DIW’s Spirit of Kwanzaa — Photo: Rodney R. Rice, Jr
The late Fabian Barnes launched the Dance Institute of Washington in 1987 with a mission of improving the lives of underserved children in D.C. through the arts. More specifically, the institute provides dance and ballet training and support for aspiring Black and minority dancers in ways that ultimately might inspire more to pursue careers and find success in professional ballet and the dance industry.
Forty-five years later, and six years after Barnes’ death, the institute is touted as “the leading minority-led pre-professional dance equity organization in D.C.” It has also been heralded for its work in teaching its students beneficial life-building skills, from nutritional guidance to anger management, above and beyond the core artistic training and academic discipline.
Outside of the classroom, the Dance Institute of Washington has been a leading area purveyor of holiday programming, with its specialty a show celebrating Kwanzaa, the pan-African and African-American winter holiday.
The institute’s signature Spirit of Kwanzaa production has been an annual staple around the city for decades. That includes a high-profile, multi-year run at the Kennedy Center at the turn of the millennium.
A mix of dance, music, and spoken word celebrating the holiday while lifting up the struggles and creativity of the Black experience, the production provides an overview of the seven-day holiday, which starts the day after Christmas and runs to Jan. 1, with each day dedicated to a different one of seven core principles, including striving for Unity, Self-determination, Collective work and responsibility, Cooperative economics, Purpose, Creativity, and Faith.
Next weekend Howard University plays host to this year’s show, which has been organized around the theme of “Celebrating Life and Harmony.” The production stars a cast of dancers from around the region and features renowned guest choreographers Earl Mosley and Katherine Smith.
“It’s a perfect opportunity to bring the community together while celebrating everything enduring and beautiful about Black culture and creativity,” says Executive Director Kahina Hanyes in a release.
Friday, Dec. 16, and Saturday, Dec. 17, at 7 p.m. at the Cramton Auditorium, Howard University, 2455 6th St. NW. Tickets are $20 to $30. Visit www.danceinstituteofwashington.org or call 202-371-9656.
"My focus is on what the truth is," says Eugene Daniels. "And if people don't like the truth, that's their issue, because I'm never going to shy away from holding powerful people accountable. I'm never going to shy away from telling stories about people who can't tell them themselves. That's the goal."
A former Politico correspondent and the current president of the White House Correspondents' Association, the journalist was recently tapped by MSNBC to serve as a co-host -- alongside Jonathan Capehart and Jackie Alemany -- for The Weekend, the cable news outlet's Saturday and Sunday morning show. The program will provide an opportunity to look beyond what Daniels calls the "shiny objects" in the news cycle and provide viewers with information relevant to their lives.
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Watching intently from one side of the room, McCraney, the Academy Award-winning writer of Moonlight betrays little nerves or discomfort sharing the play-in-process with the small audience that's been invited to absorb and discuss.
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