“You shouldn’t stress yourself or ever try and compare yourself to be like anybody else,” says Rumer Willis. “You just have to show people who you are. Go out there and interact, and really give people a chance to get to know you.”
It’s a mantra the oldest daughter of Bruce Willis and Demi Moore clearly lives by. If she ever feels burdened to prove herself or her talent because of her celebrity parents, she doesn’t let on. Instead, over the past few years Willis has quietly, diligently, been plotting her own course to fame, reaping both recognition and rewards entirely of her own making. Most notably, Willis pushed herself to have all the right moves last year, winning season 20 of ABC’s Dancing With The Stars. “I didn’t grow up with any kind of formal dance training,” she says, “so that was definitely a new experience for me.”
It was also great preparation for her debut on Broadway a few months later, as Roxie Hart in Chicago. “I’ve wanted to do Broadway my entire life, and I especially love Chicago. It was really kind of a surreal experience. It was just such a dream come true.” But the best was yet to come, when Willis earned perhaps the highest praise of her career so far in a glowing review by the New York Times of the 28-year-old’s cabaret debut at the Cafe Carlyle.
“Her voice is strong with a wailing upper register,” wrote Stephen Holden. “She didn’t overdo it…. She’s a natural.” No wonder other cabaret venues, including Amp in North Bethesda, were eager to book Willis to reprise the show, which includes covers by artists as diverse as Billie Holiday, Brandi Carlile and Fiona Apple, in addition to a Chicago standard or two. “I want to give more people in the country a chance to kind of see what I’m doing and hear me sing,” Willis says.
She sees her cabaret as an interactive form of expression. “It’s a mix of singing, storytelling and hopefully a lot of laughter,” she says. “I go out into the audience and ask people about their stories and give them a chance to really get to know me and me to get to know them.”
In addition to that refreshing sense of humility and geniality, Willis also strives to make everyone feel welcome. “I’m a huge supporter of the LGBT community. My goal and my dream is to hopefully do anything and everything I can to create a world where there’s more acceptance and love for everyone.”
Rumer Willis performs Wednesday, Oct. 26, at 8 p.m., at Amp by Strathmore, 11810 Grand Park Ave. in North Bethesda, Md. Tickets are $40 to $50 and include a meet-and-greet with Willis after the show. Call 301-581-5100 or visit ampbystrathmore.com.
Patagonia, the outdoor clothing and gear retailer, has sued drag performer Pattie Gonia for trademark infringement, claiming that similarities in their names and branding have caused “confusion and deception” among consumers.
In the lawsuit, filed January 21 in the U.S. District Court for the Central District of California, the company is seeking $1 in nominal damages and asking the court to block Pattie Gonia -- the drag persona of Wyn Wiley -- from registering her name as a trademark or selling merchandise bearing it, reports The Independent.
Terry Sweeney, the first openly gay cast member of Saturday Night Live, had some harsh words for actor Chevy Chase, a member of the show’s original cast who has returned to host multiple times.
"Chevy is one of those turds you flush down the toilet but it comes back up again and again," the 75-year-old Sweeney, best remembered for his exaggerated impression of First Lady Nancy Reagan, told the New York Post.
Sweeney’s comments come as a new CNN documentary, I'm Chevy Chase, and You're Not, directed by Marina Zenovich, is set to premiere on January 1 at 8 p.m.
Documentaries generally don't need an onscreen host. The camera can play host, and real-life stories can tell themselves, with offscreen prompting from research and production, and shrewd direction and editing providing context.
If a filmmaker wants to put the prompting onscreen, there's a delicate art to inserting themselves or an on-camera host into the story without stealing the spotlight from their subject.
Ryan Ashley Lowery, director and creator of the LGBTQ doc Light Up, is anything but delicate in inserting himself and two on-camera host-interviewers -- Michael Mixx and Maurice Eckstein -- into the film's still-compelling portrait of Atlanta's "community of Black same gender loving men and trans women."
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