The Life and Music of George Michael – Photo: Right Angle Entertainment
For all you George Michael lovers who have been waiting for that day that The Life and Music of George Michael — “a tribute, a party, an epic show” — would return to town, have faith. Your knight in shining Ray-Bans is back on a North American tour, and dancing into D.C. for one night only at the National Theatre.
“We were there last year, and wow! Amazing audience,” recalls Craig Winberry, who performs as the late, Grammy-winning gay icon in the concert-style show written and directed by Dean Elliott.
A singer-songwriter himself, in addition to performing theater roles Off-Broadway and on tour, Winberry has racked up nearly 100 dates and counting, bringing the music and legacy of Michael’s 115 million albums-sold career to fans eager to relive that “Freedom ’90” magic.
“We went out in 2022. We went out in 2024, and now we’re back out again in 2025. And the first time I went out, I was so worried about the vocal comparisons,” says Winberry, who grew up hearing those vocal comparisons, and emphasizes that he doesn’t render an impersonation in the show.
“There’s a lot of bad George Michael impersonators out there,” he says, with a laugh. “I’m not an impersonator. I’m not like the second coming of George Michael, but I can sing, I can shake my ass, and I want people to come see the show and have a good time.”
The same must apply to the show’s other George, Connor Antico, who covers Michael’s breakthrough era with Wham! in the ’80s. “I call it the closeted era,” jokes Winberry, a genuine die-hard Michael aficionado. He covers the suit-and-tie, Caesar-cut George Michael of the ’90s and ’00s, and assuredly looks and sounds the part.
“We have a nice little fun [transition] at the end of the first act, then the second act is me, where we cover the solo career,” he says. “And it’s those lyrics that are queer-coded, that at the time when they came out, people that knew knew, and the people that had no idea but loved George Michael were like, ‘Yeah, this is awesome.'”
Either way, George Michael’s music and performances have touched millions of every persuasion, not just his gay brethren. Winberry witnesses it from the stage night after night.
“I have seen more die-hard women bringing their kids, their sisters, their brothers,” he says. “And just now, this tour, am I starting to see more gay couples down towards the front. But the first couple of times we went out, I was somewhat shocked at the lack of community involvement in this.”
Beyond the matter of who’s attending The Life and Times of George Michael, Winberry attests there’s a larger conversation to be had in the queer community, “and specifically gay community,” about maintaining “our safe spaces.” Of course, George Michael dove into that conversation decades ago, carving out space for himself and those who would follow.
“Growing up with him, I saw a man who was not afraid to stand in his truth,” Winberry says. “A man standing in his truth, because I think today in this world, with what a man is supposed to be, what a man is supposed to do, what things that men can talk about, George said, ‘Hey, girl, come here. I got something I wanna talk about.’ And he did that in his music.”
Now, Winberry has a chance to bask in that light. “This show has allowed me to a hundred-percent unabashedly stand in my truth,” he says, “not having to be looking over my shoulder. You know? Because that’s how I grew up. We had to hide so many parts of ourselves that it’s kind of a full circle moment that I don’t have to do that.”
The Life and Music of George Michael plays D.C. on Saturday, Nov. 15, at the National Theatre, 1321 Pennsylvania Ave. NW. Tickets are $98 to $487. Visit broadwayatthenational.com.
The tour also plays Richmond (11/11), Wilmington (11/12), Atlanta (11/13), Charlotte (11/14), Jacksonville (11/18), Orlando (11/20), Clearwater (11/21), and Ft. Lauderdale (11/22). Visit thelifeandmusicofgm.com.
The year's nearly out. Sometimes that calls for taking sweet stock of the past months' wonderful events. Coming to the end of 2025, on the other hand, is more like getting to that denouement in the action movie where the survivors take a breath and pat each other on the back for having made it out alive. At this stage, we are Newt getting tucked-in to her Sulaco hibernation tube.
With some effort and a pinch of luck, may we all fare better in 2026 than poor Newt's end at the start of Alien 3.
Why such a shitty year? So much of it, obviously, can be laid at the feet of Lame Duck Donald. Not that he hasn't had loads of assistance in his evil efforts to erase our transgender family and friends, colleagues, and leaders during 2025. The purge, as promised, began right out of the gate on Inauguration Day.
Shakers, a D.C. bar particularly popular with various LGBTQ recreational sports leagues, has announced on Instagram that it will be closing its doors on Sunday, Nov. 23.
In the Nov. 17 Instagram post, Daniel Honeycutt and Justin Parker -- also proprietors of the since-closed The Dirty Goose bar -- shared that after "many, many difficult discussions," they have decided to leave the LGBTQ nightlife industry. The couple said they looked forward to taking extra time to spend with their 3-year-old son.
The post also noted that Keaton Fedak, the owner of Kiki and a former employee of The Dirty Goose, would be taking over the space at 2014 Ninth St. NW, which includes two indoor bars and a large enclosed patio.
As the year nears its end, the Capital Pride Alliance today announced that it will be retooling ahead of 2026.
CPA, which brings numerous LGBTQ Pride events to Washington and the region – most notably the annual Capital Pride Festival and Parade, along with World Pride 2025 – is moving from a president/vice-president leadership model to an executive committee of board chair, treasurer, and secretary leading the board of directors.
CPA also announced the incoming officers who will step into their roles in December. Notably, the new executive committee is the first in the organization’s history composed entirely of women.
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