If you come to "Don Carlo" just to listen to the singing, you won't be disappointed.
Jeanna Sakata has written a timely play that fails to scratch beyond the surface of its tragedy
Heather Raffo's "Noura" has a wealth of ideas, but suffers from too much telling and not enough showing
The African-American women in Black Panther, finally, at long last, utterly obliterate the Hollywood construct.
Familiar brings a unique voice and genuine humor to a relatable issue
Robert Schenkkan's compelling exploration of Lyndon B. Johnson offers a lot of food for thought
Michael Urie commands the stage in Michael Kahn's deeply elegant, daring production of "Hamlet"
Theresa Rebeck's "The Way of the World" has a few moments of brilliance, but not enough to redeem it
Stephen Karam's "The Humans" is a gritty, affecting night to remember.
Shakespeare Theatre's Twelfth Night is a "true original"
Washington National Opera's "Alcina" showcases baroque music with a contemporary soul.
Act of God is fun, irreverent, and pleasingly boundary-pushing
"Peter Pan" is a grand adventure that's perfect for kids
Shirine Babb rules all in "Antony and Cleopatra"
Arhur Miller's "The Price" is the stuff of playwriting dreams