“My favorite part about D.C. drag is how diverse it is in its expression of gender, or lack thereof,” says Farrah Skeiky, whose kinetic photographs of drag, punk, and queercore performers have appeared in numerous exhibitions and publications, including her book Present Tense: DC Punk and DIY, Right Now.
Skeiky first got an eyeful of D.C.’s underground drag scene several years ago, shooting photos of punk bands like HomoSuperior, fronted by queen Donna Slash, before she actually joined the band as guitarist.
“Because of my bandmate, I was exposed to more of the alternative drag D.C., beyond character drag or diva drag or drag brunch kind of things,” Skeiky recalls, noting that also was the first time she was seeing more trans and nonbinary performers.
“I think the really beautiful part of D.C. drag is there are a lot of trans and nonbinary performers, and in general it gives more room to play, not just with doing a caricature of one gender or another in a binary. There’s more of this, ‘Let’s warp these ideas of gender, let’s warp these ideas of femininity, let’s put our own spins on those, put our own experiences with these gender binaries and our own opinions of them into play and do something different with them.’ And it becomes genderless in some ways, and it becomes gender-full in some ways.”
Survive Glamorously — Photo: Keylimehi
Skeiky has captured that scene of underground artists and performers in photos that will soon be featured, along with work by photographers Cassidy DuHon, Koto Langa, and Keylimehi, in the exhibit Survive, Glamorously: Images of Drag in the District, opening May 3 at Ron David Studio.
“A glimpse at the subversive queer art scene that exists in the nation’s capital,” the show is presented by Haus of Bambi, whose director, Bambi Woofter, co-curated with Skeiky.
In addition to their work as a choreographer, producer, and DancePlace artist-in-residence, Bambi Woofter personifies alternative drag in their own performances. Among Haus of Bambi’s myriad projects — including a May 27 social club gathering for a queer party and dance performance at the Kennedy Center — Survive, Glamorously feels especially timely.
“This is something I’ve been wanting to do for a long time,” Woofter says. “Because there’s so much work being done of documenting queer spaces, documenting queer performers, and beautiful portraits being done that show up on Instagram and then disappear into the ether on the internet. They’re so stunning and they get so much interest and they have such a visceral pull to them, and then they get lost in the feed.”
Survive Glamorously — Photo: Koto Langa
Not only bringing those images together in one place, but bringing people together to experience them collectively was the main idea of the exhibit and its accompanying events.
“That we can actually use these images to gather,” says Woofter, “and create queer spaces using these images as a catalyst, rather than just these images being the documentation of queer spaces.”
Skeiky agrees that, even though D.C. isn’t touched by the anti-drag legislation that other cities and states have been seeing, it’s still imperative to celebrate queer scenes and spaces while we have them. “It is our job to be our biggest champions, our loudest cheerleaders when it comes to these spaces, when it comes to these artists,” Skeiky says.
“I think a lot of people approach art around queer culture, around drag, as if it needs to have happened in the past, like it can’t be current to celebrate it the same way that we talk about a Paris Is Burning, or a Divine. Like, those institutions have earned their place in history, and these things are still happening now.
Survive Glamorously — Photo: Cassidy DuHon
“[But] having the audacity to give what’s happening now that weight, and that you’re putting it on that pedestal, I think, is really important, because, again, if we’re not our loudest cheerleaders and are our greatest champions, we’re up against a lot. So it’s really up to us to be very loud and obnoxious about it, which I know we all can do.”
Survive, Glamorously: Images of Drag in the District opens with a reception May 3, and runs through May 13 at Studio B, Ron David Studios at Union Market, 1262 5th St. NE. For more info, visitwww.hausofbambi.com/events.
If you need relief from these stressful and angst-ridden times, you're sure to find something to salve your soul in this section. If you crave a good laugh attack, for starters, look to the "Because They're Funny Comedy Festival," or seek out specific comedians and eccentrics known to get the job done, be it John Waters or Paula Poundstone (both coming to the Birchmere), or Jessica Kirson or Margaret Cho (coming to the Warner), or Leslie Jones, who will be at The Clarice later this winter. To name only five.
Of course, if you'd prefer to get serious and really contemplate and converse about our woeful state of affairs, you'll find plenty of ways to do that, as well. Start by consulting the lineup of noted authors coming to local bookstores and even a certain historic synagogue.
More than 9 in 10 LGBTQ adults are out to someone in their lives about their sexual orientation or gender identity -- yet many remain closeted when it comes to family members or co-workers.
According to a Pew Research Center survey conducted in January, 96% of LGBTQ adults say they have told someone about their identity, while only 3% say they have not come out to anyone. However, up to one-third of LGBTQ adults -- including those who have come out to “someone” -- say they are not out to extended family members, such as grandparents, aunts and uncles, or cousins.
Reports that the person who fatally shot conservative activist Charlie Kirk had left behind bullet casings engraved with phrases espousing "transgender ideology" have been debunked.
The rumor spread quickly after conservative commentator Steven Crowder posted to X on the morning of September 11 -- the day after the shooting -- claiming he had received an email from a Bureau of Alcohol, Tobacco, Firearms, and Explosives officer describing such engravings.
Crowder shared what he said was an email from an ATF officer claiming investigators had recovered the weapon used in Kirk's killing, with one spent cartridge in the chamber and three rounds still in the magazine. The email further alleged the cartridges were engraved with "transgender and anti-fascist ideology."
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