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Nick Olcott brings Fidelio, Beethoven's only opera, to the InSeries at Atlas
"Siegfried" and "Twilight of the Gods" offer visual, emotional and moral potency -- and a fist in the air for their female characters
The first two operas in WNO's Ring Cycle are powerfully sung, brilliantly staged, and stunningly executed
Randall Bills' singing career has its roots in musical theater
The Shakespeare Theatre Company's Salomé is a challenge on several fronts, but it's one you consider accepting
As One explores a contemporary inner struggle in a classical medium
Carmen doesn't quite take off until the second act, but it's a flight worth taking
WNO's Cinderella is joyous, humorous and eminently accessible for opera novices
The Washington National Opera revives a much-improved Flying Dutchman
The Washington National Opera’s Carmelites resonates with dark, complex themes
WNO's "La Boheme" is saturated in uncompromising quality and creative detail
UrbanArias finds “winning combination” to attract new opera fans
UrbanArias finds "winning combination" to attract new opera fans
There are beautiful singing voices in WNO's Magic Flute, yet much is still out of tune
Although people often call Donizetti’s rom-com The Elixir of Love a good opera for the uninitiated, director Stephen Lawless’s production requires a caveat: Remember that...
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