Both are part of the LGBT community, though Grey is a more recent addition, having publicly come out last January.
Both own small dogs — Grey, a Chihauhua named Nicky and Cumming, a Chihuahua-Rat Terrier mix named Jerry.
Both have written memoirs. Cumming’s — Not My Father’s Son — was published in 2014 while Grey’s — Master of Ceremonies — reaches Amazon in a few weeks.
Both have found success on television. Grey has enjoyed almost 60 years of television appearances, including guest arcs on both Alias and Buffy the Vampire Slayer, while Cumming has brought to life, with brilliant, vivid nuance, the Emmy-nominated role of Eli Gold on CBS hit The Good Wife.
Both have had astonishing stage careers. Grey originated the role of The Wizard of Oz in Wicked and Amos Hart in Chicago, while Cumming has played in everything from Hamlet to Bent to The Threepenny Opera. But their Broadway link lies with Kander and Ebb’s classic Cabaret: Each won a Tony Award for playing The Emcee. Grey originated the showy — and show-stopping — part in the original Broadway production in the ’60s (and later in the 1972 film, for which he took home an Oscar). Years later, in 1998, Cumming won a Tony for darker, more sexualized take on the part.
And both are coming to our city: Cumming, 51, will be at Strathmore on Valentine’s Day — Sunday, Feb. 14 — with his critically heralded cabaret, Alan Cumming Sings Sappy Songs, while the 83-year-old Grey will settle into the Historic Sixth & I Synagogue on Feb. 23, for an in-depth conversation about his book, his life, and his remarkable career.
On July 21, Wilmer Chavarria, superintendent of Vermont's Winooski School District, was detained for hours by U.S. Customs and Border Protection officers at Houston's George Bush Intercontinental Airport after returning from a family visit to Nicaragua with his husband, Essex High School teacher Cyrus Dudgeon.
Officers seized Chavarria's phone and computer, separated him from Dudgeon, and interrogated him for at least five hours about his marriage and his job, according to Vermont's alternative weekly Seven Days.
During the interrogation, agents questioned whether Chavarria and Dudgeon were really married and repeatedly asked if Chavarria was actually a school superintendent. In an email to school board members, Chavarria described the experience as "abusive interrogation" and said he was "treated in a manner that is deeply disturbing and unacceptable."
Education is murder for the kids at Westerberg High. Why shouldn't it be when the three most poisonous and popular girls there are head cheerleader Heather McNamara (Elizabeth Teeter), yearbook organizer Heather Duke (Olivia Hardy), and their persuasive leader, Heather Chandler (McKenzie Kurtz), a "mythic bitch" who everyone loves to hate but hates to love.
"They float above it all… are solid Teflon -- never bothered, never harassed. I would give anything to be like that," Veronica Sawyer (Lorna Courtney) says at the start of the show. For her, "anything" includes criminal acts. With the help of a new kid in town, Jason "J.D." Dean (Casey Likes), the two become a high school Bonnie and Clyde, eradicating fellow students, including Chandler, who cause them problems.
In the time-honored tradition of sci-fi fantasy about kids being whisked away to fantastical realms, Madeleine L'Engle's A Wrinkle in Time starts with the kid in question feeling pretty miserable here on Earth. Thrilling adventure awaits, and happier days may lie ahead for the book's young heroine, Meg Murry, but she'll have to traverse much darkness to reach the light.
That somber phase of Meg's journey is aptly reflected in Arena Stage's world-premiere adaptation, featuring music and lyrics by Heather Christian and a book by Lauren Yee. Lee Sunday Evans, who recently staged Christian's Oratorio for Living Things Off-Broadway to much acclaim, directs this atmospheric production starring Taylor Iman Jones (Broadway's SIX) as Meg, a bright but indeed downhearted middle schooler.
These are challenging times for news organizations. And yet it’s crucial we stay active and provide vital resources and information to both our local readers and the world. So won’t you please take a moment and consider supporting Metro Weekly with a membership? For as little as $5 a month, you can help ensure Metro Weekly magazine and MetroWeekly.com remain free, viable resources as we provide the best, most diverse, culturally-resonant LGBTQ coverage in both the D.C. region and around the world. Memberships come with exclusive perks and discounts, your own personal digital delivery of each week’s magazine (and an archive), access to our Member's Lounge when it launches this fall, and exclusive members-only items like Metro Weekly Membership Mugs and Tote Bags! Check out all our membership levels here and please join us today!
You must be logged in to post a comment.