Finally, something that makes the trauma, humiliation, and embarrassment of high school seem lesser by comparison. Directed by Andy Fickman, You Again is a clichéd...
George Takei joins the Washington Shakespeare Company in celebrating 20 years of cutting-edge classical theater by turning Shakespeare on its ear, literally. By Any Other...
Another month, another iteration of The Legwarmers, State Theatre’s two-night party, billed as D.C.’s “biggest ’80s Retro Dance Party,” where guilty-pleasure hits from now nearly...
GALA Hispanic Theatre is launching its 35th anniversary season with a production that will not only make you want to be certain the company has...
If ever a jukebox hit was made for a Shakespearian play, it is Diana Ross' ''I'm gonna make you love me,'' as applied to All's...
Marry for money? Why not? If one marries up, life can be that much better. That, at least, is the guiding philosophy of Susy Branch,...
Men will be at Phase 1 this weekend. And by men, organizers don't just mean MEN, the queer electro band featuring JD Samson of Le...
The construction that had crowded parts of 17th Street NW since December is gone. Accordingly, it's time to celebrate. This Saturday's 17th Street Festival does...
“Night Goat and Other Flights of Fancy” features pastel paintings and pen and ink drawings by Ellen Cornett. On display through Sept. 25. City Gallery,...
Susan Koch’s documentary The Other Cityexplores Washington, D.C., with its highest-in-the-nation HIV/AIDS rate, and what that says about our country and our compassion. Now playing...
An austere production, perhaps appropriate to tough economic times both at the Washington National Opera and at large, Verdi’s Un Ballo in Maschera is more...
Signature opens its cabaret season with the songs that got away during the decade that gave us Gypsy, The Music Man, Guys and Dolls, My...
The American Film Institute’s Silver Theatre screens a new 35mm print of this 1970 film revolving around the antics of Hawkeye (Donald Sutherland) and Trapper...
There can be an inherent danger in movie titles. It's the risk of being saddled with a title that critics can easily twist around with...
An austere production, perhaps appropriate to tough economic times both at the Washington National Opera and at large, Verdi's Un Ballo in Maschera is more...