"Baby" brings verve and style to its story of a cunning queer teen surviving the streets of São Paulo
The weatherman said it would be hot Monday night, and he wasn’t lying. The torrid D.C. heat had the cowboys, gals, and dolls sweating out...
Arena's transporting musical reimagining of A Wrinkle in Time soars early, but stalls in a sluggish second act.
Scarlett Johansson and Jonathan Bailey can't save Jurassic World: Rebirth from its barrage of bad CGI and beastly nonsense.
"Rent Free" charms with its comic tale of two broke, horny post-grads hustling to keep a roof over their heads
National Geographic’s Sally Ride documentary tells the story of America’s first woman in space — and the hidden love she kept secret for decades.
Creator Patrik-Ian Polk celebrates Noah’s Arc’s legacy -- and shares why Black queer stories still deserve more space in Hollywood.
GALA's "Botiquín de Boleros" puts the audience in the thick of impassioned singing, dancing, and drama
28 Years Later revives the post-apocalyptic horror franchise with a thrillingly suspenseful trek into the infected wasteland
Signature's high-octane rock musical about Hunter S. Thompson leans too hard on hero worship and too little on meaningful insight.
The Baltimore favorite reflects on 50 shows at Everyman Theatre and returning to the glorious chaos of Charles Ludlam’s camp classic.
Dakota Johnson bravely chooses between two 10s as a matchmaker who makes her own match in the engaging rom-com Materialists.
The deadly unfunny dark comedy "I Don't Understand You" misses the mark in its tale of a gay couple's Italian vacation gone wrong.
Hovering between a hostage situation and a buddy comedy, Mosaic's "Andy Warhol in Iran" cleverly connects art and politics.
The third edition of D.C.’s premier doc film fest features 'State of Firsts,' "I Was Born This Way,' and 12 world premieres from 25 countries.