“I still believe in love — even if Barack Obama didn’t come to my show,” Madonna teased near the end of Saturday night’s concert at the Verizon Center. “Maybe I’m too provocative.” Like all her tours, Rebel Heart had its fair share of provocation, chiefly through repeated sacrilegious references to God and Catholic iconography.
But that’s always been Madonna’s cross to bear (and her bread and butter). This time out it was confined to the opening numbers. If you could look past it, as well as her overuse of war and violent imagery (Madonna is seemingly forever fighting someone, from God and Gaga to Guy and the media), you probably left charmed by the evening.
The Rebel Heart Tour finds Madonna at her happiest and most personable, and also in her best voice. In past tours she seemed to be performing on auto-pilot, but not on Saturday.
Edgy and sassy and unapologetic, Madonna once again proved her predominance in pop performance. It doesn’t matter if you don’t like her new album, even though it accounted for nearly half of the two-hour set. The truth is, few others working in pop today put on such a compelling and sensory-rich, top-notch theatrical production from beginning to end. Madonna makes her concerts feel like celebrations.
Near the concert’s end, Madonna settled, with a guitar, on a raised platform and sang the French classic, “La Vie En Rose” — which she dedicated to Obama — as if she were a bona fide chanteuse. “Everybody sing along!” she cooed playfully. She didn’t need the audience assist, as she perfectly conveyed the emotions of the song. It was just one example of how significantly Madonna’s musicality has improved over the years, even if her music has not.
Love ran deep last night between Bad Bunny and his fans, who filled the Capital One Arena from the floor up to the championship banners. The crowd’s passion for the artist and his music was punctuated with the roar of recognition that greeted the first notes of every single song.
Deafening screams greeted Bad Bunny, too, as he made his entrance rising from beneath the stage to a live orchestra playing the Bond-style overture of “Nadie Sabe,” the opening track on the rapper-singer’s latest LP, Nadie Sabe Lo Que Va a Pasar Mañana (No one knows what will happen tomorrow).
Kesha has been through hell, but she’s not giving up. The pop singer is gearing up for the next chapter in her career, and this time, she seems happier — and certainly freer — than ever before.
In an Instagram post, the Grammy-nominated artist began teasing that new music was on the way. She posted several photos of herself (looking gorgeous as always) in a natural setting. The “TikTok” musician captioned the upload with nothing more than a website, keshaiswaitingforyou.com.
Those who visited the site were greeted by something they probably didn’t expect: a nude image of Kesha.
New York City gay real estate developer Ian Reisner has signed a lease to take over the former Playboy Club space and the adjacent Cachet Boutique Hotel NYC with the intent of transforming it into a gay-friendly hotel, restaurant, and nightclub.
Reisner told The New York Post that he is in talks with a European boutique hotel operator to open the space in September.
Until then, the yet-to-be-named hotel will operate as an Airbnb, with rentals potentially starting as soon as this month.
Located at 510 W. 42nd Street, the renovated Cachet Boutique Hotel space, which shuttered last October, will feature a 103-room hotel and a 7,500-square-foot restaurant and common area that will be open for breakfast, lunch, dinner, and late-night dining.
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