Over the summer, Wolf Trap celebrated the 50th anniversary of its signature venue the Filene Center, named in honor of the organization’s founder and chief benefactor Catherine Filene Shouse. Notably, the series of concerts presented in the 7,000-seat outdoor amphitheater were also the first after nearly 18 months of the pandemic.
With the advent of fall, the focus shifts to another venue in a different section of the lush, 100-acre property known as America’s National Park for the Performing Arts. And this season, The Barns at Wolf Trap is celebrating a milestone of its own: It’s now been 40 years since two adjoining 18th-century barns were retrofitted and opened as a charming, intimate, and acoustically rich venue with seating for just under four hundred.
Among the highlights over the next month are cabarets by two longtime leading ladies of musical theater. First up is Linda Eder, who got her start in the late 1980s on Star Search. Eder is best known for her many collaborations with composer (and ex-husband) Frank Wildhorn — starring in the original Broadway production of Jekyll & Hyde. She’s touring in support of last year’s Retro-Volume Two, the prolific artist’s 19th studio album, which features new interpretations of songs from other Wildhorn shows including The Scarlet Pimpernel and Tears of Heaven and more (10/14).
The last Saturday of October brings two shows from Laura Benanti, who has been making quite a splash all over TV recently — from her recurring uproarious impersonation of former First Lady Melania Trump on The Late Show with Stephen Colbert, to her guest turns on TVLand’s Younger and HBO Max’s Gossip Girl reboot. Yet the five-times-nominated Tony-winning triple threat (Gypsy, My Fair Lady) has a dedicated local following chiefly due to her performances with the Gay Men’s Chorus of Washington. So you can expect a sizable gay presence at her shows, which comes a year after the release of her full-length pop debut, a delightful assortment ranging from Paul Simon, Rufus Wainwright, the Jonas Brothers, and Selena Gomez, all covered in stunningly realized fashion (10/30).
Other notable performers coming to the Barns include veteran singer-songwriter Karla Bonoff (10/8), Virginia rockers the Pat McGee Band (10/22-23), pop-rock mainstay John Waite (11/3), and the Broadway-style multimedia show “Harlem 100,” a jazzy celebration of the Harlem Renaissance led by the large ensemble Mwenso & The Shakes (11/4).
The Barns at Wolf Trap is at 1635 Trap Road, Vienna. Ticket prices vary. COVID restrictions apply. Call 877-WOLFTRAP or visit www.wolftrap.org for more information.
The D.C. area is on track to be graced by two visits from the Indigo Girls this year, including a stint with the Fairfax Symphony at Capital One Hall and a remarkable double-bill pairing with fellow lesbian vanguard Melissa Etheridge at Wolf Trap. Wolf Trap is also the place to go for a second edition of the venue's Out & About Festival, this year offering a new cohort of LGBTQ musical acts.
Queer artists are really, truly just about everywhere, coming to nearly every music venue in the region this season. A quick scan of the listings bears this out: There's Donna Missal at The Atlantis, BOOMscat at Blues Alley, CMAT at DC9, XOMG Pop! at the Fillmore, Billy Gilman at Jammin Java, Mary Gauthier at Rams Head on Stage, and Mx Mundy at Songbyrd. And that's just a quick and easy seven, with several times that number waiting in the wings for your discovery.
Variety is the name of the game of this very section, a treasure trove of nontraditional, often multi-genre, events that don't neatly categorize in the other listings. This is where you'll find a few different alt-queer dance parties at DC9 to check out. Or if you'd like to consider reading a new book or getting to know a new-to-you queer author, flip the page to browse the lineup at the queer-owned Loyalty Bookstore.
Feel like taking in an art show that's not in a building surrounding the Mall? Consider Glen Echo Park. Looking for drag queens? See the Boulet Brothers at the Fillmore, or Shi-Queeta-Lee and company at The Hamilton Live. And if you like to laugh, well... we have queer comics galore.
There's more Mozart on tap around town this spring than even the most devoted Mozartian could catch. The same, more or less, goes for fans of Mendelssohn and Verdi. Puccini, too.
Yet none of those classical music titans can hold a candle to a certain German giant who's still the most popular "Emperor" of them all, with many area music organizations -- from the most prominent orchestras to the scrappiest chamber ensembles -- performing Beethoven.
One other interesting development is the marked rise in popularity of a composer whose name and work was totally absent and virtually unknown just a few years ago. This season, Florence Price is the "Most Revived Composer." She's practically the belle of the ball, with the Baltimore Symphony Orchestra, the Capital City Symphony, and National Chamber Ensemble each featuring a different work of the pioneering Black composer, who died at age 66, more than 70 years ago.
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