Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
“I still believe in love — even if Barack Obama didn’t come to my show,” Madonna teased near the end of Saturday night’s concert at the Verizon Center. “Maybe I’m too provocative.” Like all her tours, Rebel Heart had its fair share of provocation, chiefly through repeated sacrilegious references to God and Catholic iconography.
But that’s always been Madonna’s cross to bear (and her bread and butter). This time out it was confined to the opening numbers. If you could look past it, as well as her overuse of war and violent imagery (Madonna is seemingly forever fighting someone, from God and Gaga to Guy and the media), you probably left charmed by the evening.
The Rebel Heart Tour finds Madonna at her happiest and most personable, and also in her best voice. In past tours she seemed to be performing on auto-pilot, but not on Saturday.
Edgy and sassy and unapologetic, Madonna once again proved her predominance in pop performance. It doesn’t matter if you don’t like her new album, even though it accounted for nearly half of the two-hour set. The truth is, few others working in pop today put on such a compelling and sensory-rich, top-notch theatrical production from beginning to end. Madonna makes her concerts feel like celebrations.
Near the concert’s end, Madonna settled, with a guitar, on a raised platform and sang the French classic, “La Vie En Rose” — which she dedicated to Obama — as if she were a bona fide chanteuse. “Everybody sing along!” she cooed playfully. She didn’t need the audience assist, as she perfectly conveyed the emotions of the song. It was just one example of how significantly Madonna’s musicality has improved over the years, even if her music has not.
9/12/15 Verizon Center Set List
Iconic
Bitch I’m Madonna
Burning Up
Holy Water, with an interpolation of Vogue
Devil Pray
Messiah
Body Shop
True Blue
Deeper And Deeper
Heartbreak City, with Love Don’t Live Here Anymore
Like a Virgin
S.E.X., with Justify My Love
Living For Love (Remix)
La Isla Bonita
Dress You Up, with a flamenco medley of Get Into the Groove / Everybody / Lucky Star
Who’s That Girl (acoustic)
Rebel Heart
Illuminati
Music / Candy Shop
Material Girl
La Vie En Rose
Unapologetic Bitch
Encore: Holiday
Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
Additional North American stops on The Rebel Heart Tour through 2015:
The fall looks primed to be a strong season of concerts by -- and appealing to -- the LGBTQ community. Among the highlights in the category of the well-known, consider Andy Bell (Lincoln), Jane Lynch (Strathmore), Renee Rapp (Merriweather), DOECHII (Anthem), and of course All Things Go (Merriweather). In the category of merely appealing, not gay per se, consider The Queens (Capital One Arena), Deborah Cox (Bethesda Theater), and Judith Hill (The Hamilton).
That barely scratches the surface. There's a lot of new -- or perhaps new to you -- queer artists out there, just waiting for you get into them including Katie Pruitt (Union Station, Rams Head), Rio Romeo (Songbyrd), Aaron Lee Tasjan (Jammin Java), Dixon Dallas (Union Stage).
Mayoral candidate Zohran Mamdani has pledged to make New York City a sanctuary city for transgender people.
In a new campaign ad honoring Latina trans activist Sylvia Rivera -- a pioneering figure in the early LGBTQ rights movement -- Mamdani sits at a desk near the Christopher Street Pier in Greenwich Village, recounting Rivera’s life and the pier’s significance as a haven for LGBTQ people in the city.
As photos and video clips of Rivera and other activists flash across the screen, Mamdani recounts her legacy of activism -- from her role in early gay and trans rights demonstrations to founding Street Transvestite Action Revolutionaries, which provided food and shelter for homeless trans people, and her push for LGBTQ-inclusive non-discrimination laws.
Fashion designer Connor Ives says his now-iconic "Protect the Dolls" T-shirt -- first worn during the finale of his Fall/Winter 2025 ready-to-wear show in London -- has since raised more than $600,000 for the nonprofit Trans Lifeline. The design employs a decades-old phrase calling for solidarity with and protection of transgender women.
The shirt wasn’t originally intended as part of the collection. As Ives told The New York Times in April, he simply wanted "a T-shirt that says something" for the show, using the message as a call for solidarity with transgender people at a time when governments in the U.K. and U.S. were seeking to roll back rights.
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