'Magic Mike’s Last Dance' fumbles the appeal of the once-throbbing franchise with a fan-fiction love story that fails to excite.
Alvin Ailey American Dance Theater artistic director Robert Battle peels back the curtain on the company's D.C. visit.
M. Night Shyamalan’s home invasion thriller 'Knock at the Cabin' strikes fast and keeps the tension boiling.
A company of artists in exile, the United Ukrainian Ballet makes its Kennedy Center debut with Giselle.
"Poker Face" strikes a timely, satisfying chord with Natasha Lyonne as a crime-solver who can see through anybody's BS.
Arena's macabre musical "Ride the Cyclone" offers laughs, magic, and amusement in a beautifully designed production.
Debuting on PBS, Vivian Kleiman's "No Straight Lines" casts a perceptive light on the rise of queer underground comix.
"Celluloid Bordello" shrewdly probes cinema portrayals of sex work via classic film clips and commentary from actual sex workers
Despite major blind spots, Netflix's pro tennis docuseries Break Point engages, giving a candid look at players' lives on tour.
Silen Wellington and Walken Schweigert infused their queer-themed opera with melody, attitude, and magic.
Kyle Edward Ball's viral horror sensation 'Skinamarink' is getting a theatrical run for one week before streaming on Shudder.
In an exclusive interview, OnlyFans superstar Diego Barros talks about his career, his first MAL Weekend, and his...endowment.
'Broadway Rising' offers a comprehensive chronicle of a community knocked down by COVID and then rising resiliently to its feet.
Come for the great cast but don't expect great thrills with this turbid adaptation of Louis Bayard's 'The Pale Blue Eye.'
The best films of 2022 forged boldly into darkness to illuminate the inner lives of heroes, villains, and some notable donkeys.