out of a book-length poem written by Marilyn Nelson. Nelson will narrate from her poem for this cantata, with music by Ysaye Barnwell, featuring the WPAS Men and Women of the Gospel Choir, along with soprano Shannon Finney and baritone VaShawn McIlwain, among others. The music, including spirituals, is billed as celebrating "the fullness of African-American life." Saturday, Feb. 25, at 8 p.m., and Sunday, Feb. 26, at 3 p.m. Clarice Smith Performing Arts Center's Dekelboum Concert Hall, University of Maryland, University Boulevard and Stadium Drive. College Park. Tickets are $40. Call 301-405-ARTS or visit claricesmithcenter.umd.edu.

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Pardon the Pundit at The Harman

Posted by Randy Shulman |
February 24, 2012 10:24 AM |

The D.C.-based political comedy theater Pardon the Pundit makes hay out of the hypocrisy, absurdity, corruption and self-righteousness from both parties in the nation's political discourse. This touring company showcase features six professional political comics performing 75 minutes of standup, sketch and improv. Friday, Feb. 24, and Saturday, Feb. 25, at 7:30 p.m. and 9:45 p.m. Sidney Harman Hall, Harman Center for the Arts, 610 F St. NW. Tickets are $20. Call 202-547-1122 or visit shakespearetheatre.org.

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Astro Boy and the God of Comics

Posted by Randy Shulman |
February 24, 2012 10:23 AM |

Astro Boy and the God of Comics is a highly visual, retro-sci-fi show about the 1960s animation series Astro Boy, focused on a crime-fighting robot, and its creator Osamu Tezuka. Georgetown professor Natsu Onoda Power has created this high/low-tech multimedia extravaganza, featuring on-stage drawing, interactive video and 1960s-style animation, specifically for Studio's 2ndStage. Joe Brack, Jamie Gahlon, JB Tadena and Kristin Watson are among the cast. To March 11. Studio Theatre, 14th & P Streets NW. Call 202-332-3300 or visit studiotheatre.org.

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Bare: A Pop Opera at AU

Posted by Randy Shulman |
February 22, 2012 10:51 AM |

American University's theater program offers a production of Bare: A Pop Opera, a musical about two closeted gay roommates at a Catholic boarding school who carry on a clandestine relationship until it spirals out of their control. The off-Broadway musical by Jon Hartmere and Damon Intrabartolo touches on themes of love, identity and suicide, and American University has organized post-show panel discussions about faith and sexuality after the two Saturday matinee performances. Opens Thursday, Feb. 23, through Saturday, Feb. 25, and Friday, March 2, and Saturday, March 3, at 8 p.m. Also Saturday, Feb. 25, and Saturday, March 3, at 2 p.m. Studio Theatre, Katzen Arts Center at American University. 4400 Massachusetts Ave. NW. Tickets are $15. Call 202-885-1000 or visit american.edu/cas/auarts.

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Speakeasy DC's "Born This Way: Stories About Queer Culture in America" features gay and straight storytellers speaking out on the impact of "Queer Culture" on the social and political landscape of our lives, communities and society. Part of the Intersections: A New America Arts Festival. Thursday, Feb. 23, at 8 p.m., and Saturday, Feb. 25, at 7 p.m. Atlas Performing Arts Center, 1333 H St. NE. Tickets are $20. Call 202-399-7993 or visit atlasarts.org.

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Twyla Tharp All American

TwylaTharp: AllAmerican pays homage to the high priestess of contemporary dance by showcasing works from two decades of Tharp's prodigious career, including "Nine Sinatra Songs" and "Surfer at the River Styx." A Washington Ballet premiere. Opens Wednesday, Feb. 22, and runs through Saturday, Feb. 25, at 8 p.m. Also Saturday, Feb. 25, at 2:30 p.m. and Sunday, Feb. 26, at 1:30 p.m. and 6:30 p.m. Kennedy Center Eisenhower Theater. Tickets are $20 to $125. Call 202-467-4600 or visit kennedy-center.org.

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Oscar-nominated Short Films 2012

Posted by Randy Shulman |
February 20, 2012 10:34 AM |
Films frameset

Landmark's E Street Cinema, in partnership with ShortsHD, offers two feature-length programs of the short films nominated at the upcoming Academy Awards this Sunday, Feb. 26. One program features the animated shorts, including the poignant allegory The Fantastic Flying Books of Mr. Morris Lessmore and Pixar's La Luna, a multi-generation seafaring adventure, while the other program highlights the live action shorts, including films from Ireland, Northern Ireland, Norway and the German/Indian collaboration Raju, about a German couple who adopt an Indian orphan that suddenly disappears. Landmark's E Street Cinema, 555 11th St. NW. Call 202-452-7672 or visit landmarktheatres.com.

