“Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to Transparent.”
–Jeffrey Tambor, in a statement to Deadline, announcing that he won’t be returning for the fifth season of Amazon’s Transparent.
Tambor, who plays lead character Maura Pfefferman, has been accused of sexual harassment and lewd conduct by two transgender actresses on the show, Van Barnes, who is also Tambor’s former assistant, and Trace Lysette.
Barnes accuses Tambor of making lewd comments towards her and groping her, while Lysette says he made sexual remarks towards her and thrust his penis against her while on set.
As previously reported, during the incident Lysette was wearing a “flimsy top and matching short shorts” for a pajamas scene. “Upon seeing me in my costume, Jeffrey sexualized me with an over the top comment,” Lysette said. “Then later, in between takes, I stood in a corner on the set…. Jeffrey approached me. He came in close, put his bare feet on top of mine so I could not move, leaned his body against me, and began quick, discreet thrusts back and forth against my body.
“I felt his penis on my hip through his thin pajamas and I pushed him off of me.”
Tambor denies claims of harassment, saying his actions were “misinterpreted,” but that he cannot continue to work on the show as a result.
He told Deadline that playing Maura Pfefferman, for which he received two Emmys, “has been one of the greatest privileges and creative experiences of my life.” However, he added that it has “become clear over the past weeks…that this is no longer the job I signed up for four years ago.”
“I’ve already made clear my deep regret if any action of mine was ever misinterpreted by anyone as being aggressive, but the idea that I would deliberately harass anyone is simply and utterly untrue,” Tambor continued. “Given the politicized atmosphere that seems to have afflicted our set, I don’t see how I can return to Transparent.”
"Right now, more than ever, we need global solidarity. And WorldPride is probably the closest thing we have to a visible manifestation of the unity we have across borders," says Ymania Brown, one of the co-presidents of InterPride, the international umbrella organization of Pride organizers.
"The goal for us at InterPride and for WorldPride is for our members and everyone who comes to WorldPride in Washington, to walk away knowing that we are not alone," she continues. "That our struggles, while unique in different countries and different regions, are shared. And as a result of that shared struggle, our victories, and the successes we have in changing laws for our people, are collective."
A transgender woman swimmer in the United Kingdom recently competed topless at a Masters event, protesting a policy that requires her to compete based on her assigned sex at birth.
Seeking to highlight flaws in the one-size-fits-all ban on transgender competitors, Anne Isabella Coombes, 67, of Reading, chose to wear a men’s swimsuit while competing -- exposing her breasts in the process.
Coombes, a member of the Reading Swimming Club for 30 years, transitioned five years ago, during the COVID-19 pandemic. When public swim meets resumed, she applied to Swim England -- the national governing body of aquatic sports -- asking to compete as a female, reports the Reading Chronicle.
In another swipe at the transgender community, the national monument honoring what is widely seen as the seminal event of the modern LGBTQ rights movement has erased all mention of transgender and queer people.
Each June, the Stonewall National Monument in New York City typically decorates the fence surrounding Christopher Park -- the small park adjacent to the historic Stonewall Inn and part of the official monument -- with various Pride flags.
In past years, the display has featured a mix of flags -- the familiar six-stripe rainbow Pride flag, the blue, pink, and white transgender Pride flag, and the "Progress" flag, which adds stripes for Black and brown communities and a chevron design incorporating transgender and intersex Pride colors.
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