Now in its 27th year, the Washington Jewish Film Festival presents traditional film screenings as well as related cultural and educational programs at six different theaters. Six films at this year’s festival are “Rated LGBTQ,” exploring sexuality, gender and identity on screen.
Cabaret, the hit 1972 adaptation of the stage musical classic starring Joel Grey and Liza Minnelli, which screens Sunday, May 21, at 7:30 p.m., at the Edlavitch DCJCC, and Saturday, May 27, at 12:30 p.m., at AFI Silver Theatre.
Family Commitments, an outrageously quirky comedy about a Jewish-Arab same-sex wedding, in its Mid-Atlantic Premiere Saturday, May 20, at 8:45 p.m. at Landmark E Street Cinema, and Saturday, May 27, at 6:30 p.m., at Edlavitch DCJCC.
In Between, Maysaloun Hamoud’s remarkable feature debut about three Arab-Israeli women sharing an apartment in the vibrant heart of Tel Aviv and struggling with contemporary and traditional pressures, which screens Wednesday, May 24, at 8:15 p.m., at Landmark E Street Cinema, and Sunday, May 28, at 1:45 p.m., at AFI Silver Theatre.
The Freedom to Marry, a riveting ride through history with Evan Wolfson and Mary Bonauto, who led the push for one of the most successful civil rights campaigns in modern history, screening on Sunday, May 21, at 5:15 p.m. at AFI Silver Theatre, and Wednesday, May 24, at 7:15 p.m., at Edlavitch DCJCC.
The Guys Next Door, a lyrical documentary about the bonds between a straight family and their gay neighbors, screening Sunday, May 21, at 6 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 6:15 p.m., at Landmark E Street Cinema.
Uncle Howard, a paean and an elegy to Aaron Brookner’s uncle and the film he made about his friend William S. Burroughs before his premature AIDS-related death, screening on Sunday, May 21, at 4:15 p.m., at Landmark Bethesda Row Cinema, and Monday, May 22, at 8:45 p.m., at Landmark E Street Cinema.
The Festival runs to Sunday, May 28. Tickets are $14.95 for regular screenings. Visit wjff.org.
The year's nearly out. Sometimes that calls for taking sweet stock of the past months' wonderful events. Coming to the end of 2025, on the other hand, is more like getting to that denouement in the action movie where the survivors take a breath and pat each other on the back for having made it out alive. At this stage, we are Newt getting tucked-in to her Sulaco hibernation tube.
With some effort and a pinch of luck, may we all fare better in 2026 than poor Newt's end at the start of Alien 3.
Why such a shitty year? So much of it, obviously, can be laid at the feet of Lame Duck Donald. Not that he hasn't had loads of assistance in his evil efforts to erase our transgender family and friends, colleagues, and leaders during 2025. The purge, as promised, began right out of the gate on Inauguration Day.
Ihab Mustafa El Mahmoud was arrested in West Palm Beach after allegedly trying to run down members of an LGBTQ running group during a meet-up in a local park. The Florida man faces two counts of aggravated assault with intent to commit a felony and one count of reckless driving.
El Mahmoud could also face hate crime charges or bias enhancements for allegedly targeting the group because of their sexual orientation.
According to West Palm Beach police, El Mahmoud allegedly took offense at what he perceived as a comment about his sexual orientation when a runner asked if he was at Howard Park for the "Night Runners West Palm Beach" group's regular meet-up.
Let me start with a nitpick: Marty Supreme is not, as commonly reported, Josh Safdie's solo directorial debut. That would be The Pleasure of Being Robbed, a modest, mumblecore-era gem released in 2008, long before Josh and brother Benny became known for directing white-knuckle crime thrillers like Good Time (2017) and Uncut Gems (2019). Made on a shoestring budget with a cast of unknowns, Pleasure followed the misadventures of a young kleptomaniac (Eleonore Hendricks) in Bloomberg-era New York. Few saw it in 2008, but those who did sensed a budding talent.
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Now in its 27th year, the Washington Jewish Film Festival presents traditional film screenings as well as related cultural and educational programs at six different theaters. Six films at this year’s festival are “Rated LGBTQ,” exploring sexuality, gender and identity on screen.
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