If you’re not getting excited for Capital Pride, you must not have read this week’s Metro Weekly, which includes a cover interview with Icona Pop. The Swedish duo of redhead Caroline Hjelt and black-haired Aino Jawo will no doubt fire up the crowd performing current Billboard Top 10 hit “I Love It.” As discussed in the feature, the song has become a sensation in large part because of a pivotal scene in the HBO series Girls.
Certainly, there will be more love on hand than the duo got on a recent trip to the land of amore. “We went to Italy a couple of months ago, just for fun,” Hjelt shares. “We were just walking around with all of our ‘Icona Pop’ bags. People thought we were pretty cocky and weird.” No wonder: “Icona Pop” means “pop icon” in Italian. During a 30-minute interview the ladies came across as both sweet and smart, and also confident and ambitious — but those are hardly the same things as cocky and weird.
Among Icona Pop’s ambitions, or at least dreams, expressed to Metro Weekly: Collaborations with Prince, Tina Turner, Patti Smith and Asap Rocky. None of those artists, as far as we know, will appear on the duo’s debut album, due out later this year. “We can’t really tell you which people we’re [working with now]. We don’t want to jinx it,” says Jawo. “But we have some tricks up our sleeves.”
More immediately, Hjelt and Jawo are looking forward to a late summer headlining tourthrough North America — though no date in D.C., at least not yet — during which they’ll be able to play longer sets than on previous gigs opening for Marina and the Diamonds and Passion Pit.
But first up, after a performance at Governors Ball this Saturday, June 8, in New York, is the Capital Pride Festival. Hjelt says, “we’re very honored.”
“We’re expecting a lot of dancing, good movements,” adds Jawo. “And love.”
The dance floor icons open up about friendship, fierce performances, and the enduring legacy of anthems that still light up Pride.
Intereview by John Riley and Randy Shulman
June 14, 2025
"How are you!?" exclaims CeCe Peniston.
"Good! Great to see you, hon. This is amazing!" responds Kristine W.
"Long time," says CeCe.
"Oh, my girl. I know! It's been a long time. I'm looking forward to this show. We're going to have our little family reunion," smiles Kristine, adding to the interviewers, "Are we live now?"
We are indeed live, on a Zoom call with two of the most formidable dance icons the world has ever known. And for the next two hours, our conversation is bright, joyful, reflective, and, well... iconic.
The last time WorldPride was celebrated in the United States was in New York City in 2019, marking the 50th anniversary of the Stonewall Riots, June 1969.
For D.C., hosting WorldPride in 2025, a half-century celebration remains the theme. In Washington's case, however, it's marking the five decades since the city's first official Pride celebration -- Gay Pride Day, June 22, 1975.
In light of Covid, new global conflicts, and a renewed right-wing lurch at the top of American politics, that 2019 WorldPride might seem a world away. The Before Times. It makes Deacon Maccubbin's tales of D.C.'s first Pride all the more uplifting, providing a perspective of years, not election cycles, illuminating Martin Luther King Jr.'s promise of the "arc of justice" bending over time.
When J. Ahmir "Ricky" Vines was in elementary school, growing up with a single mom, he would get in trouble with his teachers for scribbling lyrics during class. Eventually, realizing that his lyrical prowess could earn him some extra money, he began selling lyrics to local rappers in his town and stashing the extra cash in a shoebox.
"There's a big underground music culture in North Carolina," says the Winston-Salem native. "I would sell these lyrics to these older kids and these young rapper guys around the city."
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