Broadway delivers one wildly entertaining vampire musical and one disastrous adaptation of a beloved tearjerker.
Sam Pinkleton’s Broadway revival of The Rocky Horror Show brings the freaks, but leaves the shock at the stage door.
A joyous, tongue-in-cheek homage to golden-age musicals, "Schmigadoon!" dazzles with lush tunes and irresistible charm.
"Every song is like a journal entry," says the Broadway and Gilded Age star of his debut album, If the Stars Were Mine.
Kelli O'Hara and Rose Byrne bring fizz and physical comedy to Fallen Angels, but Noël Coward’s slight farce can’t shake its tedium.
The high-camp Titanic parody docks on Broadway, with Marla Mindelle’s uncanny Celine Dion leading a gleefully over-the-top cast.
Andrew Lloyd Webber’s musical crowd-pleaser purrs with queer joy and vogues its way to a spiritual rebirth on Broadway.
David Adjmi’s Tony-winner about a fracturing ’70s rock band delivers immersive design, simmering tension, and beautifully rendered songs.
Producers were forced to make the show’s X account private after a deluge of hateful, anti-trans comments that crossed into bullying.
Broadway veteran Douglas Sills discusses reimagining Fiddler on the Roof at Signature Theatre, Jewish identity, and HBO’s The Gilded Age.
Jordan Harrison’s quietly devastating play proves far more affecting than the musical revival of the long-troubled Chess.
Fresh from belting Sondheim with Bernadette Peters, Jacob Dickey rolls the dice in Shakespeare Theatre Company’s "Guys and Dolls."
Lincoln Center’s Ragtime revival dazzles with powerhouse vocals and a timely take on race, class, and the American Dream.
Cheyenne Jackson joins the American Pops Orchestra in D.C. before taking his deeply personal show to Carnegie Hall.
The Tony-winner stars in Tartuffe inside a Gilded Age mansion before heading back to Broadway for Cats: The Jellicle Ball.