J. Harrison Ghee taps into their own truth to redefine a classic, with a dazzling turn on Broadway in 'Some Like It Hot.'
Nicole Halmos' assured performance as a conflicted conservative propels Prologue Theatre's multi-layered 'The Cake.'
'Ant-Man and the Wasp: Quantumania' scales up the franchise’s appealing blend of sci-fi, comedy, and superhero spectacle.
Dynamic staging and design, and Louis E. Davis' searing central performance, keep Mosaic's 'Bars and Measures' playing in tune.
Keegan's "The Lifespan of a Fact" mounts a thought-provoking debate about distinguishing the facts in nonfiction
'Magic Mike’s Last Dance' fumbles the appeal of the once-throbbing franchise with a fan-fiction love story that fails to excite.
Alvin Ailey American Dance Theater artistic director Robert Battle peels back the curtain on the company's D.C. visit.
M. Night Shyamalan’s home invasion thriller 'Knock at the Cabin' strikes fast and keeps the tension boiling.
A company of artists in exile, the United Ukrainian Ballet makes its Kennedy Center debut with Giselle.
"Poker Face" strikes a timely, satisfying chord with Natasha Lyonne as a crime-solver who can see through anybody's BS.
Arena's macabre musical "Ride the Cyclone" offers laughs, magic, and amusement in a beautifully designed production.
Debuting on PBS, Vivian Kleiman's "No Straight Lines" casts a perceptive light on the rise of queer underground comix.
"Celluloid Bordello" shrewdly probes cinema portrayals of sex work via classic film clips and commentary from actual sex workers
Despite major blind spots, Netflix's pro tennis docuseries Break Point engages, giving a candid look at players' lives on tour.
Silen Wellington and Walken Schweigert infused their queer-themed opera with melody, attitude, and magic.