By Randy Shulman on March 12, 2020 @RandyShulman

KING KONG
Fathom Events returns the original monster horror flick to big screens, the 1933 classic featuring one of the most iconic creatures and remarkable special effects that forever changed the game. Fay Wray stars as the apple of the giant gorilla’s eye in the black-and-white drama directed by Merian C. Cooper and Ernest B. Schoedsack, with groundbreaking stop-motion animation by Willis O’Brien and a musical score by Max Steiner. Wednesday, March 15, at 1 and 4 p.m. Area theaters including Regal venues at Gallery Place (701 7th St. NW), Potomac Yards Stadium (3575 Jefferson Davis Highway), and Majestic Stadium (900 Ellsworth Dr., Silver Spring). Tickets are $15. Visit www.fathomevents.com.

ADA AND THE ENGINE
Playwright Lauren Gunderson (Shakespeare Theatre’s Peter Pan and Wendy) offers a whimsical and inspirational scientific history lesson about Ada Lovelace, best known as the only legitimate child of the poet Lord Byron and also as wife to Charles Babbage, called “the father of the computer.” In fact, Gunderson’s tale posits that Babbage may have invented the hardware, or “analytic engine” of the machine, but Lovelace is responsible for inventing “the language, the song, the soul of the thing, the programming.” Ada and the Engine rotates dates with Suddenly Last Summer. To April 5. Gunston Arts Center, Theater Two, 2700 South Lang St. Arlington. Tickets are $40. Call 703-418-4804 or visit www.wscavantbard.org.

CARSIE BLANTON
A feminist, socialist cabaret artist who composes her own smart, catchy, genre-defying music, tours in support of the strong set Buck Up, the title track of which Rolling Stone Country has called “a bright, John Prine-worthy folk song about maintaining a bright disposition in dark times.” With natural appeal to Americana/folk fans, the New Orleans-based artist’s music is steeped in the American Songbook, making her worth seeking out for anyone with a penchant for jazz and pop and progressive politics. Chris Kasper opens. Friday, March 20. Doors at 6:30 p.m. The Hamilton, 600 14th St. NW. Tickets are $15 to $35. Call 202-787-1000 or visit www.thehamiltondc.com.

FXCK SXSW: A LOCAL SHOWCASE
Every year for a week in mid-March, local concert venues and the overall live music scene in D.C. becomes just a wee bit darker and quieter — just enough to make you remember that, indeed, the country’s biggest music festival is now getting underway in Austin. Well, every year until this year anyway. (Organizers last week canceled South By Southwest due to concerns about the spread of COVID-19.) But this year as in previous years, the Black Cat presents a special showcase of local acts, including The OSYX (pronounced “06”), a post-punk, all-female supergroup consisting of Erin Frisby, Ara Casey, Selena Benally, Robzie Trulove, and Maya Renfro, all of whom are also principals in This Could Go Boom!, a record label and presenting organization specifically geared to fellow “womxn and non-binary musicians.” The lineup also includes Too Free, the experimental, improvisational electronic pop trio of Awad Bilal, Don Godwin, and Carson Cox; and Nice Breeze, featuring the “abstract poet punks” Andy Fox, John Howard, and Martha Hamilton. Friday, March 13. Doors at 8 p.m. Black Cat, 1811 14th St. NW. Tickets are $12 to $15. Call 202-667-4490 or visit www.blackcatdc.com.
POETRY & PASTIES
Every second Saturday of the month, the Anacostia location of Busboys and Poets plays host to a diverse open mike/burlesque event over brunch explicitly designed as a “#queer-affirming, #POC-centered, #femme-focused space.” Poetry & Pasties (@poetryandpasties on social media) is hosted by poet and sex educator Jennifer Eden, who identifies as a Black queer femme. Saturday, March 14, at 1 p.m. 2004 Martin Luther King Jr. Ave. SE. Call 202-889-1374 or visit www.busboysandpoets.com.

HILL CENTER GALLERIES: REGIONAL JURIED EXHIBITION
Over the years, this exhibition, featuring works in various mediums and subjects, has grown to include 85 artists from D.C., Virginia, and Maryland. This year’s juror is Myrtis Bedolla, owner of Baltimore’s Galerie Myrtis. Bedolla selected 94 pieces of original hanging work, in any medium, submitted by 85 artists, including Kasse Andrews-Weller, Olga Bauer, Katherine Becker, Julie Byrne, Sally Canzoneri, Sam Dixon, Sean Dudley, Christopher Fowler, Charles Gaynor, M. Alexander Gray, Tara Hamilton, Wan Lee, Joey Manlapaz,Khanh Nguyen, Felicia Reed, Robert Weinstein, and Alla Zareva. On display to April 18. At the Old Naval Hospital, 921 Pennsylvania Ave. SE. Call 202-549-4172 or visit www.HillCenterDC.org.
By Doug Rule on September 25, 2025 @ruleonwriting
The fall looks primed to be a strong season of concerts by -- and appealing to -- the LGBTQ community. Among the highlights in the category of the well-known, consider Andy Bell (Lincoln), Jane Lynch (Strathmore), Renee Rapp (Merriweather), DOECHII (Anthem), and of course All Things Go (Merriweather). In the category of merely appealing, not gay per se, consider The Queens (Capital One Arena), Deborah Cox (Bethesda Theater), and Judith Hill (The Hamilton).
That barely scratches the surface. There's a lot of new -- or perhaps new to you -- queer artists out there, just waiting for you get into them including Katie Pruitt (Union Station, Rams Head), Rio Romeo (Songbyrd), Aaron Lee Tasjan (Jammin Java), Dixon Dallas (Union Stage).
By Doug Rule on September 24, 2025 @ruleonwriting
If you need relief from these stressful and angst-ridden times, you're sure to find something to salve your soul in this section. If you crave a good laugh attack, for starters, look to the "Because They're Funny Comedy Festival," or seek out specific comedians and eccentrics known to get the job done, be it John Waters or Paula Poundstone (both coming to the Birchmere), or Jessica Kirson or Margaret Cho (coming to the Warner), or Leslie Jones, who will be at The Clarice later this winter. To name only five.
Of course, if you'd prefer to get serious and really contemplate and converse about our woeful state of affairs, you'll find plenty of ways to do that, as well. Start by consulting the lineup of noted authors coming to local bookstores and even a certain historic synagogue.
By Randy Shulman on September 25, 2025 @RandyShulman
The D.C. theater season doesn't tiptoe in -- it arrives with gale force. The Shakespeare Theatre Company leads the charge with The Merry Wives of Windsor, The Wild Duck, and a freshly mounted Guys and Dolls, a trio that underscores why STC still sets the bar for classical and modern reinvention. Woolly Mammoth continues to push boundaries with time-bending dramas and audience-driven experiments, while Theater J stakes its ground with provocative premieres that blur the line between history, satire, and survival.
If you want spectacle with edge, Broadway at the National delivers high-gloss imports from Stereophonic to Some Like It Hot. Keegan continues its fearless streak with punk-rock carnage in Lizzie the Musical and raw new work like John Doe. GALA Hispanic Theatre reasserts itself as one of D.C.'s most vital cultural players with El Beso de la Mujer Araña and La Casa de Bernarda Alba, reminding us that Spanish-language theater isn't niche, it's essential.
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