It’s not much of a spoiler to note that the Angel in Judgment Day gets the last laugh. In fact, we hear the Angel — also known as Sister Margaret from the lead character’s childhood — laugh at several different points in the new play, the script of which actually instructs the actor to cackle each time.
And with Patti LuPone cast in the role, rest assured you hear a cackle to end all cackles, one sounding almost diabolically possessed. Recorded last summer as a benefit for the Barrington Stage Company in the Berkshires of Western Massachusetts and now streaming in an encore presentation through the Stellar Events platform, the virtual play reading even throws in a few amusing outtakes for good measure.
“Shit! Motherfucker,” LuPone is heard in one blooper, right after her landline phone rings while shooting a split-screen scene with Jason Alexander. With perfect timing, Alexander interjects, “Is that God, Sister?”
In this promising debut play from veteran TV comedy writer/producer Rob Ulins (CBS’s Young Sheldon, Hulu’s Ramy), Alexander portrays corrupt, morally bankrupt lawyer Sammy Campo, who sets out to redeem himself after a terrifying Angel threatens him with eternal damnation during a near-death encounter.
He forms an unlikely bond with a Catholic priest (Santino Fontana), setting the stage for debates over timeless questions about morality, faith, religion, and human behavior. “I wanna figure out the rock-bottom least amount of good I need to do to get into Heaven,” Sammy says early upon meeting the priest, who snaps back, “It doesn’t work that way.”
Judgment Day itself works very well under the deft direction of Matthew Penn, who helps the large cast shine — a virtual roster also including Michael McKean, Justina Machado, Julian Emie Lerner, Loretta Devine, Carol Mansell, Michael Mastro, Josh Jonston, Bianca LaVerne Jones, and Elizabeth Stanley.
The end result is a production with sharp performances adding enough subtle dimension and vitality to almost help it defy reality, often looking and feeling like more than the staged play reading over Zoom it ultimately is.
Judgment Day streams through Aug. 1 on Stellar Events as a benefit for Barrington Stage. Tickets are $11.99. Visit www.StellarTickets.com.
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Arts & Entertainment
Bethesda Fine Arts Festival
Mosaic Theatre: cullud wattah
Signature Theatre: In the Heights
The Smithsonian Craft Show
Washington National Opera: The (R)evolution of Steve Jobs
Arriving at a particularly tense time for the nation's capital, Woolly Mammoth's funny, subversive It's a Motherf**king Pleasure is a breath of fresh air. It's inoculated in that this is British-born and performed theater -- and the Brits really do get something of a pass when it comes to the kind of irreverence that would otherwise raise eyebrows and hackles.
Indeed, this special brand of immunity is tested in the first few frenetic minutes of Motherf**king where all energies are spent trying to decipher whether it's okay to laugh or if this is some kind of awareness-raising exercise (or, in other words, a trap) for the well-intentioned but woefully-not-getting-it.
You would think that, by now, reasonable theatergoers would be exhausted by angry, self-serving bloviates who unleash profanities and cruel language on each other and anyone within earshot.
Obviously, there is more demand for it, as David Mamet's 1984 Pulitzer Prize-winning Glengarry Glenn Ross is back on Broadway for a third time.
And, like the unwitting suckers who fall into the clutches of this predatory group of real estate sharks, audiences are quick to drop top dollar to see a starry cast comprised of Bob Odenkirk as Shelley Levene, a past-his-prime salesman looking to increase his numbers, Bill Burr as Dave Moss, another older sales guy who huffs and puffs like the big, bad wolf, and Kieran Culkin as hotshot Ricky Roma, a slick smooth talker who has no time for excuses.
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