Olympic gold medal winning boxer Nicola Adams has been turned into a Barbie doll for International Women’s Day.
Adams is the first member of Barbie’s “Shero” range to be both bisexual and from the U.K.
The doll has gear embroidered with her “Lioness” nickname and her signature cropped hairstyle. In an interview with Britain’s Daily Mirror, Adams said that she is “excited” to have a doll made in her honor.
“I am…honored to be Barbie’s first ever UK Shero and the first ever boxer Barbie,” she said. “My hope is that everything I do helps more people realize they can do anything they put their mind to.”
She says without her role models of her mom and Muhammad Ali, she would not be where she is today.
“There were no female boxers in media when I was a kid, and I might have discovered my passion sooner if I’d seen other women boxing,” Adams said, “That’s why empowering the next generation of kids is something I’m passionate about and it’s great to work with Barbie to share my story now. I hope my doll inspires young girls to believe that they can break boundaries in whatever they choose to do.”
Mattel said it chose Adams because she is one of the women who have “broken boundaries in their fields and have been an inspiration to the next generation of girls” and wanted to create a doll to honor that guidance.
“Girls have always been able to play out different roles and careers with Barbie and we are thrilled to shine a light on real life role models to remind them that they can be anything.” said Lisa McKnight, Senior Vice President and General Manager of Barbie.
Mattel also announced 14 other women to be a Barbie “Shero” from every corner of the world, including Wonder Woman director Patty Jenkins, gold medal snowboarder Chloe Kim, and conservationist Bindi Irwin.
Also announced were three historical figures — Frieda Kahlo, Amelia Earhart, and Katherine Johnson, a NASA mathematician who was depicted in the 2016 film Hidden Figures.
The United States is now seeing over 200,000 syphilis cases annually, the highest figure since the 1950s.
Imagine the voice of Golden Girls’ Sophia Petrillo saying, “Picture it, United States 1951, I Love Lucy was kicking off its first season, super glue had just been invented, and there were 140,000 syphilis cases reported across the country.”
By 2000, however, decades of public health advocacy and medical advancements, such as the use of antibiotics in early treatment, had cut down cases to just 32,000 per year.
So, what happened? Why are the numbers worse now than they were 24 years ago?
The Studio's Milton stage is all dressed up for a designer barn wedding. Candles in mason jars line the floor, succulents and roses wind around the columns. The space feels familiar -- you've been to, or seen a wedding like this before, and can't help but wonder, what has or is about to happen?
Director Tom Story and company -- namely, set designer Luciana Stecconi and lighting designer Mary Louise Geiger -- have so properly set the mood for Bryna Turner's well-observed comedy At the Wedding, that one might feel like an invited guest. A guest with a front-row seat to what's sure to be entertaining mess once Carlo, the bride's ex, strolls in and takes a seat at the kids' table.
Two teenage boys in love on the back of a motorbike speed past verdant hills, the rider pressing his head gently against the shoulder of the one who's bound to break his heart.
Variations on the scene abound in those queer coming-of-age films featuring frisky Euro lads fumbling through romance. Whether it's André Téchiné's seminal 1994 gay teen drama Wild Reeds, or the tragic Sicilian love story Fireworks, released earlier this year, filmmakers return again and again to that image of breathless, youthful freedom.
Fireworks also finds time for its amorous pair to sneak away for a dip at a secret swimming hole, which looks a lot like the quarry pond where French teens Stéphane (Jérémy Gillet) and Thomas (Julien De Saint Jean) go skinny dipping in Lie with Me, writer-director Olivier Peyon's moving addition to the genre.
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