Gearing up for its upcoming 20th season, Virginia’s Creative Cauldron offers “a summer celebrating all things musical theater.”
The August and September lineup includes the company’s annual Summer Cabaret Series featuring “some of the best talent the DMV theater scene has to offer” as selected by curator Matt Conner, the local gay composer and Helen Hayes Award-winning director.
All shows take place in the company’s intimate theater space, but are also available to watch this year as livestreams for those who can’t make it out to the theater at the particular showtimes. Highlights below:
“Sondheim Reunion Cabaret” featuring performers from Cauldron’s recent production of Into the Woods, including Rachel Lockett, Holly Kelly, Brett Klock, Brooke Bloomquist, and Bobby Libby. (8/13)
“Love is the Key” with DeCarlo Raspberry, an evening full of “love in all aspects” drawn from jazz, soul, gospel, classical, R&B, and musical theater. (8/19)
Chris “JChris” Urquiaga, paying tribute to inspiring and empowering Latin divas including Selena, Shakira, and Rocio Durcal, all backed by an energetic band, “Que vivan las divas!” (8/20)
“Double Date” featuring Sarah Anne Sillers with her husband, pianist Andrew Kullberg, and Joshua Simon with his husband Brandon Scott Heishman, billed as a “one-night-only” evening celebrating music, marriage, and friendship with beloved tunes from Broadway and beyond. (9/9)
Susan Derry, the Cauldron star and veteran stage performer whose debut album is titled I Wish It So. (9/10)
“Sous le Ciel de Paris” with Wesley Diener, fresh from a series of performances in southwest France for an evening of opera, musical theater, and standards. (9/16)
“Songs I Stole From My Kids!” with Kanysha Williams offering a peek into her life as a voice teacher, from “the songs that I can’t seem to get out of my head” to “ridiculous stories about hanging out with teenagers multiple times a week.” (9/17)
Creative Caudron performs at ArtSpace Falls Church, 410 South Maple Ave., Retail 116. Tickets are $25 to $35 for each live show, or $90 to $180 for a two-top or four-top table plus wine; $15 for each live stream.
A revival in need of some reviving, Creative Cauldron's refresh of the company's 2015 The Turn of the Screw: The Musical puts an abundance of talent onstage with only lackluster returns to show for the effort.
The ambience for Matt Conner and Stephen Gregory Smith's adaptation of Henry James' 1898 Gothic horror novella feels appropriately spooky, but the performance energy seems to be moving in many disparate directions. (Smith wrote the lyrics and libretto and Conner, who directs, composed the score.)
Akin to an attic full of secrets, with boxes and shelves hidden beneath white sheets, Margie Jervis' ghostly-white set fills the stage of Creative Cauldron's voluminous new black box. And Lynn Joslin's expressive lighting does well to distinguish shades of darkness within the monotone milieu.
The D.C. theater season doesn't tiptoe in -- it arrives with gale force. The Shakespeare Theatre Company leads the charge with The Merry Wives of Windsor, The Wild Duck, and a freshly mounted Guys and Dolls, a trio that underscores why STC still sets the bar for classical and modern reinvention. Woolly Mammoth continues to push boundaries with time-bending dramas and audience-driven experiments, while Theater J stakes its ground with provocative premieres that blur the line between history, satire, and survival.
If you want spectacle with edge, Broadway at the National delivers high-gloss imports from Stereophonic to Some Like It Hot. Keegan continues its fearless streak with punk-rock carnage in Lizzie the Musical and raw new work like John Doe. GALA Hispanic Theatre reasserts itself as one of D.C.'s most vital cultural players with El Beso de la Mujer Araña and La Casa de Bernarda Alba, reminding us that Spanish-language theater isn't niche, it's essential.
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