Two decades ago, local nightlife promoter Ed Bailey got the ball rolling, launching a weekly Saturday night Millennium party. Since then, the 9:30 Club has hosted its share of LGBTQ dance parties — from Cherry to Blowoff, from MAL Reaction Dance to Mixtape. This Saturday, Jan. 5, add one more to the club’s estimable roster: Bent.
“We’re launching Bent because D.C.’s gay community kind of needs a big platform, and 9:30 Club is the place to do it,” says Steve Lemmerman, who is overseeing the event. “You know you can be safe at 9:30 as a person in the queer community, and as just a fan of any specific kind of music. It’s a perfect opportunity to showcase our queer community to a larger audience, and have a large home for our community at the same time. That was the inspiration: to just give so much more to our queer community.”
Over the past few years, the 29-year-old Baltimore native has carved out a name for himself as “Lemz,” originally as a resident DJ at Nellie’s and more recently with Sleaze, the monthly party he started at Wonderland Ballroom with DJ Keenan Orr. Orr is also on board with Bent, along with DJ the Barber Streisand and DJ Jacq Jill in the basement Back Bar, but the party won’t just be a larger version of Sleaze.
“Sleaze focuses on dark techno and disco,” says Lemmerman. “We stick to a certain sound. Bent, musically, is going to be a lot of feel-good fun dance music. A little more free-form. A lot of indie pop. And some mainstream pop remix.”
Bent, which is intended as a quarterly event, will offer up a broad range of performers, with the first outing hosted by Pussy Noir, and featuring Bombalicious Eklaver, Donna Slash, and “a few surprises.” Lemmerman stresses that Bent will highlight the performers over the DJs. “I want the light to be on the performers, who don’t always get a stage of this magnitude,” he says.
Lemmerman, who works in the 9:30 Club box office by day, says the club’s production team has been working hard to help him make “some dreams a reality with the stage area.” They’re planning to employ “some pretty cool stage magic” to ensure that “the focus is on the actual dance floor” itself.
“I want everyone to feel like a family, and feel close to each other,” he says. “My goal is to bring together different parts of our community that don’t always interact…. Times have been so tough lately, everyone just needs an escape right now. And 9:30 is helping me provide just that.”
Bent launches Saturday, Jan. 5, at the 9:30 Club, 815 V St. NW. Doors at 10 p.m. Tickets are $15. Call 202-265-0930 or visit 930.com.
If you need relief from these stressful and angst-ridden times, you're sure to find something to salve your soul in this section. If you crave a good laugh attack, for starters, look to the "Because They're Funny Comedy Festival," or seek out specific comedians and eccentrics known to get the job done, be it John Waters or Paula Poundstone (both coming to the Birchmere), or Jessica Kirson or Margaret Cho (coming to the Warner), or Leslie Jones, who will be at The Clarice later this winter. To name only five.
Of course, if you'd prefer to get serious and really contemplate and converse about our woeful state of affairs, you'll find plenty of ways to do that, as well. Start by consulting the lineup of noted authors coming to local bookstores and even a certain historic synagogue.
The fall looks primed to be a strong season of concerts by -- and appealing to -- the LGBTQ community. Among the highlights in the category of the well-known, consider Andy Bell (Lincoln), Jane Lynch (Strathmore), Renee Rapp (Merriweather), DOECHII (Anthem), and of course All Things Go (Merriweather). In the category of merely appealing, not gay per se, consider The Queens (Capital One Arena), Deborah Cox (Bethesda Theater), and Judith Hill (The Hamilton).
That barely scratches the surface. There's a lot of new -- or perhaps new to you -- queer artists out there, just waiting for you get into them including Katie Pruitt (Union Station, Rams Head), Rio Romeo (Songbyrd), Aaron Lee Tasjan (Jammin Java), Dixon Dallas (Union Stage).
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