“The Kennedy Center is my favorite place to work in the U.S.,” crows Randy Graff. “Two of the most meaningful shows in my professional life happened there and the Opera House is where it all began for me as a musical theater actor.” The year was 1986, with the pre-Broadway American premiere of Les Miserables. And Graff played the pivotal role of Fantine, whose “I Dreamed a Dream” is one of the musical’s biggest, most heartbreaking, showstoppers. The second moment came sixteen years later, in 2002, with A Little Night Music, the closing production of the Sondheim Celebration festival, in which Graff played Charlotte.
Graff’s one-woman cabaret, Made in Brooklyn, will include a nod to her KenCen roots. “I am singing ‘I Dreamed a Dream,'” she notes, in honor of Les Miz. But the October 30 appearance — her fifth in the venue — is mainly a tribute to the place where she spent her childhood.
“It’s the story of me growing up in Brooklyn, singing on street corners and eventually getting to Broadway,” she says. “Every song I sing was either written or made famous by a Brooklynite — foremost Barbra Streisand, but so many composers, lyricists and movie stars.”
Graff has appeared in countless hits on the Great White Way, including 1989’s City of Angels, for which she won a Tony, 1992’s Falsettos and revivals of A Class Act and Fiddler on the Roof. Through it all, she’s noticed her “very large gay fanbase” is among the most engaged.
“They’re the most accepting — perhaps that comes from living their own self-acceptance,” she says. “No matter what I do — I could fall on my face, I could crack on a high note, whatever I do, they’re just with me for the ride. I just so appreciate it.”
Randy Graff performs as part of the Barbara Cook Spotlight series on Friday, Oct. 30, at 7 p.m., at the Kennedy Center Terrace Theater. Tickets are $50. Call 202-467-4600 or visit kennedy-center.org.
"I had the original toaster-like Macintosh in 1984," says Mark Campbell. "And I have been a devotee of Apple since." Good thing, then, that he was asked to write the libretto for The evolution of Steve Jobs with composer Mason Bates.
Over the past two decades, Campbell has become one of contemporary opera's leading librettists, winning a Pulitzer Prize and a Grammy Award, among other accolades. He's also been staggeringly prolific, having helped to create nearly 40 works since his first opera in 2004.
So it's surprising to learn he didn't set out to pursue this career, much less to make a name in opera.
If there is one opera lost or won by its chorus and characters, it's George Gershwin's Porgy and Bess. In this perfect storm of a story, it's all about the tight-knit fishing community that cradles, carries, and sometimes condemns its own. It's only if you believe in their hardscrabble lives and insistence on dignity that you feel what it means to lose them. In this respect, the Washington National Opera's Porgy and Bess absolutely nails it.
Of course, it starts with the vision of director Francesca Zambello and her talent for bringing intimacy to grand themes. Here, those themes run the gamut of ill-fated love: Porgy's tragic devotion, Bess' addiction to the dangerous Crown, and the reality that no union can outrun death.
President Donald Trump and First Lady Melania Trump were upstaged by a gaggle of drag queens at the Kennedy Center Opera House during a performance of the French Revolution-set hit musical Les Misérables on Wednesday, June 11.
The couple’s appearance -- Trump’s first of the term at the historic venue -- coincided with a special fundraising night aimed at supporting the reportedly financially struggling arts institution.
According to the The Washington Post, ticket sales have slumped following Trump’s takeover of the storied institution, long considered a cornerstone of D.C.’s theater scene. Subscriptions for the upcoming season are down by $1.6 million -- roughly 36% -- compared to last year.
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