“I’m so excited to be back in D.C. and see all of the people who have helped me become the man I am,” says Tom Goss. The singer-songwriter spent more than a decade of his life in the District before heading out to L.A. “I wouldn’t be where I am today without the D.C. community that supported me from the outset.”
Goss returns to the area for one night, with a show at College Park’s MilkBoy Arthouse, where he will perform hits from his seven albums, as well as songs from his upcoming album, to be released next winter.
Goss earned a cult following through viral music videos like “Lover,” “Make Believe,” and “Bears,” an ode to D.C.’s blossoming bear community. He’s known for mixing music with his own life experiences in his live shows, drawing on his journey from from college wrestler to Catholic seminarian to openly gay entertainer.
“It’s more of a cabaret show,” he says. “There’s a lot of storytelling that’s interwoven with the songs. I think my personal story is a really important part of this show. It really creates a powerful experience for listeners, in terms of connecting with me as a performer and understanding where I come from, what I write about, what I’m passionate about.”
Goss will be performing a few politically-tinged songs, including “Have We Had Enough?,” written in response to the mass shooting in Las Vegas, “Mama,” a song reacting to the election of Donald Trump, and “Gay Christmas,” which the Wisconsin native wrote after spending Christmas with his Trump-supporting relatives and reflects on the feelings of isolation and estrangement many LGBTQ people experience when they return to their childhood homes.
“I don’t consider myself political,” he says. “I consider myself a storyteller who’s telling stories from a specific perspective. I’m speaking from the heart. But I do think those songs definitely touch a political nerve.”
Tom Goss performs Saturday, Aug. 4, at 8 p.m. at MilkBoy ArtHouse, 7416 Baltimore Ave. in College Park, Md. Doors open at 7:30 p.m. Opening sets by D.C.-based singer-songwriters Emily Henry and Hayley Fahey. Must be 18 to enter. Tickets are $12. Visit milkboyarthouse.ticketfly.com.
Cher is among a group of musicians named as inductees to he Rock & Roll Hall of Fame.
The Grammy Award-winning artist was one of four artists -- along with Foreigner, Peter Frampton, and Kool & the Gang -- who were on the ballot for the first time.
Cher -- the only artist to have a No. 1 song in each of the past six decades -- and fellow inductee Mary J. Blige, a nine-time Grammy Award winner with eight multi-platinum albums -- will boost the Hall of Fame's number of females, which previously stood at 65, constituting about 8% of the total number of inductees.
The D.C. area is on track to be graced by two visits from the Indigo Girls this year, including a stint with the Fairfax Symphony at Capital One Hall and a remarkable double-bill pairing with fellow lesbian vanguard Melissa Etheridge at Wolf Trap. Wolf Trap is also the place to go for a second edition of the venue's Out & About Festival, this year offering a new cohort of LGBTQ musical acts.
Queer artists are really, truly just about everywhere, coming to nearly every music venue in the region this season. A quick scan of the listings bears this out: There's Donna Missal at The Atlantis, BOOMscat at Blues Alley, CMAT at DC9, XOMG Pop! at the Fillmore, Billy Gilman at Jammin Java, Mary Gauthier at Rams Head on Stage, and Mx Mundy at Songbyrd. And that's just a quick and easy seven, with several times that number waiting in the wings for your discovery.
David Archuleta has been through a lot in the past several years.
He came out as gay and left the Mormon church, which had been a huge part of his life. As an artist, he’s now looking to mine his past experiences – and even his trauma – to make something beautiful out of an experience that must have been incredibly difficult. That's exactly what he's managed to do with “Hell Together,” his latest single.
The former American Idol star dropped “Hell Together” last week after teasing new music was coming. The track is a gospel-tinged affair, a nod to his past and the story he tells in the song.
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