Theresa Rebeck's "The Way of the World" has a few moments of brilliance, but not enough to redeem it
Stephen Karam's "The Humans" is a gritty, affecting night to remember.
Shakespeare Theatre's Twelfth Night is a "true original"
Washington National Opera's "Alcina" showcases baroque music with a contemporary soul.
Act of God is fun, irreverent, and pleasingly boundary-pushing
"Peter Pan" is a grand adventure that's perfect for kids
Shirine Babb rules all in "Antony and Cleopatra"
Arhur Miller's "The Price" is the stuff of playwriting dreams
Shakespeare Theatre's "The Lover" and "The Collection" offer Pinter at his best
Karen Zacarias' Native Gardens offers a funny, D.C.-specific look at race and class in America
"The Arsonists" is a provocative, humorous allegory for our modern political times
Aida's confusing staging is offset by powerful sopranos and grand production
The School For Lies is a rom-com for wordsmiths and wig lovers
"King Lear" may be small in budget, but it's big in vision and has a grimly authentic lead in Rick Foucheux
Taylor Mac's Hir is an important treatment of gender identity, but it sometimes lacks nuance