The Actors Fund and Doyle Auctioneers & Appraisers have teamed up for “an auction event without precedent,” featuring a diverse array of rare and one-of-a-kind memorabilia from stars of Hollywood, Broadway, and beyond. This “landmark live auction,” set for Wednesday, April 28, will allow collectors and fans around the world to participate digitally, with live online bidding through BidLive!
The Actors Fund, the nonprofit that serves as a “safety net” for workers in the performing arts and entertainment industry, has provided more than $20 million in emergency financial assistance to more than 15,800 performers nationwide during the first year of the pandemic.
To continue supporting those still sidelined by the pandemic, The Actors Fund will receive all proceeds from items sold at the auction as well as all proceeds from donations by the auction’s online viewers. Additionally, the organization will reap 100 percent of sales from auctioned items in a collection of donated goods specially curated by the auction’s third partner and driving force behind the event, stage and screen star Christine Baranski.
“I asked my friends and colleagues of stage and screen to lend support to this meaningful auction, and the response has been extraordinary,” Baranski says in an official release. “Our colleagues in the performing arts need our support during this incredibly difficult time of crisis. The Actors Fund has provided a much-needed lifeline to our industry, and their work is nothing short of miraculous. I know I’m excited to see what Dolly Parton, Cher, Julie Andrews, Bruce Springsteen, and over 20-plus incredible stage and screen legends are pulling out of their closet!”
Some of the many highlights up for bid include an autographed pair of black-and-brown boots that Lin-Manuel Miranda wore in Hamilton; iconic glasses from Elton John; the leather suit Alan Cumming wore when he won a Tony in 1998 for Cabaret; Bob Mackie dresses from Carol Burnett; an autographed, limited leather-bound copy of the Downton Abbey screenplay; original drawings by Oscar- and Tony-winning costume designer Cecil Beaton, including a hat design from My Fair Lady and an ensemble for Barbra Streisand’s character in On A Clear Day You Can See Forever; gowns Baranski wore to the Golden Globes, the Emmys, and the Kennedy Center Honors; and celebrated dresses worn over the past decade by Tina Fey, Bette Midler, and Glenn Close. –Doug Rule
The “Stage & Screen” Live Online Auction is Wednesday, April 28, starting at 10 a.m. Visit www.doyle.com for more information including an interactive auction catalog.
"It can be really difficult to navigate through the space and be heard," Anderson Wells says of JR.'s Bar & Grill. The storied 17th Street fixture, one of the oldest gay bars in D.C., isn't known as a harbinger of live theater or of the performing arts in general.
And yet, since 2019, JR.'s has presented occasional "live drag musicals" from Highball Productions, the drag theater troupe that Wells -- also known as drag queen Vagenesis -- co-founded with several other locals, including AJ Williamson, better known as Citrine.
"How is running up and down those stairs in heels? Are your fishnets going to get caught on the stage?" According to Wells, those are two crucial concerns that drag actors face as they go about rehearsing Highball shows at JR.'s. This month, the troupe will perform its ninth production, a Chicago-inspired spoof of a show they've titled Shecago as directed by Wells, whose day job is managing director of Constellation Theatre Company.
Two men meet at an automat in Greenwich Village. Seated alone at separate tables, spaced not too far apart, one is eating a sandwich, although, apparently, both men have more than a quick nosh in mind. This little luncheonette, we learn, is a known cruising spot for gay men.
The men who seek men know it, and so do the cops who frequently raid the place, according to the older of the two gentlemen, Chauncey, dynamically portrayed by Michael Russotto in 1st Stage's moving production of The Nance, directed by Nick Olcott.
With careful discretion, Chauncey arranges an assignation for later with the younger man, Ned, a whippersnapper fresh from Buffalo played with aw-shucks joie de vivre by Patrick Joy.
"I love that you think I have more than one home," laughs Wilson Cruz, settling in at his New York apartment for what will ultimately become a wide-ranging, two-hour Zoom interview. "I am a journeyman actor who has been cobbling together a career for 30 years. That's what I am."
Truth is, Wilson Cruz is much more than that. This is the third time Cruz has been featured on a Metro Weekly cover, and he ensures that a conversation with him feels familiar, like time spent with a best friend. Talking with him is also somewhat of a unique event -- spirited, unbridled, utterly free of artifice. He is warm. He is welcoming. He is wise.
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