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Following on its insanely popular brunch house party La Boum every Saturday and the annual Bastille Day French Maid Relay Race, L’Enfant Café and Bar offers a new social dining event on select Sundays each month. Speak Easy transforms the space into a Prohibition Era venue -- complete with back door entrance, dim lighting and drawn shades -- serving drinks, a three-course dinner and a live show that’s very of this century, with singing drag queens, comedians and DJs spinning dance tunes. New York singing drag queen legend Joey Arias hosts most shows, including the show this Sunday, Feb. 19, when Paddy Boom, former drummer for the Scissor Sisters, will DJ, spinning a mix including everything from disco to glam rock to house to reggae. Sunday, Feb. 19. L’Enfant Café and Bar, 2000 18th St. NW. Reservations are required; cost is $50 for the 7 p.m. dinner show, or $10 plus a two-drink minimum for the 10:30 p.m. late show. Call 202-319-1800 or visit lenfantcafe.com.

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Review: Wanda Sykes at Strathmore

Posted by Doug Rule |
February 14, 2012 11:30 PM |

"Here he is!" Wanda Sykes said in a nelly voice as she swished across the stage at Strathmore last Friday night.

The popular lesbian comedian was impersonating a gay Navy Seals officer holding Osama bin Laden from a noose, in full limp-wrist fashion.

In fact, Sykes hypothesized from the stage that the American military's success in capturing and killing Osama bin Laden may have been directly linked to the ending of Don't Ask, Don't Tell. Gays in the military are really, truly all that they can be now that they don't have to hide, she suggested early on in a mostly new, hour-long stand-up routine. She offered no proof that openly gay, fey Seals were responsible for the death of bin Laden, of course. She simply made the correlation that bin Laden's death happened soon after DADT repeal. "Just saying," she said, as the crowd whooped and hollered at her theory.

Sykes attracted a predominately white, mostly older crowd to the gorgeous North Bethesda venue -- and the crowd appeared to be mostly straight to boot. That the show in the large, suburban venue sold out many weeks in advance is testament to her broad appeal, as well as to just how far queer comedy has come.

A stand-up sensation and popular screen sidekick for well over a decade, Sykes only came out as a lesbian a little over three years ago. But even now, her sharp, hilarious observations about everyday life, usually playing with stereotypes, are mostly not gay per se. Other than the military's gay advances, she noted the antigay stance of the Republicans running for president. But this was only as an aside to a longer exposition about hypocrisy: The candidates' names are every bit as unusual as "Barack Obama," and yet no one suggests they're not true, patriotic Americans as people still do the President.

Later, she talked about her struggles with giving up Chick-fil-A over the fast food joint's support of antigay politics. And she urged the straight men in the audience to "power-wash" their balls as a Valentine's Day gift to their beloveds. Encounters with "sour balls" are partly what turned her gay, she joked.

But that was mostly it regarding the gay. These days, the bulk of her humor is built around her experience raising white twins, Lucas and Olivia, with her French wife. "I say French because it sounds better than white," she teased. From the satisfaction she gets out of calling her children "my little monkeys," to her daughter's penchant for calling her "Mammy" instead of "Mommy," Sykes succeeds in finding new material to mine from that shopworn source of parenthood.

Yet it's not just what Sykes says or even how she says it, in her funny, pinched voice. She's such a hit with stand-up -- and I mean that literally and figuratively – because of her skill with physical comedy.  At Strathmore, Sykes demonstrated the "leg sweep," one way she jokes about keeping her daughter in line. I didn't get what she meant when she tried to explain this while sitting down on Chelsea Lately. But standing up at Strathmore, she kicked a wooden bar stool clear off the stage and into the crowd simply by sweeping her right leg as she turned around. She joked that it's her trick for getting Olivia to hold her hand when crossing the street: She knocks her down first, forcing her to grab her hand to get up.

It may not be at all funny in real life, but like so much of her routine, Sykes sure does make it sound funny -- hysterical even -- on stage

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Les Justes at WSC Avant Bard

Posted by Randy Shulman |
February 14, 2012 9:28 AM |

WSC Avant Bard presents a new adaptation of Albert Camus's eerily relevant exploration of politically motivated violence. Les Justes, whose title translates in English as The Just Ones, focuses on a group of Russian revolutionaries during the turn of the 20th Century, who plot to kill the Grand Duke. Through March 11. Artisphere's Black Box Theatre, 1101 Wilson Blvd. Arlington. Tickets are $25 to $35. Call 703-875-1100 or visit artisphere.com.


