Emma Stone and Jesse Plemons buzz through a wickedly funny thriller of abduction, alienation, and apiculture.
Guillermo del Toro's sumptuous "Frankenstein" looks fantastic while lurching along like a ship trapped in ice.
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
Bill Condon’s glossy Kiss of the Spider Woman favors J.Lo’s showmanship over the musical’s political grit.
Eddington's lacerating social satire about a town torn apart by pandemic paranoia takes a violent turn without losing the plot.
"Baby" brings verve and style to its story of a cunning queer teen surviving the streets of São Paulo
Cloris Leachman transcends the mundane material in "Jump, Darling," whose plot seems to have been cobbled together on Post-It Notes.