Folger's "Amadeus" offers an entertaining flight of historical fancy in the fictitious battle of Salieri v. Mozart.
With "Otello," the Washington National Opera offers an extremely satisfying, grim telling of a timely classic
"Everybody" puts amusing, compelling thought at the mercy of randomized casting
In "Escaped Alone," Caryl Churchill throws into question our sense of safety and civility in a rather unique manner
Peaky Blinders returns with its signature poise, power, and unfettered style
Heidi Schreck offers two hours of high-octane -- if overegged -- insight into her life-long love of the Constitution.
Jackie Sibblies Drury's "Fairview" offers a powerful, original, and unsettling study of race relations
Edward Gero puts Falstaff center stage in Folger’s 1 Henry IV
Though well-acted, Evan Linder's "Byhalia, Mississippi" starts with a ton of promise, but stumbles on the landing
Synetic offers a dark, exciting, and brazenly inventive wordless interpretation of "Richard III"
WNO’s Tosca delivers its heroine and famous arias with atmosphere and intimacy.
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
Junk makes the world of banking genuinely interesting, but lacks any human connection
Arena's JQA is best left to the tourists and those who can never get enough educational theater