Metro Weekly


True Colors concert: Cyndi Lauper, Erasure, Debbie Harry, plus Morel

TRUE COLORS, SHINING THROUGH… The weather was perfect, the crowd about as queer as they come, and then there was the lineup. Last Sunday’s True Colors concert at Merriweather Post Pavilion proved several things. That The Gossip deserves wider recognition. And actually, that Erasure does, too — after 22 years, they’ve still got it. It also proved that concert emcee Margaret Cho can still give Kathy Griffin a run for the money as funniest gay-popular comedienne around.

Cyndi Lauper on stage at True Colors Tour

The concert was well-attended but far from sold out. It was hard to pick one single performance as the night’s highlight. Nonetheless, it wasn’t until Erasure took to the stage more than three hours into the evening that the crowd was on its feet and truly festive. The event ended in high spirits too, and we don’t just mean the ensemble performances of ABBA’s ”Take A Chance On Me” by Erasure or ”True Colors” by Cyndi Lauper. The concert also lived up to its promise of previewing headliner Lauper’s new music. Unfortunately, because of the demands of the tour, which Lauper co-organized, the release of her next album, tentatively titled Savoir Faire, has been pushed back to early next year. But the first single is expected in just a couple months — and ”Set Your Heart” was the best of the new material performed. The song, a waiting-in-the-wings dance anthem, is a production with D.C.’s own Richard Morel of Blowoff fame.

An occasional Deep Dish collaborator and the man behind the dance act Morel as well as the remix handle Pink Noise, Morel was only scheduled to produce one song with Lauper. Apparently they hit it off so well, now his signature sound — a deep, serious house generously coated with sweet pop-rock — is flavoring an album intended all along as a return to dance-pop. Morel is working on four songs with Lauper. Lauper has also worked on tracks with Basement Jaxx, the British fun and funky house duo, one of dance music’s very best; Bob Sinclar, the sweet, world-beats-focused Frenchman; and the Scumfrog, the playful, pop-savvy New York-based Dutchman who’s been MIA for a couple years. Quality producers all, so this could and should be the album to give Lauper some renewed attention. Because like those on her hand-picked True Colors Tour, Lauper definitely deserves more attention….


Erasure: Light at the End of the World

Deborah Cox: Destination Moon

Cyndi Lauper: Essential

TRUE COLORS SOUNDTRACK… Morel also remixed the concert’s namesake song, and his Pink Noise remix of ”True Colors” leads the Cyndi Lauper Presents The True Colors Soundtrack, available soon at iTunes but not hitting physical stores until August 7. Included on the 10-track set, to be released by Tommy Boy’s Silver Label, is a track from each of the tour’s musical performers, both those that appeared Sunday as well as those, like gay dance-rapper Cazwell and lesbian folk-rock pioneers Indigo Girls, who have appeared elsewhere on the tour. Sounds like a very good, a very gay soundtrack….

STILL MORE MOREL… You’ll be hearing more from Rich Morel than just his work with Lauper. With an industry veteran, he’s launching a new label, called Outsider Music. And there’s a former gay porn star ready to break it in: Colton Ford. Morel’s remix of Ford’s new single ”The Way You Love Me” will be the first release, set for next month.

Meanwhile, Morel expects to release later this fall his eponymous dance-rock band’s next album, The Death of the Paper Boy. It will be led by first single ”Flawed.” And he continues to churn out Pink Noise remixes, most recently getting accolades for remixes of The Killers and Yoko Ono….

ERASURE’S ENDURANCE… Erasure’s classics are still as irresistible as ever, but Andy Bell and Vince Clarke‘s new material, from Light at the End of the World, stacked up surprisingly well with the classics in concert — both first single ”I Could Fall in Love With You” and new release ”Sunday Girl.” So it’s a shame to report that’s all the Erasure we’ll see here for a while. The duo will embark on a solo tour after True Colors wraps next weekend in California, but the closest the duo will get to us is Brooklyn Friday, August 3. So then, ”Fly Away” ain’t just the name of another new Erasure song….

DEBBIE HARRY’S WITE-OUT… Unlike Lauper, Deborah ”Debbie” Harry‘s preview of her new material at the True Colors concert didn’t do much to entice us. The Blondie singer performed only her solo material, both new and old. She was seemingly there only to support her new solo album Unnecessary Evil, due in August. She spoke generically, with little emotion or expression, about the concert’s great lineup and venue — but nothing about the event itself or its purpose of raising awareness for gay rights and money for the Human Rights Campaign. During one song, she kept shouting what sounded like ”Wite-Out” — and that’s how we felt too, about the concert’s only real lowlight. We screamed it along with her at song’s end, but unfortunately, she typed on for a few more numbers and it’s all still inked into our memory….

Doug Rule covers the arts, theater, music, food, nightlife and culture as contributing editor for Metro Weekly.

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Rachel Panay, New Order, Duran Duran

LOCAL GIRL MAKES GOOD… It’s closing in on a year since ”The Real Thing” became Rachel Panay‘s third Billboard Club Play Chart top ten hit. Time for a new track.

