Critics bemoan today’s trend of making new musicals out of hit movies, because too often the end result is a product that creates buzz and makes money, but isn’t compelling or even very interesting_- at least not intellectually. Often not artistically, either.
Diner, unfortunately, proves to be the latest case in point. A lot of time, effort and money went into a stage adaptation of Barry Levinson’s critically acclaimed 1982 film. Accomplished Tony-winning director and choreographer Kathleen Marshall was enlisted to flesh out the stories and freshen up the material for a live environment. Marshall and Levinson, who adapted his script, charged the equally accomplished Grammy-winning pop star Sheryl Crow to write original music and lyrics capturing the 1950s, when an edgier pop sound was just starting to find flavor out of a stew of R&B, blues and country.
In the end it’s only the music that lives up to the challenge. Through Crow’s score, we meet several of the women factoring into the lives of the young men, who were the film’s sole focus. Chances are you’ll even end up caring more about the women as written here. The men seem thoroughly stuck in a sexist time warp, unwilling, maybe even unable, to understand women and relationships — and expressing no broader sense of life’s meaning and purpose. By the time the first act ends in jail, after the surreal destruction of a nativity scene, these one-dimensional male characters are almost as much of a joke as the depicted three wise men — and every bit as unfunny.
If only more of the action took place within the stage’s handsomely realized art deco diner (designed by Derek McLane with assist from James Kronzer). If only there were more character development, and conversations about characters instead of just sex, love and football. And if only Signature’s great star Nova Y. Payton wasn’t wasted as an ensemble player who, as a stripper, shows off more of her skin than her vocal range.
“Gotta lotta woman,” Payton sings in one of the show’s last numbers. But sometimes a lotta anything, or a lotta everything, still isn’t enough.
Diner () runs to Jan. 25 at Signature Theatre, 4200 Campbell Ave., Arlington. Tickets are $40 to $95. Call 703-820-9771 or visit signature-theatre.org.
The Academy Awards have come and gone again for another year.
The biggest night in film is always a must-see event, and the 96th annual ceremony was one of the better showings in recent memory. Most of the winners matched what people were expecting, the speeches were solid, and even the flubs made for entertaining viewing.
As expected, Oppenheimer ended the evening as the top-winning movie. The biopic about the man who created the atomic bomb earned seven Oscars, including Best Picture, Best Director, Best Actor, and Best Supporting Actor.
Poor Things came next, with four trophies. The biggest honor that the film snagged was Best Actress, with Emma Stone beating out fellow favorite Lily Gladstone, nominated for Killers of the Flower Moon.
The Virginia Department of Health has reported a recent increase in mpox infections in the state.
According to Health Department data, there have been 14 reported cases of mpox since January 1. Four of these required patients to be hospitalized.
The number of cases of mpox in 2024 has already surpassed the total number of cases reported last year. Of the 2024 cases, six occurred in individuals co-infected with HIV, and all cases occurred among individuals that were not vaccinated against mpox.
The cases are spread over four separate health regions: the Northern region, which includes the D.C. suburbs; the Northwest region, including the far-out exurbs of D.C. and the Northern Shenandoah Valley; the Central region, including Greater Richmond and Southside Virginia; and Eastern Virginia, including the Northern Neck, Hampton Roads, and the Eastern Shore regions.
There is still an abundance of great theater remaining in the season, including the absolute showstopper at The Shakespeare Theatre -- Simon Godwin's production of Macbeth starring Ralph Fiennes and Indira Varma. But, let's be honest, all of our area theatres have showstoppers up their sleeves...
Signature lets its hair down. Baltimore Center Stage serves up some fiery wings. Mosaic tells the tale of two Nancys. Folger takes on the Gods. GALA gets into mummified territory. Keegan slams door after door after door. Ford's feeds a very big, bloodthirsty plant. Richmond Triangle Players cavort in Xanadu. And that's just a sampling.
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