It may come as a shock, but Dionne Warwick balks at the idea of playing massive venues.
“I’ve basically refused to perform in arenas and coliseums,” says the 76-year-old legend. “Those things are for basketball and hockey and soccer. And I am a singer.” She prefers intimate rooms where she can connect with her audience, rooms like Bethesda Blues & Jazz, where she’ll appear next week to help the venue celebrate its 4th Anniversary.
Over the course of two nights, she’ll be performing from a seemingly inexhaustible supply of hits, in particular those from her extraordinary collaboration with composer Burt Bacharach and lyricist Hal David, songs that have become so iconic, it’s hard to imagine anyone else singing them, including “Do You Know the Way to San Jose?” and “I’ll Never Fall in Love Again.” Warwick’s success extended beyond her Bacharach collaborations and songs like the soaring, Barry Manilow-produced “I’ll Never Love This Way Again” and the Bee Gees-penned “Heartbreaker.” Among her most cherished achievements was performing alongside Elton John, Gladys Knight and Stevie Wonder on “That’s What Friends Are For.” The song shot to #1 on the R&B, Adult Contemporary and Billboard Hot 100 charts and raised nearly $3 million for the American Foundation for AIDS Research.
Warwick felt a deep obligation to be a part of the project. “We were losing so many people [to AIDS], in my industry particularly,” she says, adding, “My grandfather, who was a minister, taught me at a very tender age that we’re all put on this earth to be of service to each other, and that we all need healthy people around us. And if there’s anything we can do to ensure that…it’s part of what we’re supposed to do.”
Inevitably, as with almost any conversation these days, talk turns to Donald Trump. Warwick gets audibly riled up when speaking of the new President with a penchant for childish Tweets.
“We can’t sit around and twiddle our thumbs, you know?
We need to take the initiative to be the actual citizens of these United States of America and demand the things that we know we’re entitled to and how they ought to be done,” she insists. “He has no choice but to listen. He’s not our boss. We’re his boss. He’s got to listen to us.”
Dionne Warwick appears Tuesday, Feb. 28 and Wednesday, March 1 at Bethesda Blues & Jazz, 7719 Wisconsin Ave., in Bethesda. Doors at 6 p.m., show at 8 p.m. Tickets are $115 to $150. Call 240-330-4500 or visit bethesdabluesjazz.com.
At 56, I've seen plenty. Never, of course, have I seen the federal government so batshit bonkers, so desperate to assert itself into every nook and cranny of American life, from the critical to the comical. Take that, Colbert and Kimmel! Gotcha, plaque mentioning Transgender participation at the Stonewall Inn! We're gonna get you, sandwich guy!! We're deporting Bad Bunny! To… ahem… Puerto Rico?
What do you call this clinical level of desperation? Stephen Miller.
We've got masked federal goons playing tough in cities far and wide. Are these Proud Boys? Oath Keepers? Three Percenters? Quite likely, but who the hell knows? Aside from Kristi "Canine Killer" Noem, Tom (sub)Homan, and their colleagues, presumably.
Matthew LĂłpez felt detached. While reading E. M. Forster's classic novel, Howard's End, in New York's Central Park several years ago, the Tony award-winning playwright was inspired to write his own version of the twentieth-century tale of three British social classes intertwining during Europe's Edwardian era.
Using the essence of Forster's famous mandate from the novel, "Only connect!" LĂłpez would set his version, The Inheritance in contemporary metropolitan life, replete with themes of young love, politics, sexual escapades, friendship, substance abuse, redemption, and haunting memories of the AIDS epidemic, all of which would be discussed between various generations of gay men.
Down in the polls and seeking to drag down rival Zohran Mamdani's favorables, New York City Mayor Eric Adams said he will push the Department of Education to roll back the city's policy allowing transgender students to use bathrooms aligned with their gender identity.
At a campaign stop in Harlem on September 17, standing outside a mosque, Adams launched into a rambling broadside against Mamdani, his Democratic Socialist allies, and left-leaning voters -- whom Adams, echoing House Speaker Hakeem Jeffries, derided as gentrifiers and transplants.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.