So, how about ten? With a new album on the way, D.C.-native Panay has more than quadrupled the original material in her oeuvre, and in just half the time it took her to record and chart with her first three singles, beginning with ”Back to Love” in early 2005. Panay moved to New York last year, but she continues to give back love for gay D.C.’s initial support. She’ll perform at the Pride dance party at LOVE this Saturday night, June 9, as well as the Pride Festival Sunday, June 10. She’s sure to perform her hits plus her new single, ”It’s Got To Be Love,” a giddy ditty about love at first sight that couldn’t get any more effervescent.

Rachel Panay

Hopefully she’ll also sneak-peek a few other tracks from her debut artist album, Back to Love, to be released June 19 by Act 2 Records. Maybe you doubted she could do it, but there’s no doubt she’ll exceed your expectations: Back to Love is chock-a-block full of sure-to-be hits, one track after another you want to listen to again and again. Even the first recording that got her attention has been transformed: ”The Walk of Shame” is no longer as embarrassing to experience as it was originally, thanks to local gay DJ Yiannis‘s stark, mostly unashamed, even a bit proud club-banging production. Chances are you’ve never heard the original radio edit of ”Back to Love” either, which is better than the remixes you know.

Most of these songs, about love and lust, romance and desire, were co-written or produced with Josh Harris, her partner in the first three hits. But if you didn’t know better, you would think the very hot British production team Freemasons produced this album, which is steeped in happy, passionate, infectious disco-driven dance delights the likes they’ve been churning out on their own and as remixers for Faith Evans, Angie Stone and others. That includes ”Thank You,” a sweet and bouncy shout-out to Panay’s supporters in D.C. But the album’s best track was produced by Guido Osorio. (Remember Kim English‘s ”Unspeakable Joy”?) Once released, ”Repeat Performance” should be her biggest club hit yet — and not just because she’s singing about a one-night-stand that turns into something more. If your one-night-stand produced as much sexual pleasure as this high-energy, peak-hour track produces dance heat, you’d want a repeat performance, too….


Rachel Panay: Back to Love

Rhianna: Good Girl Gone Bad

Offer Nissim: Forever Tel Aviv

LOCAL BOY HITS THE ROAD… Cobalt’s Flashback retro party continues to dominate Tuesday nights in this town, but that’s not enough for the club’s manager and Flashback DJ Jason Royce. He’s ready to dominate Wednesdays, too — in Baltimore, at least. Charm City will experience its first Flashback party this coming Wednesday, June 13 at Central Station, in the thick of the gayborhood and in the middle of the city’s Pride week. As such, there will be a special performance by Gioia, singing the hits (”Point of No Return,” ”Come Go With Me,” ”Let Me Be the One”) from her ’80s group Expose, which incidentally has recently reunited after more than a decade apart. Future incarnations of Baltimore’s weekly Wednesday Flashback party will feature D.C.’s own Darryl Strickland spinning a continuous mix of original music from the ’80s and ’90s. ”People should expect a great time no matter their age,” says Royce. Anita Ward, Chic, Toni Basil or The Jets may not be familiar names to a younger audience, but Royce cites those artists as having songs even whippersnappers can sing along to. The Baltimore gig will feature retro prices on cover and rail drinks — just $3 each — and is just part of Royce’s continuing work in making his retro party a traveling exhibition, adding to monthly Flashback parties in York, Penn. and occasional stops in Philadelphia, Provincetown and, most recently, Chicago….

NO MORE NEW ORDER?… Waiting for the Siren’s Call spawned several dance hits and new or at least renewed attention for dance-pop pioneers New Order. But that album, released in 2005, looks like it will be the band’s last. Though the official word is that the British quartet is still intact, the band’s bassist Peter Hook is clearly out of the game — and when one of the most influential bassists in modern pop music and an exceedingly integral part of your band since 1980 calls it quits, can you still keep going? ”I’m relieved,” Hook wrote in a post to his MySpace page late last month, following up on rumors he started last fall. ”Really hated carryin’ on as normal with an awful secret, so let’s move on, shall we?” The New Order Wikipedia entry quotes another band member and others associated with the band as being shocked by the news but determined to carry on, with or without Hook….


New Order: Singles

Electronic: Get the Message (Best of)

Duran Duran: Essential Collection

DURAN DURAN STUTTERS ON… Another British group from the ’80s is continuing to record despite the loss of a key founding member. Andy Taylor left Duran Duran — for the second time — last fall, just after the quintet had met with pop mega-producer Timbaland and Justin Timberlake. Apparently three songs were produced with Timbaland, including one featuring Timberlake on vocals — and those are still set to appear on the next album, which was otherwise re-written and re-recorded after Taylor departed. The follow-up to 2005’s Astronaut is now expected in September. The first single should drop in July, perhaps in time for the band to debut it next month at either an official Princess Diana memorial concert or the Live Earth climate change benefit…

Doug Rule covers the arts, theater, music, food, nightlife and culture as contributing editor for Metro Weekly.

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