Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
“I still believe in love — even if Barack Obama didn’t come to my show,” Madonna teased near the end of Saturday night’s concert at the Verizon Center. “Maybe I’m too provocative.” Like all her tours, Rebel Heart had its fair share of provocation, chiefly through repeated sacrilegious references to God and Catholic iconography.
But that’s always been Madonna’s cross to bear (and her bread and butter). This time out it was confined to the opening numbers. If you could look past it, as well as her overuse of war and violent imagery (Madonna is seemingly forever fighting someone, from God and Gaga to Guy and the media), you probably left charmed by the evening.
The Rebel Heart Tour finds Madonna at her happiest and most personable, and also in her best voice. In past tours she seemed to be performing on auto-pilot, but not on Saturday.
Edgy and sassy and unapologetic, Madonna once again proved her predominance in pop performance. It doesn’t matter if you don’t like her new album, even though it accounted for nearly half of the two-hour set. The truth is, few others working in pop today put on such a compelling and sensory-rich, top-notch theatrical production from beginning to end. Madonna makes her concerts feel like celebrations.
Near the concert’s end, Madonna settled, with a guitar, on a raised platform and sang the French classic, “La Vie En Rose” — which she dedicated to Obama — as if she were a bona fide chanteuse. “Everybody sing along!” she cooed playfully. She didn’t need the audience assist, as she perfectly conveyed the emotions of the song. It was just one example of how significantly Madonna’s musicality has improved over the years, even if her music has not.
9/12/15 Verizon Center Set List
Iconic
Bitch I’m Madonna
Burning Up
Holy Water, with an interpolation of Vogue
Devil Pray
Messiah
Body Shop
True Blue
Deeper And Deeper
Heartbreak City, with Love Don’t Live Here Anymore
Like a Virgin
S.E.X., with Justify My Love
Living For Love (Remix)
La Isla Bonita
Dress You Up, with a flamenco medley of Get Into the Groove / Everybody / Lucky Star
Who’s That Girl (acoustic)
Rebel Heart
Illuminati
Music / Candy Shop
Material Girl
La Vie En Rose
Unapologetic Bitch
Encore: Holiday
Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
Additional North American stops on The Rebel Heart Tour through 2015:
Back in May, just after our 31st anniversary, I asked readers which of four classic cover interviews from our early years they'd like to see in print again: Greg Louganis (March 9, 1995), Sir Ian McKellen (Jan. 25, 1996), Camille Paglia (Feb. 1, 1996), or Eartha Kitt (Nov. 14, 1996). None of these conversations exist online, and they haven't been seen since their original print dates.
Out of more than 200 responses, 8% chose Paglia, 27% picked Louganis, 29% went for McKellen, and an impressive 36% cast their vote for Kitt.
Kitt, who passed away in December 2008, seemed a fitting choice to revisit. A pop culture icon for her turn as the second Catwoman (following Julie Newmar) on the late-1960s, camp-classic TV series Batman, she was slated to appear at Washington's legendary jazz nightclub Blues Alley when we spoke.
New York City Democratic mayoral nominee Zohran Mamdani is facing backlash after a photo resurfaced showing him alongside a Ugandan politician described as the "architect" of that country's law criminalizing homosexuality.
Mamdani, who defeated former New York Gov. Andrew Cuomo by more than 12 points in the final round of ranked-choice primary voting in June, now leads a three-way race against Cuomo, running as an independent, and Republican nominee Curtis Sliwa, founder of the Guardian Angels, the citizen patrol group once famous for policing New York's subways.
Fashion designer Connor Ives says his now-iconic "Protect the Dolls" T-shirt -- first worn during the finale of his Fall/Winter 2025 ready-to-wear show in London -- has since raised more than $600,000 for the nonprofit Trans Lifeline. The design employs a decades-old phrase calling for solidarity with and protection of transgender women.
The shirt wasn’t originally intended as part of the collection. As Ives told The New York Times in April, he simply wanted "a T-shirt that says something" for the show, using the message as a call for solidarity with transgender people at a time when governments in the U.K. and U.S. were seeking to roll back rights.
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