All posts by André Hereford
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Alphabet Soup’s Thrilling Queer Dating Chaos
The irrepressible stars of the queer dating docuseries mix chaos, candor, and connection in a bold take on modern love.
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Frankenstein Review: Del Toro’s Creation Fails to Come Alive
Guillermo del Toro's sumptuous "Frankenstein" looks fantastic while lurching along like a ship trapped in ice.
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Some Nights I Feel Like Walking Review: Manila After Dark
Arresting atmosphere and a compelling cast lift the formulaic Filipino gay hustler drama "Some Nights I Feel Like Walking"
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Fremont Ave. Review: Powerful Family Drama at Arena Stage
Reggie D. White's world premiere play finds humor and heart in a Black family’s decades-long search for peace.
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Miles Heizer Talks Netflix’s ‘Boots,’ Max Parker — and That Ending
Miles Heizer his queerness, the Marines, the emotional toll of Boots, and why he’s ready for a season two.
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Kiss of the Spider Woman Review: Dazzling and Disappointing
Bill Condon’s glossy Kiss of the Spider Woman favors J.Lo’s showmanship over the musical’s political grit.
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Creative Cauldron’s Turn of the Screw Misses the Chill Factor
Turn of the Screw: The Musical returns with a haunting design and talented cast but little emotional or supernatural bite.
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Fairyland Review: Scoot McNairy Shines in Tender Queer Memoir
"Fairyland" finds its heart in Scoot McNairy's standout turn as a single gay dad raising his daughter in 1970s San Francisco
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Strategic Love Play Review: Signature Nails the Date from Hell
Tell us if you’ve heard this one before: a single guy and a single lady both walk into a bar, and sit down for a...
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Julius X Review: Power, Betrayal, and Harlem Swagger
The Folger's Julius X reimagines Shakespeare's Julius Caesar through Malcolm X’s story in a sharp, stylized production.
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Damn Yankees Review: Arena Stage’s Modern Home Run
Arena's Damn Yankees delivers all the heart, humor, and vivacious talent you want from a feel-good musical.
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Russell Tovey on Shame, Love, and His Role in Plainclothes
The actor opens up about playing a closeted family man in Carmen Emmi’s erotic thriller, and why queer visibility still drives his work.
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Mary Shelley’s Monsters Review: Dimmed by Daylight
A meta reimagining of the classic Frankenstein, Mary Shelley’s Monsters proves a muddled experiment in gothic theater.
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The Inheritance Review: Round House’s Epic Gay Drama Triumphs
Round House’s Bethesda production of Matthew Lopez’s The Inheritance delivers a sweeping, six-hour gay epic of history, love, and loss.
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One Battle After Another Review: Relentless Revolutionary Thriller
Paul Thomas Anderson's politically charged "One Battle After Another" offers a masterclass in action moviemaking.
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