Judy Gold at Riot Act Comedy Theater

Posted by Randy Shulman |
February 14, 2012 9:17 AM |
Judy Gold

The Emmy Award-winning actress and comedian Judy Gold stops by Riot Act for a weekend of standup also featuring Tony Deyo and hosted by Gaylarious!'s Zach Toczynski. Thursday, Feb. 16, at 8:30 p.m., Friday, Feb. 17, at 8 p.m. and 10:30 p.m., Saturday, Feb. 18, at 8 p.m. and 10:30 p.m. Riot Act Comedy Theater, 801 E St. NW. Tickets are $20 to $25. Call 202-697-4900 or visit riotactcomedy.com.

Read our 2009 interview with Judy Gold here.

Judy Gold photographed for Metro Weekly by Todd Franson.

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Shades of Purple

The Maryland-based Bye June honored Maryland Governor Martin O'Malley with a music video in support of same-sex marriage. "[We] applaud you for your leadership in support of same-sex marriage," the band wrote in a letter to O'Malley. "In honor of the bill you are sponsoring our band released a music video."

The video to the track "Shades of Purple," from the band's album My Life is an Independent Film, tells the story of a pair of swans in love. Shunned by society, the swans find acceptance through protest -- "Swan Pride."

Bye June collaborated with world-renowned shadowgrapher Sati Achath to produce what they believe is the world's first music video based on hand shadows. The result is truly remarkable and breathtaking.

The band has also started an online community on Facebook called The Swan Pride Movement.

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Janet McTeer by Robert Ascroft

In this week's cover story, featuring interviews with Glenn Close and Janet McTeer, the stars of Albert Nobbs, there were a few nice moments with McTeer that, sadly, landed on the cutting-room floor. One of them dealt with McTeer's work on the new film The Woman in Black, a thriller starring Daniel Radcliffe and releasing today into theaters nationwide. She told Metro Weekly:

"I really don't have a ton to do in [Woman in Black]. I play Ciaran Hinds's wife. Ciaran and I have worked together many times and all we do is laugh from start to finish. And Daniel Radcliffe, of course, was just delightful, I have to say. Absolutely delightful. Somehow, I appear to be the only English actor who wasn't in a Harry Potter movies -- I don't know how that happened.
"Daniel and I hadn't met before and it was so lovely to watch a young actor transitioning from all of those things he did as a kid to now being a young adult doing young adult kind of roles. And he's so clever. He's a very, very intelligent young man and such a nice man for somebody who has gone through that whole uber-uber fame at such a very young age. I think that's quite tough on the kids during their developing years. He just turned out this incredibly hard-working, very concentrated, absolutely charming young man. I thought he was delightful."

I also asked McTeer a question I frequently pose to straight actors I interview: "Do you remember the first time a gay person came out to you?" Her response:

"I remember the first person who came out to me who I knew was gay and other people didn't inasmuch as I guessed that they were gay. I was about 19, I think. And I remember saying to this person, 'You've really got to stop pretending that you're something that you're not. Why are you doing that? You have every right to be who you are. It doesn't matter. 'I said, 'Your parents will get over it.' I don't really remember. It must have been before I went to college. I honestly don't remember. I suppose the thing is, inherently, it's never made no nevermind to me. I've never quite understood why anyone had a problem with it. But then I do slightly live in my own world."

Read the full Janet McTeer interview here.

Photo by Robert Ashcroft

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Suzanne westenhoefer 2010

Suzanne Westenhoefer may not have been the first openly gay comic -- her friend Kate Clinton beat her to that punch -- but she did help pave the way for the many we're blessed with today. She returns to the Birchmere for an annual stop, where she's sure to talk about her budding career as a web and film actor. Saturday, Feb. 4, at 7:30 p.m. The Birchmere, 3701 Mt. Vernon Ave., Alexandria. Tickets are $45. Call 703-549-7500 or visit birchmere.com.

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"Light Moves" is a collaborative piece, co-commissioned by the Clarice Smith Center, from choreographer Margaret Jenkins working with media artist Naomie Kremer, composer Paul Dresher and poet Michael Palmer. Friday, Feb. 3, and Saturday, Feb. 4, at 8 p.m. Clarice Smith Performing Arts Center's Ina and Jack Kay Theatre, University of Maryland, University Boulevard and Stadium Drive. College Park. Tickets are $35. Call 301-405-ARTS or visit claricesmithcenter.umd.edu.

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