Shi-Queeta-Lee performs at Trade in 2019 — Photo: Ward Morrison
The bulk of D.C.’s LGBTQ bars will fully reopen starting today, Friday, May 21, with no restrictions on capacity, seating, or time that can be spent at an establishment.
COVID-19 restrictions have been loosened for establishments with restaurant or tavern licenses, which means that some places serving our community may have to wait longer to drop capacity restrictions.
However, most expect to be open fully by the time the District lifts all COVID-19 restrictions on Friday, June 11.
Scroll down for a list of LGBTQ bars and eateries in D.C., their hours, and to find out when they will be at maximum capacity.
ANNIE’S
License type: Restaurant
When opening at full capacity: Friday, May 21. “Annie’s will be operating at ‘our’ capacity. We will be adding tables as we can staff them.” –Georgia Katinas, general manager
Weekend operating hours: Friday: 10 a.m. to midnight; Saturday: 8 a.m to midnight; Sunday: 8 a.m.-10 p.m.
Mask requirements: Guests are asked to keep on their masks until seated.
Mask requirements: Vaccinated patrons not required to wear masks.
Proof of vaccination: None.
Special measures for unvaccinated people: Outdoor space will remain available for unvaccinated guests (and those concerned about indoor spaces).
Additional information: Karaoke nights will resume on Sundays, Mondays, and Wednesdays beginning May 23. Shirtless Thursdays from 10-11 p.m. and Underwear Specials from 12-12:30 a.m. will begin May 27. Visit www.greenlanterndc.com for more information.
Special measures for unvaccinated people: Welcome to sit on front patio.
Additional comments: The dance floor will open Saturday, May 29.
RED BEAR BREWING COMPANY
License type: Tavern and Restaurant
When opening at full capacity: Friday, May 21
Weekend operating hours: Friday-Sunday: 11:30 a.m.-12 a.m. Next weekend, 11:30 a.m.-2 a.m. Friday and Saturday.
Mask requirements: Unvaccinated patrons asked to mask; optional for fully vaccinated patrons.
Proof of vaccination: Not required.
Special measures for unvaccinated people: Unvaccinated people are advised to stay socially distant and wear masks when not actively eating or drinking, per D.C. and CDC guidelines.
Additional comments: “We’re excited to welcome everyone back to our space and to bring back fabulous LGBTQ+ events and content to our stage. In this transition period, we ask our guests to be kind as we rewind back to full service!” –Bryan Van Den Oever, director of marketing and events.
THE DIRTY GOOSE
License type: Tavern.
When opening at full capacity: Friday, May 21.
Weekend operating hours: The Dirty Goose is expecting to open with full hours, but will adjust based on patron behavior. Friday: 5 p.m.-3 a.m.; Saturday, 2 p.m.-3 a.m.; Sunday: 2 p.m.-1 a.m. (Monday-Thursday going forward: 5 p.m. to midnight.)
Mask requirements: Vaccinated patrons may enter without a mask. Unvaccinated patrons are asked to wear a mask at all times. Anyone is welcome to wear a mask if they choose to do so.
Proof of vaccination: None.
Special measures for unvaccinated people: “The Dirty Goose encourages everyone to please get vaccinated. Mayor Bowser has stated verifying vaccine card validity is not possible for private establishments and we agree. Those that are not vaccinated are asked to consider those around them and to wear a mask.”
Additional comments: “We are excited to welcome everyone back. COVID-19 forced us to make massive changes that took a lot of effort from our staff. It will take the same amount of effort to return to normal. Please be patient with our staff! And get vaccinated!!” — Justin Parker, co-owner.
Proof of vaccination: None. Patrons are expected to abide by an “honor system,” and staff will continue to wear masks.
Special measures for unvaccinated people: Wunder Garten will be carefully monitoring site activities and addressing concerns as they arise. Patrons are encouraged to make wise and healthy decisions, while also respecting the decisions of others. If you are unvaccinated, please continue to wear your mask. Please respect our staff.
Please bookmark this page. We will be updating it throughout the weekend and week as more LGBTQ bars respond to our query.
The owner of Portland's Darcelle XV Showplace says a historic plaque honoring the club's listing on the National Register of Historic Places was vandalized with anti-gay graffiti and what he described as "vile hate speech."
Jeremey Corvus-Peck said in a May 15 Facebook post that he discovered the vandalism while visiting the club earlier that day.
The graffiti invoked anti-LGBTQ tropes portraying gay and queer people as child "groomers" or pedophiles, mocked LGBTQ visibility, and called for violence against members of the community.
A Kansas judge has temporarily blocked the state from enforcing its law banning minors from accessing non-surgical transition-related treatments such as hormones or puberty blockers.
On May 15, Judge Carl Folsom III of the State District Court in Douglas County granted a temporary injunction blocking the state from enforcing the law, finding that it likely violated parents' rights to make decisions about their children's health and wellbeing.
In his 117-page ruling, Folsom -- who was appointed by Democratic Gov. Laura Kelly -- wrote that transgender children were likely to suffer "irreparable harm" if the ban on transition-related hormonal treatments remained in effect. He also cited testimony asserting that gender-affirming, non-surgical treatments for minors are safe, effective, and medically credible.
When Alaska Thunderfuck was dating her former partner, fellow drag queen and the winner of the fourth season of RuPaul’s Drag Race, Sharon Needles, they used to play the radio as white noise when they’d go to sleep. But in the mornings, at a certain hour, they’d be awoken by the rantings of right-wing radio host Glenn Beck.
“We would listen to it sort of as a camp factor of how preposterous it was, because he’s really a drag queen,” the winner of RuPaul’s Drag Race All Stars 2 says, referring to Beck’s over-the-top characterizations of political scenarios, his theatrical method of storytelling, and his emotional, excitable style of talking.
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