A gay Brazilian stuck in P-town seeks a visa, and finds a fling in the sweetly melancholy romance "High Tide."
Pedro AlmodĂłvar teams Tilda Swinton and Julianne Moore for a rich slice of classic Hollywood melodrama in The Room Next Door.
Film critic André Hereford serves up his best and worst films in an unforgettable year of witches, grannies, and gladiators.
Timothée Chalamet stars as Bob Dylan in "A Complete Unknown," a biopic that struggles to make the folk legend knowable.
Aaron Taylor-Johnson struts and scowls through Sonyâs haphazardly-assembled franchise nonstarter "Kraven the Hunter."
Luca Guadagninoâs sultry, surrealist "Queer" intrigues and arouses, but just misses the spot.
Ridley Scott's late-coming sequel "Gladiator II" stakes few claims to necessity, but the action epic definitely entertains.
Cynthia Erivo's impassioned performance is the most real thing in the artificial Oz of Jon M. Chu's CGI-heavy "Wicked"
The documentary "Luther: Never Too Much" layers its comprehensive bio of Luther Vandross with an astute history of R&B.
A musical, a crime thriller, a trans romance that never mentions the word trans, "Emilia Pérez" is its own special creation.
Ralph Fiennes serves understated excellence leading a strong ensemble in the scandal-fueled, Vatican-set thriller "Conclave."
Sean Baker's "Anora" spins a savvily subversive Cinderella story featuring Mikey Madison's glowing performance in the title role.
Sebastian Stan captures the gestalt of Trump's ego, ambition, and bluster in Ali Abbasi's biting biopic "The Apprentice."
Francis Ford Coppola's $120-million misfire presents an ambitious vision of the future with a vagueness at its core.
Gaga and Phoenix are great, but the audacious musical character study "Joker: Folie Ă Deux" doesnât really go anywhere.