John de Lancie wants to be perfectly clear: “I’m not playing Trump. I’m playing Seaman.”
The actor, familiar from his work in film and television, notably as the omnipotent extraterrestrial Q from the Star Trek franchise, is currently giving a show-stopping performance as a brutish, bullying presidential candidate in Jon Robin Baitz’s Vicuña & The American Epilogue at Mosaic Theater.
“When I was first sent this, the director Bob Egan said to me, ‘It’s a Trump-like character,'” and I said, ‘I’m not doing an imitation or anything, all right?’ That would have stopped it right there for me.” Still, he concedes the parallels to Trump are in the fabric of Baitz’s potent new work. “This is a very muscular, bullyish, bully type guy who looks at everything in the terms of win or lose.” If anything, Seaman is more unnerving than Trump, seemingly far more insidious, shrewd, dangerous.
“Robbie’s point is that this is the next Trump,” says de Lancie. “This is not today. This is tomorrow. If you don’t watch out, this is where we’re going, guys.”
De Lancie is happy with his fan-revered place in the Star Trek canon, even though Q only appeared in 9 episodes over three different series: The Next Generation, Deep Space 9, and Voyager.
And while the role didn’t translate into massive riches for the actor (“I did not profit from it in the same way that a regular actor on a seven year television series would profit — nowhere near.”), he is content with his “cultural place in the pantheon of fictional characters.”
As for the question of Q’s fey, flamboyant, gay-leaning personality, de Lacie laughs. “I tell my gay friends that Q is bi-spacial…. That’s one of the wonderful things about playing a character that seems to have crossed many, many, many strata. He speaks to a lot of different people.” —Randy Shulman
Vicuña & The American Epilogue runs until December 3 at Atlas Performing Arts Center, 1333 H St. NE. Tickets are $20 to $65. Call 202-399-7993, ext. 2 or visit MosaicTheater.org.
The fall looks primed to be a strong season of concerts by -- and appealing to -- the LGBTQ community. Among the highlights in the category of the well-known, consider Andy Bell (Lincoln), Jane Lynch (Strathmore), Renee Rapp (Merriweather), DOECHII (Anthem), and of course All Things Go (Merriweather). In the category of merely appealing, not gay per se, consider The Queens (Capital One Arena), Deborah Cox (Bethesda Theater), and Judith Hill (The Hamilton).
That barely scratches the surface. There's a lot of new -- or perhaps new to you -- queer artists out there, just waiting for you get into them including Katie Pruitt (Union Station, Rams Head), Rio Romeo (Songbyrd), Aaron Lee Tasjan (Jammin Java), Dixon Dallas (Union Stage).
If you need relief from these stressful and angst-ridden times, you're sure to find something to salve your soul in this section. If you crave a good laugh attack, for starters, look to the "Because They're Funny Comedy Festival," or seek out specific comedians and eccentrics known to get the job done, be it John Waters or Paula Poundstone (both coming to the Birchmere), or Jessica Kirson or Margaret Cho (coming to the Warner), or Leslie Jones, who will be at The Clarice later this winter. To name only five.
Of course, if you'd prefer to get serious and really contemplate and converse about our woeful state of affairs, you'll find plenty of ways to do that, as well. Start by consulting the lineup of noted authors coming to local bookstores and even a certain historic synagogue.
'Tis a season for celebrating significant milestones in dance, including an amazing honor for one of the most revered names ever to be associated with the art form. The Martha Graham Dance Company, appearing in 2026 at the Kennedy Center, will be marking its 100th year sharing founder Graham's singular vision of movement.
The company's major anniversary, along with many others over the 2025-26 season, offers sweet reassurance that dance is forever and shall remain. Meanwhile, a full menu of new works on tap represents what keeps dance moving forward.
Audiences can relish revisiting beloved perennials, like some of the most exciting Nutcrackers you'll find anywhere, and catch up with companies who've been doing this for decades -- from Mark Morris Dance Group and Pilobolus, visiting twice this season, to the Washington Ballet.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
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