By Doug Rule on June 29, 2017 @ruleonwriting

“I’ve been doing a lot of research on great women in music,” says Roz White. “And what they had to deal with, as far as the industry was concerned, was only one small piece of it. Around them, their world was literally crashing and burning because of people’s hatred. And so, to still be able to sing, and to still be able to make people laugh or evoke happy emotion or hope, is a power I think we possess that we sometimes take for granted.”
White pays tribute to five persevering predecessors in a new cabaret presented as part of Signature Theatre’s annual “Sizzlin’ Summer” series. Resist: A Revolutionary Cabaret highlights Sister Rosetta Tharpe, Alberta Hunter, Abbey Lincoln, Roberta Flack, and Nina Simone. “I basically become each woman as I’m telling their story, and give you a little insight into their thinking during the time of their heyday.”
Over the past decade, White has done just that, often at Alexandria’s MetroStage. In 2008, she co-wrote and starred in that theater’s superb Pearl Bailey…By Request. “All of these women endured great hardships,” she says, “[and] each one was revolutionary in the music industry as well as just in pop culture in general.” Tharpe, for instance, was “basically kicked out of the church because she played the guitar and rock-and-roll,” and Lincoln rejected being a sex symbol by wearing “Afrocentric clothing and covering up more, to make people really listen to her music.”
White’s cabaret will also touch on progress made over the last century. “I want to show how women in the industry had to go from an image being imposed on us to taking control and empowering ourselves and creating our own image,” says White, adding that it’s a general lesson that the newer generation could stand to learn.
“We’ve got to teach younger people how to fight and how to resist. It’s not about throwing things and burning things and destroying things, it’s about building.” It’s also not relying on social media and technology to provide answers.
“Somebody doing a live feed [from] their living room saying, ‘Black Lives Matter’ is a huge difference [from the] effort that went into these women being able to have a voice. We didn’t have the technology. It was a lot more work, a lot more legwork, a lot more resist. We had to push through.” –Doug Rule
Roz White’s Resist: A Revolutionary Cabaret is Saturday, July 8, at 9 p.m., in Signature Theatre’s The Ark, 4200 Campbell Ave., Arlington. Tickets are $35, or $175 for an All-Access Pass to the Series, which starts Wednesday, July 5, and runs to Sunday, July 22. Call 703-820-9771 or visit sigtheatre.org for a full schedule.
By Randy Shulman on September 22, 2026 @RandyShulman
1524 Spring Hill Rd. Mclean, Va. 703-854-1856 1ststage.org
Betrayal -- Harold Pinter turns a seven-year affair inside out, beginning with its aftermath and moving backward to its tentative start. As Emma, her husband Robert, and his best friend Jerry revisit the lies binding them together, what remains unspoken proves as revealing as what is confessed. Directed by Alex Levy (10/8-10/25) The Tall Girls -- In a Dust Bowl town emptied of men and opportunity, a newly arrived teacher introduces a group of high school girls to basketball. Meg Miroshnik's Depression-era drama follows the team as the game offers a taste of freedom -- and exposes how little freedom young women are actually allowed. Directed by Madeleine Regina (12/3-12/20) The Travelers -- At a California monastery surrounded by migrant-worker communities, aging monks shelter a wounded stranger while facing the loss of their church funding. Luis Alfaro's funny, humane drama sets faith and duty against the practical question of how to keep a vanishing community alive. Directed by José Carrasquillo (2/11-2/28) THE ALDEN THEATRE1234 Ingleside Ave. McLean, Va. 703-790-0123 mcleancenter.org
By André Hereford on October 24, 2026 @here4andre
The still-fresh D.C. theater season has already produced a few must-see shows, but one in particular seems to be on the lips of theater fans everywhere I go these days. “Have you seen Merrily We Roll Along?” was a recurring question on one recent non-theater-related occasion.
Yes, in fact, we’re featuring the show’s “Charley Kringas” on the cover. “That’s Jake Loewenthal? I’m seeing it next week. I can’t wait.” True story.
Word of mouth is undeniable, and, in this case, a strong testament to enthusiasm for Matthew Gardiner’s penetrating production of the Stephen Sondheim reverse-order musical. Naming the actor based on the role is also a noteworthy sign of how well Loewenthal has established himself among theatergoers and theater creators, in the District’s thriving scene.
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